Yamaha MGX12V W 18-Channel Digital Mixing Console with HDMI 4K Video Interface and Two DBR15 15-Inch 1,000W Powered Loudspeakers — White HDMI Streaming and Live Sound PA Bundle

Yamaha MGX12V W Bundle: One White Console That Mixes the Room and Streams the Camera

This bundle pairs the Yamaha MGX12V W digital mixing console with two DBR15 15-inch powered loudspeakers to build a complete white-finish PA that does two jobs at once: it fills a mid-size room with full-range live sound and it captures the show for a live stream or recording. The MGX12V W is the rare console with an integrated HDMI 4K video interface, so a camera feed and the audio mix arrive at the PC together over a single USB-C cable. The two DBR15 mains carry the room. For the hybrid creator, the worship tech, or the event producer who runs sound and streams at the same time, everything needed to do both ships in one order.

HDMI 4K Capture and Passthrough Turn the Mixer Into a Stream Hub

The MGX12V W has one HDMI input and one HDMI thru, capturing and passing camera video at 4K/60fps or 1080p/240fps. Plug a camera into HDMI, route it through to a monitor or projector, and send both the video and the mixed audio to a computer over USB MAIN — no separate capture card, no audio-video sync drift. The console handles 18-in/18-out at 32-bit/96 kHz on the main USB-C port, with a second USB-C SUB port for parallel control. That is the entire streaming front end living inside the mixer the band is already plugged into.

4 MGX Preamps, a Touchscreen, and Assistive Mixing Built for Speed

Four MGX mic preamps deliver an 86 dB gain range at -128 dBu EIN, so quiet sources stay clean and loud ones stay composed. The 4.3-inch color touchscreen with a touch-and-turn knob keeps every parameter one tap away, and Simple and Standard modes let a first-time digital-mixer user stay productive while an engineer digs deeper. Auto Gain sets input levels automatically and Clip Safe catches sudden peaks before they distort. Scene Recall stores a full setup so the same show loads the same way every time. With four mic inputs and four headphone outputs, the console also doubles as a four-participant video-podcast hub.

REV-X Reverb, Multi-Band Comp, and 8 Sound Pads on Board

The onboard DSP runs gate, compressor, multi-band compressor, parametric EQ, REV-X reverb, the Sweet Spot Morphing Channel Strip, ducker, pitch fix, delay, amp simulator, and voice changer — no outboard rack required. Eight customizable Sound Pads across four banks fire stingers, walk-on music, scene recalls, or a test tone at a touch. Bluetooth 5.0 streams backing tracks or break music straight into the mix, and a microSD slot records up to 16 tracks standalone for a safety capture that runs whether or not the laptop is connected.

Two DBR15 15-Inch Mains Bring 1,000W and 132 dB to the Room

Each DBR15 is a 1,000W Class-D bi-amp powered loudspeaker — 800W to a 15-inch woofer and 200W to a 1.4-inch compression driver — hitting a 132 dB peak SPL and reaching down to 50 Hz. The FIR-X linear-phase crossover at 2.1 kHz keeps transients tight and phase-coherent, so vocals stay intelligible while the low end stays punchy. Run from the MGX12V W's stereo XLR outputs, the pair covers a mid-size room without a subwoofer, and each cabinet weighs just 42.6 lb for genuine one-person load-in.

D-CONTOUR Presets and a 50-Degree Wedge Make the DBR15 Do Double Duty

D-CONTOUR onboard DSP gives each DBR15 a FOH/MAIN voicing for front-of-house and a MONITOR voicing for floor-wedge use — one control reshapes the response for the job. The cabinet's 50-degree wedge angle lets a DBR15 lie down as a stage monitor, and a 35 mm pole socket plus M8 rigging threads handle tripod mounting, sub-pole stacking, or fixed-install flying. Each speaker carries its own 2-channel mixer with combo and RCA inputs and an XLR through, so a source can run direct to the cabinet and a second box can daisy-chain off the first.

How the Console and Speakers Work as One White-Finish System

The MGX12V W mixes every input, applies the DSP, and sends a finished stereo mix out its XLR main outputs straight to the two DBR15 cabinets on poles — that is the live-sound path. At the same time, the HDMI camera feed and the same audio mix travel over USB-C to a PC for the stream or recording — that is the broadcast path. One console drives both paths simultaneously. The white MGX12V W and the matching speaker positions make a clean on-camera setup, and nothing extra needs sourcing to wire it together.

For the Hybrid Streamer, the Worship Tech, and the Event Producer Who Runs Both

The first-timer gets a touchscreen console with Auto Gain, Clip Safe, and a Simple mode that makes a digital mixer approachable on day one. The upgrader moving off an analog board or a USB interface gains real HDMI video capture, 18-in/18-out USB recording, and onboard effects in a single box. The comparison shopper gets the hard numbers: 4 MGX preamps at 86 dB gain, 4K/60fps HDMI, two 1,000W DBR15 mains at 132 dB peak SPL, and a 9 lb console. One white bundle mixes the room and streams the camera. Order yours today.