Quietly earned its place in serious studios while wearing the label of a “budget condenser.” The AKG C2000B is a Large diaphragm back-electret condenser manufactured in Austria. built to be accessible, yet engineered with enough intelligence and durability to handle real professional work.

Over time, it became one of those microphones that simply stayed in use because it delivered, session after session.

OPTICAL CONDITION
Excellent condition. Extremely light signs of use, barely noticeable. From a normal viewing distance, the microphone presents as almost new.

TECHNICAL CONDITION
Refurbished, tested, and fully functional. Cleaned and checked for reliable long-term performance.

THIS ITEM INCLUDES

• Original AKG H100 shock mount (quick-lock system)
• Custom hard case

BUILD & DESIGN

Solid all-metal construction with AKG’s classic Austrian manufacturing quality. The design is compact for a large diaphragm microphone, with a very robust feel. Standard XLR output, phantom-powered.

• Capsule
  Large diaphragm back-electret condenser capsule. Unlike externally polarized designs, this capsule holds a permanent charge, allowing for a simpler and more stable construction.
  A standout feature is the protective foam layer positioned extremely close to the diaphragm, acting as a physical barrier. This unusual design significantly improves durability and helps protect the capsule from dust and moisture over time.

• Circuit
  FET-based condenser circuit requiring 48V phantom power. Clean, efficient, and designed for reliability rather than coloration.

• Controls
• Pad: 0 / –10 dB
• High-pass filter: flat / low-cut
  Simple, practical switching for real-world recording situations.

TECHNICAL SPECIFICATIONS
Type: Back-electret condenser
Polar Pattern: Cardioid
Frequency Response: 30 Hz – 20,000 Hz
Sensitivity / Impedance: Standard condenser / low impedance
Output: Balanced XLR
Powering: 48V phantom power
Made in: Austria

SOUND CHARACTERISTICS
Focused, clear, and slightly forward in the upper mids. The C2000B has a controlled low end and a present top that helps sources sit in a mix without excessive processing. Compared to more expensive LDCs, it is a bit tighter and less “lush,” but that’s exactly what makes it so usable.

Works especially well for:

• Acoustic guitar
• Vocals (especially in dense mixes)
• Snare drum and percussion
• General studio utility

FREQUENCY RESPONSE
Estimated Frequency Response:
30 Hz – 20,000 Hz

• Controlled low end with gentle roll-off below ~60 Hz
• Noticeable presence lift around 4–7 kHz
• Clean high-frequency extension with slight emphasis

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