Santa Fe Springs, CA, United States
About this listing
Red 16Line is a 64-in/64-out Pro Tools | HD and dual Thunderbolt 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink connectors and Thunderbolt connections, it's now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the remote control software, or on the device front panel and change DAWs in seconds.\n\nThe Easiest Way To Work In Pro Tools | HD And A Second DAW\nSince Red 16Line provides both DigiLink connectors and Thunderbolt connections, it's now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the remote control software, or on the device front panel and change DAWs in seconds.\n\nOur Best Conversion\nHigh-performance audio conversion with over 118dB dynamic range A-D and 121dB dynamic range D-A (A-weighted). These converters have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in our best-quality audio interface.\n\nRevolutionise Your Workflow\nRed's ultra-low round trip latency completely transforms your workflow. If you're used to having to build two different mixes - one using input monitoring to overdub, the other using the DAW for playback - the good news is that now, one is enough. Build your mix on the DAW and use it whether you're overdubbing (monitoring the input you're recording with the RedNet Control software mixer) or playing back, with all your plug-ins in place, all the time.\n\nExtensive Analogue I/O\nRed 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs.\n\nTwo Of Our Best Preamps\nThe two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name we give to the sonic signature of the classic transformer ISA preamp.\n\nNetworked Audio-Enabled Out Of The Box\nWith dual-port Dante connectivity, you will be able to expand your studio over Ethernet for more channels at higher sample rates, anywhere in your network, at lower latency and lower cost.\n\nSoftware Mixer With Hardware-Focused Workflow\nRedNet Control is our software mixer designed primarily for ease of use in quickly setting up both simple and complex monitoring and routing configurations, together with the ability to control your preamps remotely.\n\nThe Sound Of Red\nAcross Your Mix\nEvery Red interface comes with our Red 2 and Red 3 EQ and compression plug-ins. AAX/AU/VST-compatible, these plug-ins faithfully reproduce the sonic qualities of the original hardware, allowing you to take advantage of the classic Red sound - the sound of professional recording studios all over the world - across your entire mix.\n\nThe Focusrite Studio Console Reborn In Your DAW\nThe Focusrite Studio Console defined countless hits of the 80s and 90s, thanks in large part to its ISA 110 Equaliser and ISA 130 Dynamics Modules. Brainworx's bx_console Focusrite plug-in brings you stunningly accurate emulations of both in a single plug-in, perfectly capturing the famously warm, open sound of two of the most revered pieces of studio hardware ever made.\nKey Features\n\n\n Connect to Pro Tools | HD, Thunderbolt computers and Dante simultaneously without option cards\n High-performance audio conversion with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted)\n Ultra-low round trip latency to track through plug-ins and record virtual instruments in real time\n 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs\n Two digitally-controlled Red Evolution mic preamps with up to 63dB of ultra-clean gain, stereo linking, individual phantom power, high-pass filter and phase reverse\n Air mode on the preamps, giving recordings the clarity of a transformer-based ISA\n Two Thunderbolt 3 ports as standard to connect additional Thunderbolt products\n Dual-port Dante card for more channels at higher sample rates\n Three LCD displays for highly accurate level metering\n Focusrite Control software mixer for setting up monitoring and routing configurations, with remote control of preamps\n Two discrete high-fidelity headphone outputs\n Connect multiple digital sources using word clock I/O and loop-sync I/O\n Two instrument inputs on the front pane\n lAAX/AU/VST-compatible Red 2 and Red 3 EQ and compression plug-ins\n\nTechnical Specifications\nSystem Requirements\nInternet connection for downloading and installing software and driver\nSimultaneous Inputs & Outputs\nUp to 64 x 64\nGain Range\n0-8dB to 63dB in 1dB steps\nType\nElectronically Balanced, Zin = 20k Ohm\nMax. Input Level\n>+19dBu, min gain\nFrequency Response\n20Hz - 35kHz +/-0.2dB\nTHD + N\n-102dB (0.0008%) @ -1dBFS\nEIN\n<-129dBu 'A'-Weighted (typical)\nSignal-To-Noise Ratio\n119dB 'A'-Weighted (typical)\nCommon-Mode Rejection Ratio\n50/60Hz CMRR: -70dB\nPhantom Power\n+48V, independently switchable per channel.\nHPF\nHigh-Pass Filter (HPF): -3dB @ 80 +/- 3Hz, 12dB/Octave, independently switchable per channel\nAir Mode\n2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2kO\n0 DBFS Reference Level\n+18 or +24dBu (switchable)\nLine Inputs 1-16 0 DBFS Reference Level\n+18 or +24dBu (switchable)\nLine Inputs 1-16 Type\nElectronically Balanced, Zin = 20kO\nLine Inputs 1-16 Frequency Response\n20Hz - 35kHz +/-0.2dB\nLine Inputs 1-16 THD + N\n-102dB (0.0008%) @ -1dBFS\nLine Inputs Signal-To-Noise Ratio\n119dB 'A'-Weighted (typical)\nLine Inputs 1-16 Common-Mode Rejection Ratio\n50/60Hz CMRR: -70dB\nInstrument Inputs Gain Range\n0-8dB to 63dB in 1dB steps\nInstrument Inputs Type\nZin = 2.3MO\nInstrument Inputs Max. Input Level\n>+15dBu, min gain\nInstrument Inputs Frequency Response\n20Hz - 35kHz +/-0.2dB, min gain\nInstrument Inputs THD + N\n-100dB (0.001%) @ -1dBFS (@ 11dB Gain)\nInstrument Inputs Signal-To-Noise Ratio\n117dB 'A'-Weighted (typical), min gain\nInstrument Inputs HPF\n-3dB @ 80 +/- 3Hz, 12dB/Octave, independently switchable per channel\nInstrument Inputs Air Mode\n2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)\nLine Outputs 1-16 0 DBFS Reference Levels\n+18 or +24dBu (switchable)\nLine Outputs 1-16 Frequency Response\n20Hz - 35kHz +/-0.2dB\nLine Outputs 1-16 THD + N\n<-104dB (0.0006%) unweighted, 20Hz - 20kHz; -1dBFS input\nLine Outputs 1-16 Dynamic Range\n121dB 'A'-weighted (typical), 20Hz - 20kHz\nLine Outputs 1-16 Output Impedance\nNominal output impedance = 136O balanced (68O each phase)\nMonitor Outputs 0 DBFS Reference Levels\n+18dBu\nMonitor Outputs Frequency Response\n20Hz - 35kHz +/-0.2dB\nMonitor Outputs THD+N\n-80dB (0.01%) unweighted, 20Hz - 20kHz; -1dBFS input\nMonitor Outputs Dynamic Range\n120dB (A-Weighted)\nMonitor Outputs Output Impedance\nNominal output impedance = 136O balanced (68O each phase)\nHeadphone Outputs 0 DBFS Reference Levels\n+16dBm +/- 0.5dB\nHeadphone Outputs Frequency Response\n20Hz - 20kHz +/-0.2dB\nHeadphone Outputs THD + N\n<-75dB (0.018%) unweighted, 20Hz - 20kHz\nHeadphone Outputs Dynamic Range\n114dB 'A'-weighted (typical), 20Hz - 20kHz\nHeadphone Outputs Output Impedance\n10O\nHeadphone Outputs Headphone Impedance\n32O - 600O\nMic Input To Input\n< -80dB; 20Hz - 20kHz (driven channel at -20dBFS)\nMic Input To Output\n< -130dB; 20Hz - 20kHz (driven channel at -20dBFS)\nOutput To Mic Input\n< -165dB; 20Hz - 20kHz (driven channel at -20dBFS)\nLine Input To Line Input\n< -100dB; 20Hz - 20kHz (driven channel at -20dBFS)\nLine Input To Output\n< -150dB; 20Hz - 20kHz (driven channel at -20dBFS)\nOutput To Line Input\n< -150dB; 20Hz - 20kHz (driven channel at -20dBFS)\nOutput To Output\n< -95dB; 20Hz - 20kHz (driven channel at -20dBFS)\nHeadphone To Headphone\n< -95dB; 20Hz - 20kHz (driven channel at -20dBFS)\nSupported Sample Rates\n44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (-4% / -0.1% / +0.1% / +4.167%) at 24 bit\nClock Sources\nInternal, ADAT 1, ADAT 2, S/PDIF, Word Clock, Loop Sync or from Dante Network Master\nInstrument Inputs Channel Count\n2 Channels In\nInstrument Inputs Instrument Inputs\n2 x 1/4" TS stereo jack\nHeadphone Outputs Channel Count\n2 Stereo Channels Out\nHeadphone Outputs Headphone Outputs\n2 x 1/4" TRS stereo jack\nThunderbolt Channel Count\nUp to 64 In and 64 Out\nThunderbolt Ports\n2 x Thunderbolt 3 Ports (Primary Port 1 and Primary Port 2)\nPro Tools Channel Count\nUp to 64 In and 64 Out (32 In and 32 Out per connection)\nPrimary Port\n2 x Mini DigiLink\nDante Channel Count\nUp to 32 In and 32 Out\nDante Input And Output\n2 x ethernet standard RJ45 connectors (Compatible with Cat 5e and above).\nMic Inputs Channel Count\n2 In\nMic Input\n2 x Female XLR\nLine Level Channel Count\n16 In and 16 Out\nLine Level Input\n2 x DB-25 connectors (AES59)\nLine Level Output\n2 x DB-25 connectors (AES59)\nADAT Channel Count\nUp to 16 In and 16 Out\nADAT Input\n2 x TOSLINK connector\nADAT Output\n2 x TOSLINK connector\nADAT Channel Assignments @ 44.1 KHz, 48 KHz\nPort 1 = Channels 1 - 8 , Port 2 = Channels 9 - 16\nADAT Channel Assignments @ 88.2 KHz, 96 KHz\nSMUXI: Port 1 = Channels 1 - 4, Port 2 = Channels 5 - 8\nADAT Channel Assignments @ 176.4 KHz, 192 KHz\nSMUXII: Port 1 = Channels 1 - 2 , Port 2 = Channels 3 - 4\nS/PDIF Channel Count\n2 In and 2 Out (Optical up to 96kHz)\nS/PDIF Input\n1 x RCA phono socket (1 x TOSLINK up to 96kHz)\nS/PDIF Output\n1 x RCA phono socket (1 x TOSLINK up to 96kHz)\nMonitor Outputs Channel Count\n2 Out\nMonitor Outputs\n2 x 1/4" TRS stereo jack\nLoop Sync Input\n1 x BNC 75O port\nLoop Sync Output\n1 x BNC 75O port\nWorld Clock Input\n1 x BNC 75O port\nWorld Clock Output\n1 x BNC 75O port\nPSU\n1 x IEC Input\nOLED Screens\n3 x Screens (menus and metering)\nHeight\n44mm/ 1.73"\nWidth\n483mm/ 19.02"\nDepth (Chassis Only)\n340mm/ 13.39"\nWeight\n5.04kg\nPower PSU\n1 x Internal, 100-240V, 50/60Hz, consumption 120W.\nOperating Temperature\nOperates at up to an ambient temperature of 40 degrees Celcius\nFan\nDual fan
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