Amazing pedal in like new condition, only used a few times and comes with the box and all the unused stickers. You will not find a cleaner or more complete one, the best version IMO. Functions perfectly and sounds amazing, only moving it along to fund a few other projects. Thanks for looking and be sure to check out my other listings! 

WHITE PEDAL V2- The original vintage super 1968 flavor gets a prestigious quad of NOS transistors under the hood.  Juicier fuzz flavor, juicier MidRangeBoost flavor, and less high end sheen are the results.  Check out the Stones using this circuit in the video.

WHAT IS THE DIFFERENCE?!?!?!
First off.  V2 has gorgeous blood red knobs.  This is so you will physically be able to spot a V1 and a V2.
The tonal difference is the result of switching to NOS transistors with our new formula of gains in 4 of the 7 positions.
This results in;
    1.  a bit thicker, rounder distortion characteristic
    2.  a bit more wetness, depth from the MRB filter section
    3.  a bit less brightness overall, especially from the treble section

JEXT TELEZ WHITE PEDAL

Based on the fuzz used for guitar parts among other instruments on: USSR, Birthday (the 'underwater piano'), Monkey, Warm Gun, Helter Skelter, Lady Madonna, Bulldog, Hello Goodbye, Flying, Sgt. Peppers, Sympathy for the Devil, Brown Sugar, Honkey Tonk Woman...

The Vox Supreme, Defiant, Conqueror and Virtuoso amplifiers came with a fuzz/OD and semi-parked Wah built into the amp. Stones and Lennon/McCartney/Harrison all used it judiciously on many a tune.

When you blend a fuzz that shoots out of a mix with a scary directness and add to that a perfectly tweaked, talking wah-tone.. Some quadratic time domain stuff happens.  It's simply classic and familiar but complex in it's internal layering.

The White Pedal delivers this emotionally rocking voice-- stripped down, raw, holographic, direct, timeless, deconstructionist.

Pedal comes in white bag inside white box.  Manual, labels, stickers and white feet included.
                                                                                                       

JextTELEZ WhitePEDAL

YOU CAN USE THE INCLUDED LABELS FOR YOUR KNOBS. MANY REQUESTED THEIR PEDALS REMAIN ONLY WHITE SO THE LABELS ARE INCLUDED AND  OPTIONAL
NEVER POWER WITH AC ADAPTERS, PLEASE USE DC ADAPTERS ONLY. USE 9V BATTERY OR STANDARD 9V TIP NEGATIVE DC POWER. SHARED
DAISY CHAINS WORK FINE. FOR mA, 200mA IS PLENTY & 1500mA HAS WORKED WITHOUT ISSUE. PEDAL DRAW IS LOW.
             
WHAT ARE THE KNOBS? LEFT TO RIGHT THEY ARE:
              VOLUME     GAIN       TREBLE     BASS     MRB(MidRangeBoost Frequency Selector on the side)
            The labels provided for your use may you choose are:
                    V               G               T               B             YOKO
              (volume       gain         treble         bass     mid freq. selector)

OVERVIEW. We voiced this pedal to sound like the Vox solid state amps Defiant/Supreme/Conqueror/Virtuoso. The Beatles and Stones used this
circuit in the studio between 1966 & 1972. A unique fuzz blended with an inductor-- a sort of parked wah. The fuzz is aggresive yet vintage sounding. It shoots out of mixes with ease. We expanded the palette of tones so the pedal cleans up into overdrive and boost better than the original circuit. We made the treble and bass knobs interact with the inductor more. We fine tuned the eq and overall tone and fuzz characteristics. We had custom inductors wound-- crucial as the overall timber of the entire pedal is formed by the quality of the inductor.
TIPS/SETTINGS. From vintage clean to mid-rich overdrives and stabbing blues possessed fuzz, there is alot of land to explore with the White Pedal.
Leave the gain down and connect other fuzz (or any type!) pedals and the MidRangeBoost (YOKO) will add a halo of mids to them.
The Beatles ran a piano through one for the 'underwater piano' sounds on 'Birthday'. Talking midrange leads. Hints of octave up and ring mod can be heard when cranking the gain. Complex fuzzes can be found by tweaking the eq and yoko combinations.
Strange honky rhythm tones. Dial the bass knob all the way down for killer phone and A.M. filters. Use on bass guitar, synth, keyboards, electric pianos, everything is great through it. We get a lot of reports of studio use of our pedals including mixbuss, parallel buss, and reprinting tracks through for tonality and dimension. Explore and enjoy!