Yamaha MGX12 W 18-Channel Digital Mixing Console White Streaming Studio Bundle with Two DBR12 12-Inch 1,000W Powered Loudspeakers and HPH-MT5W Closed-Back Studio Monitor Headphones (White)

Yamaha MGX12 W White Streaming Studio Bundle: A Matched White Mixer, PA, and Reference Cans

This all-white bundle is built for the creator who records and broadcasts from one room and wants gear that looks as clean on camera as it sounds. The Yamaha MGX12 W 18-channel digital mixing console anchors the rig in a white chassis: 4 MGX mic preamps with an 86 dB gain range, a 4.3-inch color touchscreen above eleven 60 mm faders, three-channel multi-stream loopback, and a dual USB-C 32-bit/96 kHz interface. Two Yamaha DBR12 12-inch 1,000W powered loudspeakers fill the room at 131 dB, and a pair of white HPH-MT5W closed-back studio monitor headphones gives you a flat reference for tracking a take, checking a mix, or cueing a stream. One purchase puts the console, the full-range PA, and the monitoring reference in your hands — record it, stream it, and hear exactly what it sounds like.

Three-Channel Loopback and Dual USB-C Turn the MGX12 W Into a Streaming Hub

The MGX12 W is engineered for the broadcast workflow, not just the stage. Three-channel Multi-Stream Audio loopback routes your program mix, microphone, and playback independently into OBS or any streaming app, so a guest, a backing track, and your voice each land on their own channel instead of a single mashed feed. The dual USB-C ports run in parallel: the MAIN port is a full 18-in/18-out 32-bit/96 kHz audio interface multitracking the whole session into Cubase AI, while the SUB port feeds a separate 2-track mix to the live stream at the same time. Record the master and broadcast the show from one white board, no second device.

4 MGX Preamps, a Sound Pad, and an 86 dB Gain Range Built for Spoken Word and Music

The MGX12 W is the digital evolution of Yamaha's industry-standard MG analog line, and the four MGX mic preamps are where the True Sound signature lives. An 86 dB gain range with -128 dBu EIN, 0.002% THD, and 125 dB of dynamic range holds a whispered voice-over and a belted vocal on the same board without hiss. The Sweet Spot Morphing Channel Strip folds compression and EQ under one encoder, REV-X reverb and a Ducker shape the mix, and a dedicated Sound Pad fires jingles, stingers, and effects on demand — purpose-built for the podcaster and streamer who scores their own show in real time.

Four Headphone Outputs and microSD Recording for Multi-Host Sessions

Four independent headphone outputs put a discrete monitor feed in front of every seat at the table — a four-person podcast, a host plus three guests, a band tracking together — each cueing their own mix. When the laptop stays closed, the console records up to 16 tracks straight to a microSD card on its own, and Bluetooth 5.0 streams walk-in music or a remote caller wirelessly. A 4.3-inch touchscreen with Scene Recall stores full mix snapshots for instant resets between episodes, and the whole white chassis weighs just 8.6 lb.

Two DBR12 12-Inch 1,000W Speakers Carry the Room With FIR-X Tuning and a Monitor Mode

Each DBR12 drives a 12-inch cone and a 1.4-inch compression driver with 1,000W of Class-D power, hitting 131 dB max SPL across 52 Hz to 20 kHz — full-range with no subwoofer for most program material. Yamaha's proprietary FIR-X tuning gives the pair linear-phase crossover behavior and tighter transients, so the mix stays detailed when pushed. The symmetrical cabinet drops onto a 35 mm pole as a main or tilts as a floor wedge, and the D-Contour switch flips either cabinet between front-of-house and stage-monitor voicing with one button. The 12-inch pair brings headroom a 10-inch runs out of.

White HPH-MT5W Reference Cans Tuned in the NS-10 Tradition for Honest Monitoring

The white HPH-MT5W headphones complete the chain with an honest reference the loud powered speakers cannot give you. Closed-back 40 mm CCAW drivers reproduce a flat 20 Hz-20 kHz response in the NS-10 and HS-series monitor tradition — accurate and fatigue-revealing, built to expose problem areas rather than flatter them. The closed-back design isolates the engineer and keeps headphone bleed out of open mics during tracking, the cups rotate flat for single-ear cueing, and a detachable 9.8 ft cable with a screw-on 1/4-inch adaptor plugs straight into the console. The white finish photographs bright on camera and matches the white console and the on-stream studio aesthetic.

For the Streamer Building a Studio, the Podcaster Adding Hosts, and the Producer Going Live

First-timer? This is a complete white studio in one order — mixer, PA, and reference cans, nothing left to source before you record. Upgrading from a USB interface or a small analog board? You gain three-channel loopback, four headphone feeds, 32-bit recording, and 1,000W of full-range PA in a matched white package. The numbers carry it: 86 dB preamp gain, 18-track 32-bit/96 kHz capture, 131 dB max SPL, and a flat 20 Hz-20 kHz monitoring reference. Record it, stream it, send it to the room.