Yamaha MGX12V W 18-Channel Digital Mixing Console White Studio Streaming Bundle with 2 DBR10 10-Inch 700W Powered Speakers and HPH-MT5 Closed-Back Studio Monitor Headphones

Yamaha MGX12V W Bundle: A White On-Camera Mixer, Live Speakers, and Monitoring in One Buy

This bundle is built for the on-camera creator and hybrid-event host who needs a console that mixes a room AND captures it to a computer — without a rack of separate gear. The Yamaha MGX12V W is the hero: an 18-channel digital mixing console in a clean white finish, with an integrated HDMI 4K video interface, four MGX mic preamps, and a 4.3-inch color touchscreen. Two Yamaha DBR10 powered loudspeakers turn that mix into front-of-house sound at up to 129 dB SPL, and the Yamaha HPH-MT5 closed-back headphones give you an accurate reference for setting levels, cueing, and monitoring the stream — the one tool the bare mixer-and-speaker setup leaves out. One purchase, three Yamaha components, a complete signal chain from microphone to speaker to your ears.

HDMI 4K Capture and Pass-Through Make This a Streaming Console, Not Just a Mixer

The MGX12V W has one HDMI input and one HDMI thru, capturing and passing through 4K/60fps and 1080p/240fps video alongside the audio mix straight to a computer over USB-C. That means your camera feed and your mixed audio arrive at OBS or your streaming app together, from one device, on one cable — no separate capture card, no audio-video sync chase. For the white-studio creator shooting on camera, the result is a console that handles the show and the stream at the same time.

Four Mic Inputs and Four Headphone Outs Built for the Four-Person Podcast

Four MGX mic/line combo preamps deliver an 86 dB gain range with -128 dBu EIN, quiet enough for soft-spoken guests, and four dedicated headphone outputs let every participant hear the mix. The 4.3-inch touchscreen with Auto Gain sets each input level automatically, and Clip Safe catches sudden peaks before they distort. Add the 18-in/18-out USB-C interface at 32-bit/96 kHz and you can record every voice as its own track in your DAW while the room hears the live blend.

Onboard REV-X Reverb, Channel Strip DSP, and 16-Track microSD Recording

Every channel runs Yamaha's studio-grade processing: a Gate, Compressor, Multi-Band Compressor, EQ, the Sweet Spot Morphing Channel Strip, REV-X reverb, a Ducker, Pitch Fix, Delay, Amp Simulator, and even a Voice Changer. Eight customizable Sound Pads fire stingers, intro music, or scene recalls across four banks, and Bluetooth 5.0 streams backing tracks in wirelessly. When you want a safety net, the microSD slot records 16 tracks or plays back 2 — a full multitrack backup with no computer in the chain.

Two Yamaha DBR10 Speakers: 700W and 129 dB SPL That Pack Down Light

Each DBR10 is a 2-way bi-amp powered loudspeaker with a 700W Class-D amplifier, a 10-inch woofer, and a 1-inch compression driver, hitting 129 dB max SPL from a cabinet that weighs just 23.2 lb. Yamaha's FIR-X tuning crossover uses a linear-phase FIR filter at 2.1 kHz for accurate driver integration, and the onboard D-CONTOUR DSP switches between FOH/MAIN voicing for mains and a MONITOR preset for floor-wedge use. The 50-degree cabinet bevel lets each speaker double as a stage monitor, and the XLR thru/mix output daisy-chains a second cabinet or feeds a sub. Pole-mount them on stands as your white-studio mains or lay them down as wedges — these are the lightest model in Yamaha's DBR line.

Yamaha HPH-MT5: Flat Closed-Back Monitoring So You Hear the Stream Honestly

The HPH-MT5 closes the chain. Custom 40mm dynamic drivers with CCAW voice coils deliver a flat, high-resolution 20 Hz-20 kHz response tuned to Yamaha's NS-10 and HS-series monitoring philosophy — honest reference, not consumer-hyped bass. The closed-back circumaural design isolates you from room and speaker leakage so you can set levels and cue without the speakers bleeding into your decisions, and the earcups rotate flat for one-ear monitoring. At 8.6 oz with a detachable 9.8-foot cable and a screw-on 1/4-inch adaptor, they plug straight into any of the mixer's four headphone outputs.

How the White Studio Streaming Bundle Works as One System

The chain is complete and intentional: microphones and sources into the MGX12V W's preamps, the live mix out to the two DBR10 mains for the room, the camera in over HDMI and the program out over USB-C to your computer, and your ear on the HPH-MT5 headphones the whole time. The mixer's four headphone outs feed every host; the speakers' D-CONTOUR presets adapt them from mains to monitors as your setup changes; the headphones give you the flat reference the speakers can't in an untreated room. Nothing here is a mismatched throw-in — each piece does a job the others can't.

For the On-Camera Creator, the Hybrid Host, and the Upgrader Tired of Separate Boxes

The first-timer gets a touchscreen console with Auto Gain that mixes and streams without an audio degree. The upgrader replaces a capture card, a separate interface, and a monitor controller with one white console that does all three. The comparison shopper gets Yamaha's MGX preamps, 125 dB dynamic range, true 4K/60fps HDMI capture, 700W speakers, and flat reference headphones in a single order. Plug in, go live, and hear every decision honestly.