PMC made these monitors that were reviewed by SOS with all Pros - no Cons.

They can operate on analog or digital inputs.

Precision digital crossovers.

Consistent bass whether played at high or low volumes - thanks to PMC's ATL design. These are *NOT* boxes; they're transmission lines.

PMC's current ATL nearfield monitors are 8K; these were 5K CAD when they were new.

If you want to read more, search for the Digidesign RM2 review at Sound on Sound.

First monitor "A" has been recapped about 8 years ago. It's really in excellent condition. Second monitor "B" I purchased later, and the woofer has a small bend in the bottom (doesn't affect the sound at all), and the enclosure has a bunch of scratches and bumps in the finish, that are all cosmetic.

The B monitor has a broken switch for the L/R digital input selector. It may be possible to switch that with a knife tip, but you can always set the other monitor opposite it. This is only for digital, so if you're using the analog inputs that won't apply.

This is actually my second (backup) pair; I'm keeping my main set, but can't justify having a backup anymore.