Yamaha MG12XU 12-Channel USB Mixing Console Streaming Studio Bundle with 2x DBR12 12-Inch 1,000W Powered Loudspeakers and HPH-MT5W White Closed-Back Studio Monitor Headphones

Yamaha MG12XU Bundle: One Mixer, Two Powered Mains, and a White Reference Pair for the Camera-Ready Studio

This bundle is built for the creator who runs sound and films at the same time — the streamer, the worship media team, the event producer who needs the room filled, the mix recorded, and the gear to look right on camera. The Yamaha MG12XU 12-channel USB mixing console is the hub: 6 D-PRE discrete Class-A preamps, SPX effects, 1-knob compression, and a 24-bit/192kHz USB interface that records and streams the full mix with no separate audio interface. Two DBR12 12-inch 1,000W powered loudspeakers deliver 131 dB of full-range front-of-house, and the HPH-MT5W white closed-back monitor headphones give you an honest private reference that matches a bright, on-camera setup.

How 6 D-PRE Preamps and 24-Bit USB Recording Turn a Compact Mixer Into a Streaming Console

The MG12XU runs up to 6 microphones and 12 line sources through 6 D-PRE preamps built on the same inverted-Darlington circuit Yamaha puts in its high-end boards — natural bass, smooth highs, and clean gain before the signal ever hits the computer. The onboard 2-in/2-out USB interface streams 24-bit/192kHz audio straight to a Mac or PC over a single cable, so you mix the room and capture the broadcast at once. The bundled Cubase AI DAW download makes it a true multitrack rig: record every take, then stream the same mix live.

SPX Effects, 1-Knob Compression, and 3-Band EQ for Broadcast-Ready Sound Out of the Box

Polish lives on the console. The SPX digital multi-effects processor offers 24 editable programs — Hall and Plate reverbs, delay, chorus, flanger — to add depth to vocals and instruments without outboard gear. 1-Knob Compressors with LED metering tighten dynamics in seconds, and 3-band channel EQ with a switchable high-pass filter shapes tone and removes rumble fast. +48V phantom power and PAD switches handle condensers and hot sources, so a podcast mic, a worship vocal, and a DI'd instrument all sound finished going to the speakers and the stream.

Two DBR12 Powered Mains: 131 dB of Full-Range Sound With FIR-X Tuning and No Subwoofer

Each DBR12 pairs a 12-inch LF cone with a 1.4-inch compression driver and 1,000W of Class-D bi-amplification for 131 dB max SPL and a 52 Hz-20 kHz range — full-range coverage for a 100-to-300-person room with no sub required. Yamaha's FIR-X linear-phase tuning keeps transients tight, and the D-Contour switch flips between front-of-house and floor-monitor voicings with one button. The XLR Mix-Out daisy-chains the post-mix signal between the pair for a clean stereo PA, and the 35mm pole socket and symmetrical cabinet let either speaker stand as a main or tilt as a stage wedge.

HPH-MT5W White Reference Headphones: Honest Monitoring That Matches the Camera

The mains fill the room, but they can't give you a private, accurate reference. The HPH-MT5W closed-back circumaural headphones do — 40mm CCAW drivers tuned to Yamaha's NS-10/HS reference philosophy reproduce a flat 20 Hz-20 kHz response that exposes problems in a mix. The closed-back design isolates you from a loud PA so you can verify the USB recording, check a vocal balance, or cue a source without trusting the room. The clean white finish photographs bright on camera and matches white desks and monitors in a streaming studio, and the detachable 9.8 ft cable plus 1/4-inch adaptor make them studio-ready and serviceable.

Built for Streamers, Worship Media Teams, and Event Producers Who Run Sound on Camera

If you are mixing your first live stream, this is everything you need to sit down and broadcast — mixer, mains, monitoring, and the recording path, in one order. If you are upgrading from a USB interface and a pair of consumer speakers, the D-PRE preamps and 131 dB DBR12 mains are a real step up in headroom and clarity. And if you are comparing setups spec for spec, the numbers hold: 24-bit/192kHz USB, FIR-X linear-phase mains, and flat-response reference cans that look right in frame. Mix it, amplify it, record it, see it. Order yours today.