Sometimes innovation is in the details and this is certainly true with Martins re-imagined D-28. After nearly a century at the helm, and as the quintessential workhorse of music legends like Hank Williams, The Beatles, Johnny Cash, Neil Young, Bob Dylan, and so many more, Martin's legendary D-28 has been lovingly and artfully enhanced. The post WWII D-28 had a slightly different look than its predecessor and became the centerpiece of the folk and folk rock movements at their pinnacle in the 1950s and 1960s.€ says Chris Martin, Chairman and CEO of Martin Guitar,‚“We have extracted the finest features from the D-28 of both my grandfathers and my fathers respective eras. The all new D-28 blends the rich history of the guitar with Martins newest and most heralded innovations. The 184 year old guitar maker has combined vintage appointments, including open gear tuners, an aged toner top, antique white accents, and a faux tortoise pickguard with a new neck profile to give D-28 enthusiasts a modern feel and comfortable playing experience. Martin has also added forward-shifted bracing to allow greater vibration of the top. The legend just got better!

Specs:

Overview:

• BODY SIZE: D-14 Fret
• FINISH TOP: Gloss
• CONSTRUCTION: Dovetail Neck Joint
• BACK AND SIDE FINISH: Gloss
• BRACING PATTERN: Forward-Shifted X-Brace
• SCALE LENGTH: 25.4€³
• BRACE SHAPE: Non-Scalloped
• FINGERBOARD WIDTH AT NUT: 1 3/4€
• TOP MATERIAL: Sitka Spruce
• NECK SHAPE: Modified Low Oval
• BACK MATERIAL: East Indian Rosewood
• NECK TAPER: High-Performance Taper
• SIDE MATERIAL: East Indian Rosewood
• ELECTRONICS: Yes
• ELECTRONICS OPTIONS: Fishman Gold Plus Natural I, Fishman Infinity Matrix, Fishman Presys Plus, Fishman Ellipse Matrix Blend, LR Baggs Anthem

Top

• TOP COLOR: Aging Toner
• BRIDGE STYLE: Modern Belly‚¬â€œ Drop in Saddle
• BINDING: Antique White
• BRIDGE STRING SPACING: 2 5/32€³
• TOP INLAY MATERIAL: Multi-Stripe
• BRIDGE MATERIAL: Ebony
• TOP DETAIL: None
• BRIDGE PIN MATERIAL: White Plastic
• PICKGUARD: Tortoise Pattern
• BRIDGE PIN DOTS: Faux Tortoise
• PICKGUARD INLAY: None
• SADDLE: Compensated Bone
• ROSETTE: Multi-Stripe
• SADDLE RADIUS: 16€³

Body

• BRACE MATERIAL: Sitka Spruce
• BACK AND SIDES COLOR: None
• BRACE SIZE: 5/16€³
• BACK DETAIL: None
• BACK PURFLING/STRIP: Style 28
• BACK INLAY MATERIAL: Multi-Stripe
• HEELCAP: Antique White
• SIDE DETAIL: None
• ENDPIECE: Antique White
• SIDE INLAY MATERIAL: None
• ENDPIECE INLAY: Multi-Stripe

Neck

• NECK MATERIAL: Select Hardwood
• FINGERBOARD MATERIAL: Ebony
• FINISH NECK: Satin
• FINGERBOARD WIDTH AT 120TH FRET: 2 1/8€
• NECK COLOR: Dark Mahogany
• FINGERBOARD INLAY STYLE: Style 28
• NUMBER OF FRETS TOTAL: 20
• FINGERBOARD INLAY MATERIAL: Mother-of-Pearl
• NECK JOINS BODY AT: 14th Fret
• FINGERBOARD BINDING MATERIAL: None
• SIDE DOTS: White

Headstock

• HEADSTOCK SHAPE: Solid with Square Taper and Diamond
• TUNING MACHINES: Nickel Open Gear
• HEADPLATE MATERIAL: East Indian Rosewood
• KNOB: Butterbean
• HEADPLATE LOGO STYLE: Script Old Style Overlay
• NUT MATERIAL: Bone
• HEADPLATE BINDING MATERIAL: None
• HEADPLATE DETAIL: None

Misc.

• CASE: Molded Hardshell
• PLEKED: true

</center></a></td></tr><tr><td class="templettetitles" width="50%">€¢€¢ WHO WE ARE AND WHAT WE DO‚¬Â¢â‚¬Â¢</td><td class="templettetitles"></td></tr><tr><td class="templettetext">   From the sales staff in the retail locations to the employees at the warehouse, you will find musicians and players who perform in and around the community. 95% of the company workers play and/or teach music. Here, you will find employees whose skills extend outside of the workplace. We are committed.<br>
  We strive to provide the customer with the best possible service. Your experience in our stores and on our website should be memorable. We pride ourselves on making it right.<br>
  We are family oriented. For over 110 years, Willis Music has been a family owned business. Some of the current employees have even been with the company over 30 of those years. Not only do we have families at home, but Willis Music is our family too.<br>
  Here at Willis Music we are friends, family, musicians, specialists and community members. Our passion for music drives us to be successful every minute of every day. We feel that our obligation is to pass along our musical knowledge and expertise to you.</td><td class="templettetext"> </td></tr>

<div style="display:none"></div><table align="center" width="100%" cellspacing="5" cellpadding="20" border="0"><tbody><tr><td class="templettetitles" colspan="2">‚¬Â¢â‚¬Â¢ COMPANY HISTORY‚¬Â¢â‚¬Â¢ </td></tr><tr><td class="templettetext" colspan="2">     Through many years of music publishing, the Willis Music Company has developed many of the top composers in the industry. Names such as John Thompson, Edna Mae Burnam, and William Gillock have helped create one of the most prestigious catalogs in the business. Here's how it all began€¦<br>
  On April 1, 1899, Charles H. Willis, a twenty-seven year veteran of the sheet music industry, founded a small business at 41 East 4th Street in downtown Cincinnati. In May 1901, Mr. Willis purchased miscellaneous sheet music and music books from the John Church Company and moved his business to a larger location at 4th and Elm.<br>
  Willis Music grew steadily during the ten years spent in that location. Mr. Willis and his son, William H., began publishing methods, collections, and sheet music specifically designed for the needs of the teaching community, striving to provide the community with complete, dependable, and accurate service!<br>
  In 1910, Willis Music absorbed the business of George B. Jennings and Company. The newly incorporated firm was re-named W.H. Willis and Company. William Willis, son of the founder of the business, died shortly before the company was incorporated.<br>
  Continuing to expand, W.H. Willis and Company bought the Cable Piano Company's Cincinnati branch in 1912. As both companies had been located in the same building at 4th and Elm, W.H. Willis and Company then occupied the entire seven story building. In 1919, Gustave Schirmer bought W. H. Willis and Company, making it a branch of G. Schirmer of Boston, Massachusetts. In 1923 John J. Cranley, a fiery, redheaded Irishman from the Boston Music Company, became general manager of the Willis subsidiary.<br>
  John J. Cranley began as a stockboy with The Boston Music Company. Through his hard work and because of his love for the music business, he was a natural for turning this small organization into a major corporation. Little by little, he acquired more than 50% ownership in the company through stock options.<br>
  Under John Cranley's leadership, Willis Music became "The Publisher" for teaching methods and solo pieces. The John Thompson method, "Modern Course for the Piano" was added to the catalog in 1936. This method quickly became, and still is today, the most widely used piano method in the world.<br>
  John J. Cranley's son, Edward, became president of the Willis Music Company in 1965. Edward, like his father, grew up in the company. He worked in all departments, sharing the same enthusiasm while continuing the success and growth of the organization. Currently the company is owned exclusively by the members of the Cranley family.<br>
  In 1969 the Company's headquarters moved to a 50,000 square foot warehouse in Florence, Kentucky. Soon after, Willis acquired the total assets of Rocket Manufacturing, a company that produced display racks for sheet music and books. At the same time the retail division was going through tremendous growth. By 1991 Willis Music operated eight full-line retail stores in major malls throughout Ohio, Kentucky, and Tennessee.<br>
  Edward's son, Kevin, began his training at the age of fourteen, working in the store after school. In 1979, after graduating from Xavier University in Cincinnati, he joined the company as a full-time employee.<br>
  In November of 1990, Kevin succeeded his father as President of the Willis Music Company, at which time Edward Cranley became Treasurer.<br>
  Today, the Willis catalog of music contains more than 13,000 titles and with new composers the future looks very bright. Through new foreign publishing agreements, the catalog is growing in popularity on every continent.<p></p> </td></tr><style> .templettetitles {font-size:24px; font-family:trebuchet ms, verdana, arial; font-weight:bold; text-align:center; padding:0px; background-color:#aa4455; color:white} .templettetext {font-size:14px; font-family:trebuchet ms, verdana, arial; text-align:left; padding:20px; vertical-align:top; background-color:beige; border:1px solid #aa4455; } </style>
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