Novation Launchkey Mini 37 MK4 Bundle: Write, Record, and Mix on One Compact Desk

This bundle is the complete write-record-mix loop for the producer working on a small desk or in a spare-room studio. The Launchkey Mini 37 MK4 is the creative engine — three octaves of velocity-sensitive mini-keys and 16 aftertouch pads to play parts and program beats. The Focusrite Scarlett 4i4 is the audio core — a 4-in/4-out USB-C interface that records vocals, guitars, and hardware synths, and feeds your monitors and headphones. The ADAM Audio D3V pair is the reference — ribbon-tweeter desktop monitors that tell you the truth about your mix. Plug the keyboard in, track through the interface, listen on the monitors, and the whole production chain lives on one surface.

Three Octaves That Bridge the Gap Between a Mini 25 and a Full-Size Keyboard

The Mini 37 gives you the 37-key, three-octave range that the Launchkey line was missing — enough span to play a bassline with the left hand and a melody with the right without constantly shifting octaves, yet still small enough to live on a crowded desk or ride in a backpack. The synth-style mini-keys are velocity-sensitive, and the 16 RGB FSR pads add polyphonic aftertouch with a radial sensor on every pad, so finger-drummed hi-hats and rolls respond to pressure the way a real kit does. The 128x64 OLED shows you exactly what each control is doing in real time.

Stay In Key and Write Progressions Faster With Scale and Chord Tools

Scale Mode locks the keys to one of 30 scales so wrong notes simply disappear — a beginner can play confidently from the first session. Three chord modes (Chord Map, Fixed Chord, and User Chord) plus the on-OLED Chord Detector turn single keypresses into full progressions, and the generative arpeggiator with its 8-step editor adds tie, accent, ratchet, and mutation to keep ideas moving. Eight endless encoders map to plugins, the mixer, sends, and transport, so the Mini 37 drives your DAW without forcing you back to the mouse. Deep custom scripts cover Ableton Live, Logic, Cubase, Reason, Reaper, FL Studio, and Ardour, with HUI for everything else.

The Scarlett 4i4 Adds the I/O the Solo and 2i2 Can't — Two Outputs Pairs, Two Headphone Amps, MIDI

Where a single-input interface boxes you in, the 4i4 opens the room up. Two combo XLR/TRS preamps deliver 69 dB of 4th-generation gain with -127 dBu EIN — clean enough to drive a demanding broadcast dynamic without an inline preamp — and switchable Air mode adds Presence and Harmonic Drive per channel for vocal clarity and analog console color. Auto Gain sets your level in one press, Clip Safe runs 96,000 checks per second to catch peaks before they distort, and Dynamic Gain Halos light the front-panel rings green-to-red. Four balanced 1/4″ TRS outputs feed the D3V pair plus a second monitor or cue feed, two independent headphone amps let you and a collaborator hear separate mixes, and 5-pin DIN MIDI In/Out connects the hardware in your rig. Stereo Loopback routes computer audio straight back in for streaming and capture.

D3V Ribbon-Tweeter Monitors Tell the Truth About Your Mix at Desk Distance

The ADAM Audio D3V pair brings the D-ART 1.5″ ribbon tweeter — the technology ADAM is known for — down to a desktop footprint, with extended, airy high-frequency detail you can hear the moment you press play. Dual 3.5″ aluminum woofers handle the midrange and upper bass, and dual-sided passive radiators push low-frequency response to 45 Hz with no port to chuff in a small room. With 240W of peak Class-D power and 97 dB max SPL, they have headroom to spare on a desk. USB-C plug-and-play digital input means the 4i4's balanced TRS outputs or your computer can drive them directly, and the DSP room-adaptation switches (desk, wall, corner) compensate for the boundary reflections that make small rooms lie to you.

How the Keyboard, Interface, and Monitors Work as One Production System

Each piece solves the next one's problem. The Launchkey Mini 37 plays and programs the music but has no way to record audio or drive speakers — the Scarlett 4i4 does both, capturing mics and instruments at 24-bit/192kHz and sending four balanced outputs to the monitors and a cue mix. The D3V monitors then give you an honest reference so the parts you played and the levels you set actually translate. The keyboard connects over USB-C, the 4i4 connects over USB-C and bus-powers from the computer, and the monitors accept the 4i4's TRS outputs or their own USB-C input — a clean, fully-wired signal path with nothing left to source.

For the First Studio, the Producer Upgrading From a Mini 25, and the Spec Shopper

If this is your first real setup, everything you need to write, record, and mix arrives in one order — no guessing which interface pairs with which monitors. If you're upgrading from a Mini 25 or a Solo-class interface, the three-octave range and the 4i4's second headphone amp, extra outputs, and MIDI ports remove the limits you'd outgrown. And if you're comparing on specs, the numbers hold up: 37 mini-keys, 16 aftertouch pads, 69 dB of clean preamp gain, 24-bit/192kHz conversion, a D-ART ribbon tweeter, and 45 Hz extension from a 3.5″ driver. Sit down, plug in, and start making music.