Inspired by the long decays and lush reverbs Vangelis used in composing the soundtrack to the 1982 sci-fi film Blade Runner, DSP designer Angelo Mazzocco created the Meris Mercury7. It features an analog mix and dry signal path, high and low frequency damping, handcrafted algorithmic reverbs, and extensive modulation capability. The auto swell envelope feature is variable and engaged by footswitch, and players can take advantage of the stereo ins/outs and the switchable input/output headroom level dependent on whether you're using it with your guitar, synth, or line level.