Flamma FV01 Corrector

You're a guitar player who also sings, which means you're running two signal chains and usually two boards to cover it. There's a whole product category built around solving exactly that problem, and it gets expensive quickly. The Flamma FV01 does the same job, guitar and vocal through one box, without the premium price tag attached to that category.

The guitar side gets its own 1/4" in/out with independent reverb, so it's not an afterthought bolted onto a vocal unit. The vocal side runs through a balanced XLR input with optional 48V phantom power, so a condenser or dynamic mic plugs straight in with no separate interface needed. The Correction knob sweeps 0 to 100, light pitch-tightening to keep a live vocal honest on one end, the glassy Auto-Tune effect on the other if that's the sound you're after. Three vocal TONE modes (Normal, Warm, Bright) shape your voice's character, and independent Reverb (Room, Hall, Plate) and Delay (Tape, Digital, Slap) knobs give the vocal side real ambience instead of a token effect tacked on.

A Line In switch lets the box run as a straight mic preamp when you don't want effects engaged, a Ground Lift switch handles noisy stages, and you can route to mixed or individual outputs depending on how your PA wants the signal.

One thing worth knowing before your first gig with it: tap tempo and a few deeper functions live behind press-and-hold footswitch combos instead of front-panel knobs, so give yourself a rehearsal or two to build the muscle memory. And pushed hard, the correction effect sounds like exactly what it is, a stylized effect, not invisible repair, which is the right call if you want vocal character rather than disappearing pitch correction.