Yamaha MGX16 B 22-Channel Digital Mixing Console White Studio Streaming Bundle with 2x DBR12 12-Inch 1,000W Powered Loudspeakers and HPH-MT5W White Studio Monitor Headphones

Yamaha MGX16 B White Studio Streaming Bundle: A Camera-Ready Console, Real PA, and White Monitoring

This bundle is built for the streamer, hybrid-worship operator, and content creator whose setup is in frame - and who wants studio gear that looks as clean as it sounds. The Yamaha MGX16 B is the hero: a 22-channel digital mixing console with a 4.3-inch touchscreen, 22-in/22-out USB at 32-bit/96 kHz, and a 9-effect DSP suite that drives both the on-camera stream feed and the room. Two DBR12 1,000W powered loudspeakers deliver the front-of-house wall at 131 dB max SPL, and the white HPH-MT5W closed-back headphones let the operator monitor the broadcast mix honestly without bleeding into open mics - all finished in white to match white desks, cameras, and studio backdrops.

The MGX16 B Routes Your Stream and Your Room From One 22x22 USB Interface

The MGX16 B is a digital mixing console and a 22-in/22-out USB audio interface in a single 10.4 lb chassis. Stream and recording software see 22 discrete channels at 32-bit/96 kHz, while a separate 2-in/2-out USB SUB port routes a clean feed to a second device - a capture laptop, a backup recorder, or a stream encoder. It works with Yamaha's free MixKey software mixer and integrates with Elgato Stream Deck and OBS, so the same console that runs the room also runs the broadcast, with no second interface to buy.

Touchscreen, Sound Pads, and Assistive Tools Make One Operator Look Like a Crew

A 4.3-inch touchscreen with five control knobs and a TOUCH AND TURN knob puts gates, compression, EQ, reverb, a voice changer, and a ducker a tap away, and 15+1 60 mm faders keep hands-on control fast. Eight customizable Sound Pads across four banks fire jingles, stingers, scene recalls, or a test tone on cue. Auto Gain sets input levels, Clip Safe catches sudden distortion before it hits the stream, and Scene Recall snaps the whole console back to a saved show - the confidence features a solo operator running a live broadcast needs.

Capture the Whole Show to microSD While You Stream It Live

The MGX16 B records 16 tracks straight to a microSD card at 24-bit/up to 96 kHz with no computer in the chain, and plays back 2 tracks for walk-in or intermission music. Stream live and bank a clean multitrack of every input at the same time, so a worship service, a podcast episode, or a band set can be remixed and re-published later. Bluetooth 5.0 audio input adds wireless backing tracks or playlist music directly into the mix.

Two DBR12 1,000W Speakers Cover the Room So the Stream Isn't the Only Audience

Each DBR12 is a 1,000W Class-D bi-amplified 2-way loudspeaker - a 12-inch LF cone and a 1.4-inch HF compression driver reaching 131 dB max SPL across a 52 Hz to 20 kHz range, full-range enough that most rooms need no subwoofer. Yamaha's FIR-X tuning gives linear-phase crossover behavior for tight, clear sound at any level, and a one-button D-Contour switch flips each speaker between front-of-house and floor-monitor voicing. The symmetrical cabinet and 35mm pole socket let the same speaker stand tall as a main or tilt back as a stage wedge, and an XLR Mix Out daisy-chains the pair into a stereo PA.

White HPH-MT5W Headphones Keep the Monitoring Honest and the Look Clean

The HPH-MT5W is a closed-back, circumaural studio monitor headphone with 40 mm CCAW drivers tuned to Yamaha's NS-10/HS reference philosophy - a flat, fatigue-revealing 20 Hz to 20 kHz response that exposes problems in the broadcast mix instead of flattering them. The closed-back design isolates the operator from the room and keeps headphone bleed out of open mics during tracking. A moveable cup rotates flat for one-ear monitoring, the 9.8 ft cable detaches so a damaged cable is swapped instead of the whole headphone, and the bright white finish matches the on-camera aesthetic of the rest of the rig.

How the Console, Speakers, and Headphones Work as One Streaming and Live Rig

The MGX16 B is the brain: mics, instruments, and Bluetooth sources come in, the DSP shapes them, and the mix goes three places at once - out the 22x22 USB to the stream, out to microSD for the archive, and out the XLR mains to the two DBR12 speakers for the room. The HPH-MT5W plugs into one of the console's four headphone outputs so the operator hears exactly what the broadcast hears, isolated from the PA wall. Everything connects with standard XLR and TRS cabling the operator already runs, and the whole rig shares one white aesthetic on camera.

For the Streaming Studio, the Hybrid Worship Team, and the Operator Who Runs Solo

First-time buyers get a complete, camera-ready chain - console, speakers, and monitoring - in one order, with assistive tools that make a digital console approachable. Upgraders moving off an analog mixer or a USB interface gain a touchscreen, 22x22 routing, onboard recording, and real 131 dB amplification. Comparison shoppers get the hard numbers: 8 MGX preamps at 86 dB gain, 32-bit/96 kHz capture, 16-track microSD recording, two 1,000W speakers, and white NS-10-philosophy headphones. Mix it, stream it, amplify it, and look clean doing it.