c/36 Revolution Analog Audio Controller is the product of the last two decades’ experience with a new twist: A table-top controller as unexampled today as the Iron Cross & Suppressor were 20 years ago.
Each channel (1 through 4) is activated—or deactivated—by dedicated Button & Mode-Switch pair. Each channel’s inputs “mult” to next channel when next channel is unoccupied—handy for spin-panning one signal in stereo or slash patching to four different effects at blistering speed. Primary Gate is comprised by one extra Button & Mode-Switch combination. This serves as a principal control commanding all four channels with the same activate—or deactivate—action. Gate is addressable remotely via optional m/2 foot control should even more limbs be needed to complicate the action. Anything you put into it can be roto-sliced at unprecedented velocity with precision AND intuition. Viva la—well, you get the picture.
Each channel has Phase switch above. Phase selects which—of the Hand Wheel’s two possible positions—will activate its channel. Position of Hand Wheel is monitored by status lamps with retina-rending-green or pupil-pulverizing-pink emitters. Barely move it to switch between phases or spin Hand Wheel outright & alternate 8 times per revolution & stop on a dime with but a finger’s flick. The Hand Wheel affords such unbelievable cut-control that it seems almost like, well, the invention of the—ahem—never mind.
2 CV outputs are connected directly to the Hand Wheel. Each of the two phases has a somewhat linear area of CV output to water your euro garden-variety modular rack-row “rectangler” patches. It could advance your sequencer clock input at varying speeds, be a hand-controlled LFO whose frequency is determined by spin-speed, modulate just about anything & even alterna-pan two VCA’s from “sonically-slow” to “make it stop!”. The list goes on…
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