Pieńków, Poland
About this listing
The unit from our studio, very good condition. Original box included.The perfect partner for a StudioLive Series III console. The StudioLive 16R Series III rack mixer is a perfect partner for your , serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 16R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the StudioLive 16R’s preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 16R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class—all packed into just one rackspace. (1U). The most powerful rack mixer in its class. When we say the StudioLive® Series III stage boxes and rack mixers are by far the most powerful rackmount digital mixers in their class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio. A third-generation Fat Channel. StudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system. Customize scenes and presets in new and powerful ways—including your way. With StudioLive Series III, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall. Create buses and groups to suit your workflow with FlexMixes. Don’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to six FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. These 6 FlexMixes are in addition to the 2 internal effects sends and the stereo main bus, giving you a total of 10 mix buses, not counting the solo buses. We also provided eight Filter DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive Series III rack mixer exactly to your needs and workflow. Integrated software package with professional DAW, remote-control apps, and one-touch recording. PreSonus StudioLive Series III mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using touch-control software for Mac, Windows, Android, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with . Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive Series III mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision. Computer system requirements: Below are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®. Mac Mac® OS X 10.8.5 64-bit or laterIntel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)4 GB RAM (8 GB or more recommended) Windows Windows® 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86Intel Core 2 Duo (Intel Core i3 or faster recommended)4 GB RAM (8 GB or more recommended) Mac and Windows Systems USB 2.0 portInternet connectionInternal or external 7200 RPM storage drive highly recommended34 GB hard disk spaceMonitor with 1366x768 resolution iOS iOS 9.3 or lateriPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2
Android (QMix-UC) Android™ 5.0 (Lollipop) or laterAndroid smartphone (QMix-UC)Android tablet (8-inch) with 1024x768 resolution (UC Surface) Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer. Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals. Technical Specifications Microphone Preamplifier Input TypeCombo locking XLR mic-¼” TRS lineFrequency Response to Main Output (at unity gain)20-20 kHz, ±0.5 dBuInput Impedance1 kΩTHD to Main Output<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtdS/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)94 dBCommon Mode Rejection Ratio (1 kHz at unity gain)65 dBGain Control Range (±1 dB)0 dB to +60 dBMaximum Input Level (unity gain)+12 dBuPhantom Power (±2 VDC)48 VDC, switchable per channel Unbalanced Inputs (Ch. 15-16) TypeRCA Female, unbalanced (stereo pair)Maximum Input Level+12 dBu, ±0.5 dBu Main Outputs TypeXLR Male, balancedMaximum Output Level+24 dBu, ±0.5 dBuOutput Impedance100Ω Mix Outputs Type¼” TRS Female, balancedMaximum Output Level+18 dBu, ±0.5 dBuOutput Impedance100Ω Headphone Output Type¼” TRS Female, active stereoMaximum Output100 mW/ch. @ 60Ω loadFrequency Response20 Hz – 20 kHz (± 0.5 dB)THD+N0.01%, 1 kHz, max gain, 20 Hz BW, unwtdS/N Ratio96 dB, 1 kHz, max gain, 20 Hz BW, unwtd System Crosstalk Input to Output-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)Adjacent Channels-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) Digital Audio and Control ADC Dynamic Range115 dB (A-wtd, 48 kHz)DAC Dynamic Range115 dB (A-wtd, 48 kHz)USB Recording PortUSB 2.0, Type-BNetwork Control PortRJ-45AVB Audio Network PortLocking XLR EthernetInternal Processing32-bit, floating pointSampling Rate48 kHz (44.1 kHz coming soon)A/D/A Bit Depth24Reference Level for 0 dBFS+18 dBuTotal System Latency1.9 ms (local routing, analog in-analog out, all processing active) Clock Jitter<20 ps RMS (20 Hz - 20 kHz)Jitter Attenuation>60 dB (1 ns in, 1 ps out) Power / Environmental ConnectorIECInput-Voltage Range90 to 230 VAC (±10%)Power Requirements (continuous)85WRecommended Ambient Operating Temperature0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit Physical Height1.75” (45mm)Width19” (483mm)Depth12” (305mm)Weight8.6 lbs. (3.9 kg)
Pricezł4,388.89
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