Our Business Hours is Mon to Fri / 11:00 to 18:00 JPN time
We will close Sat and Sun, so we will reply to inquiry that received weekend on next week.
Your understanding will be appreciated.
We are receiving the customer order with first comes first serves basis both on website and at real shop.
So occasionally it will be sold out while having email communication.
Please understand in advance.
Japanese consumption tax is not required for international shopping. However you may be required to pay duty, tax and import fee when receiving your items in your country. You must pay all these duty, tax and fee as receiver/importer and we do not cover any of them.
■Please note
The product description is an automatic translation of the Japanese description. Please contact us if you have any questions.
-----------------------------------
Please be noted this one is USED not new.
There is not any issue on the function and the playing condition but blemishes on the cosmetic.
Please send message for more detail information of the condition.
-----------------------------------
The earliest BBOD was called Fuzz1. Technically, the BBOD is a fusion of dynamic overdrive and fuzz designed with discrete circuitry. Its sound is unique, covering everything from highly sensitive low-gain drive to heavily compressed distortion.
In addition to asymmetrical clipping that creates a waveform similar to the distortion of an ECC83 preamp tube, it also produces a rounded tone by suppressing harmonic components. This is reminiscent of the distortion that occurs when the output transformer's limits are exceeded in a push/pull stage.
From a guitarist's perspective, this is the most natural and supremely sweet overdrive/fuzz pedal.
BJF once checked this pedal at a guitar show in Stockholm. At guitar show-level volume, no other pedal sounded better than this one.
At that time, BJF felt it was his mission to show guitarists suffering from the "you can get a good sound by playing loud, but you get yelled at for being too loud and kicked out of the band" syndrome that with a low-wattage amp and a BBOD, you can create everything from beautiful clean tones to the best distortion. The BBOD works well with all Fender amps, including the Twin Reverb, which is said to be difficult to control, as well as classic British amps and Jazz Chorus amps.
The BBOD color is the same color originally used on BJFE's BJ'63 Stratocaster, and was recreated by looking at the color remaining in the spring cavity of a 1961 Stratocaster. Incidentally, a Baby Pink OD, painted in pink, was once produced as a special gift of only one unit.
Drive knob: This control allows you to set various types of distortion, a wide range of gain, and sustain. Setting it low results in a sensitive distortion pattern, a sound that requires careful picking. Setting it high increases compression, which reduces responsiveness but provides a more stable distortion and a thicker sound. It's best to start shaping your sound with this control around the 11 o'clock position.
Treble Knob: Adjusts the high-frequency components of the output signal. It's also ideal for adjusting the tonal balance between when the device is ON and OFF. The BBOD has a particularly high treble response, and even with the Treble knob set to almost minimum (near maximum when turned counterclockwise), it can sometimes provide the best balance depending on the equipment it's paired with. If you need more treble, try setting this knob higher than the center (clockwise). Start shaping your sound with this knob around the 12 o'clock position.
Volume knob: Adjusts the balance of signal levels when the effect is OFF and ON. Start by setting it to 12 o'clock, and then adjust the tone from there.
The BBOD is designed for high-impedance guitar pickups. It's especially well-suited for low-output models, and when used with low-output passive pickups, you can freely adjust the gain using the guitar's volume control.
The output is designed for high-input impedance devices such as guitar amplifiers, many effects pedals, and tape echoes. However, connecting some low-input impedance devices, such as certain effects pedals, after the BBOD may cause it to malfunction. In that case, please insert a One Control BJF Buffer or similar device in between.
The BBOD operates on a 6F22 9V battery or a standard 2.1mm barrel-type center-negative DC 9V adapter. Current consumption is approximately 3.9mA (2.8mA when the effect is off). If the supply voltage drops, the tone will become muffled and the LED will dim. In that case, try replacing the battery or checking the connected adapter. Battery life is approximately 110 hours. Current consumption is 1.6mA (ON) / 0.6mA (OFF).
Type: Overdrive Adapter: 9V center negative Battery operation: 9V battery Controls: Vol, Treble, Drive
Condition: Overall paint discoloration, but no issues with functionality. Points to note: Consigned used item. Accessories: Box. Warranty: No warranty as this is a consigned used item.
We will close Sat and Sun, so we will reply to inquiry that received weekend on next week.
Your understanding will be appreciated.
We are receiving the customer order with first comes first serves basis both on website and at real shop.
So occasionally it will be sold out while having email communication.
Please understand in advance.
Japanese consumption tax is not required for international shopping. However you may be required to pay duty, tax and import fee when receiving your items in your country. You must pay all these duty, tax and fee as receiver/importer and we do not cover any of them.
■Please note
The product description is an automatic translation of the Japanese description. Please contact us if you have any questions.
-----------------------------------
Please be noted this one is USED not new.
There is not any issue on the function and the playing condition but blemishes on the cosmetic.
Please send message for more detail information of the condition.
-----------------------------------
The earliest BBOD was called Fuzz1. Technically, the BBOD is a fusion of dynamic overdrive and fuzz designed with discrete circuitry. Its sound is unique, covering everything from highly sensitive low-gain drive to heavily compressed distortion.
In addition to asymmetrical clipping that creates a waveform similar to the distortion of an ECC83 preamp tube, it also produces a rounded tone by suppressing harmonic components. This is reminiscent of the distortion that occurs when the output transformer's limits are exceeded in a push/pull stage.
From a guitarist's perspective, this is the most natural and supremely sweet overdrive/fuzz pedal.
BJF once checked this pedal at a guitar show in Stockholm. At guitar show-level volume, no other pedal sounded better than this one.
At that time, BJF felt it was his mission to show guitarists suffering from the "you can get a good sound by playing loud, but you get yelled at for being too loud and kicked out of the band" syndrome that with a low-wattage amp and a BBOD, you can create everything from beautiful clean tones to the best distortion. The BBOD works well with all Fender amps, including the Twin Reverb, which is said to be difficult to control, as well as classic British amps and Jazz Chorus amps.
The BBOD color is the same color originally used on BJFE's BJ'63 Stratocaster, and was recreated by looking at the color remaining in the spring cavity of a 1961 Stratocaster. Incidentally, a Baby Pink OD, painted in pink, was once produced as a special gift of only one unit.
Drive knob: This control allows you to set various types of distortion, a wide range of gain, and sustain. Setting it low results in a sensitive distortion pattern, a sound that requires careful picking. Setting it high increases compression, which reduces responsiveness but provides a more stable distortion and a thicker sound. It's best to start shaping your sound with this control around the 11 o'clock position.
Treble Knob: Adjusts the high-frequency components of the output signal. It's also ideal for adjusting the tonal balance between when the device is ON and OFF. The BBOD has a particularly high treble response, and even with the Treble knob set to almost minimum (near maximum when turned counterclockwise), it can sometimes provide the best balance depending on the equipment it's paired with. If you need more treble, try setting this knob higher than the center (clockwise). Start shaping your sound with this knob around the 12 o'clock position.
Volume knob: Adjusts the balance of signal levels when the effect is OFF and ON. Start by setting it to 12 o'clock, and then adjust the tone from there.
The BBOD is designed for high-impedance guitar pickups. It's especially well-suited for low-output models, and when used with low-output passive pickups, you can freely adjust the gain using the guitar's volume control.
The output is designed for high-input impedance devices such as guitar amplifiers, many effects pedals, and tape echoes. However, connecting some low-input impedance devices, such as certain effects pedals, after the BBOD may cause it to malfunction. In that case, please insert a One Control BJF Buffer or similar device in between.
The BBOD operates on a 6F22 9V battery or a standard 2.1mm barrel-type center-negative DC 9V adapter. Current consumption is approximately 3.9mA (2.8mA when the effect is off). If the supply voltage drops, the tone will become muffled and the LED will dim. In that case, try replacing the battery or checking the connected adapter. Battery life is approximately 110 hours. Current consumption is 1.6mA (ON) / 0.6mA (OFF).
Type: Overdrive Adapter: 9V center negative Battery operation: 9V battery Controls: Vol, Treble, Drive
Condition: Overall paint discoloration, but no issues with functionality. Points to note: Consigned used item. Accessories: Box. Warranty: No warranty as this is a consigned used item.
| Listed | 13 hours ago |
|---|---|
| Condition | Good (Used) Good condition items function properly but may exhibit some wear and tear.Learn more |
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