Yamaha MGX16V W 22-Channel Digital Mixing Console with HDMI-USB 4K Video Interface and Two DBR15 15-Inch 1,000W Powered Loudspeakers (White Live Sound PA Bundle)

Yamaha MGX16V W Live Sound PA Bundle: One White Console, Two 15-Inch Mains, Sound and Video in One Run

This bundle is built for the hybrid operator who runs both the room and the stream — the worship tech, the event company, the streamer-musician — and needs the audio mix and the camera feed to leave the building on a single USB cable. The Yamaha MGX16V W is the hero: a 22-channel digital mixing console with a built-in HDMI-USB video interface that captures and passes through up to 4K video right next to the full multitrack audio mix. Paired with two Yamaha DBR15 powered loudspeakers — 15-inch, 1,000W, 132 dB peak — it is a complete white-finish PA that mixes, processes, captures, and amplifies a full-range program out of the box. Pole-mount the DBR15 pair, patch the mixer's main outputs, and the room is covered. No capture card, no outboard amp, no separate rack of processors to source.

How the HDMI-USB Video Interface Turns a Mixer Into a Streaming Hub

The MGX16V's standout feature is the one most mixers don't have: an integrated HDMI-USB video interface. A camera's HDMI feed goes in, passes through to a monitor or projector, and is delivered to the computer over USB simultaneously with the audio — up to 4K/60fps. That collapses the usual streaming rig (mixer, capture card, audio interface, sync headaches) into one console and one cable. For game streamers, on-camera creators, and houses of worship putting services online, the picture and the perfectly mixed sound arrive at the streaming software already locked together.

32-Bit/96kHz Dual USB-C Recording and the 8 MGX Preamps Behind It

The console streams 22 channels in and 22 out over USB MAIN at 32-bit/96kHz, so every input lands in your DAW as its own track for a true multitrack recording of the show. A second USB-C port (USB SUB, 2-track) feeds a separate streaming device while the computer keeps recording. Feeding all of it are 8 MGX combo mic preamps with a wide, clean gain range — the front end that makes vocals, acoustic instruments, and spoken word sit naturally in the mix. Every channel carries 4-band parametric EQ, a high-pass filter, a noise gate, and a 1-knob compressor, with REV-X reverb, a multi-band compressor, a Ducker, and Pitch Fix waiting on the onboard DSP.

Why the DBR15 Pair Is the Right Pair of Mains for This Console

Each Yamaha DBR15 is a 2-way bi-amp powered loudspeaker with a 1,000W Class-D amplifier (800W LF + 200W HF) driving a 132 dB peak SPL — enough headroom to fill a mid-size room or an outdoor event without a subwoofer. The custom 15-inch woofer with a 2.5-inch voice coil reaches down to 50 Hz, while a 1.4-inch compression driver covers crisp mids and highs across a 90 x 60 degree pattern. A FIR-X linear-phase crossover at 2.1 kHz keeps transients coherent and the phase aligned, so the program holds together at volume. At 42.6 lb each, one person can load them in.

D-CONTOUR DSP and the Onboard Mixer Make Each DBR15 Do Two Jobs

The DBR15's D-CONTOUR processor offers FOH/MAIN and MONITOR presets — flip to MONITOR and the cabinet's tuning and its 50-degree wedge angle turn it into a stage floor monitor instead of a front main. Each speaker also has a 2-channel onboard mixer with XLR/TRS combo and RCA inputs, so a small setup can run a source straight into the speaker without the console at all. Paired with the MGX16V, that flexibility means the same two boxes cover mains tonight and monitors tomorrow.

For the Streamer-Musician, the Worship Tech, and the Event Company Buying a Full PA at Once

First-timers get a complete signal chain — mic to mix to video to mains — with nothing left to research. Upgraders moving off an analog mixer and passive speakers gain per-channel DSP, true multitrack USB recording, integrated 4K video, and self-powered cabinets in one step. The spec-driven buyer gets the numbers: 32-bit/96kHz conversion, 22x22 USB, 1,000W per speaker, 132 dB peak, 50 Hz to 20 kHz, all in a matching white finish that looks right on camera. Plug in, mix the room, capture the show.