With its signature green and chrome die-cast casing, the 520DX "Green Bullet" holds a spot in history as the definitive blues harp voic. The 520DX features a volume control knob at the base of the microphone that allows users to make adjustments to suit their needs during live performance. An attached cable with a standard 1/4-inch plug allows the microphone to be connected to a high-impedance device. Contoured to fit perfectly between harmonica and hands, it can also be used for distinct, lo-fi vocals.

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Contoured to fit comfortably in the palm of your hand, the Model 520DX "Green Bullet" microphone produces the unique sound that has made it a legend among harmonica players. The 520DX features a volume control knob at the base of the microphone that allows users to make adjustments to suit their needs during live performance. An attached cable with a standard 1/4-inch plug allows the microphone to be connected to a high-impedance device. Contoured to fit perfectly between harmonica and hands, it can also be used for distinct, lo-fi vocals.

With its signature green and chrome die-cast casing, the 520DX "Green Bullet" holds a spot in history as the definitive blues harp voice. Frequency response.

Key Features

Volume control knob allows users to adjust the volume to fit each musical situation

Rugged, dynamic cartridge with improved response

High-impedance, omnidirectional

Supplied with 1/4 inch connector Applications Connect the 520DX directly into a guitar amplifier to produce the classic blues harp sound. Use the following guidelines: The volume control on the microphone should be turned down before plugging it into an amplifier. As you move away from the amplifier, the volume can be turned up.Adjust the microphone's volume control knob during performances as needed. For example, when switching from playing rhythm to lead or to place the microphone on standby between sets.To avoid feedback, maintain as much distance as possible from monitors or loudspeakers. Adjust the volume of monitors or loudspeakers at the mixing console so that no feedback is present when the volume control knob on the harmonica microphone is at its maximum setting.SpecificationsType: Dynamic Frequency Response: 100 to 5,000 Hz Polar Pattern: Omnidirectional Impedance: High, unbalanced Load Impedance Range: Minimum of 100 kilohms Output Level (at 1,000 Hz): Open Circuit Voltage ­38.0 dBV/Pa (13 mV)* -- *1 Pa = 94 dB SPL Polarity : Positive sound pressure on diaphragm produces positive voltage on tip with respect to sleeve (ground) of microphone output phone plug connector Cable: 20-foot cable, two conductor shielded with standard 1/4-inch phone plug attached (supplied wired for high-impedance, unbalanced connection) Case: Green and chrome finished die casting Weight: 26 ounces

The volume control on the microphone should be turned down before plugging it into an amplifier. As you move away from the amplifier, the volume can be turned up.

Adjust the microphone's volume control knob during performances as needed. For example, when switching from playing rhythm to lead or to place the microphone on standby between sets.

To avoid feedback, maintain as much distance as possible from monitors or loudspeakers. Adjust the volume of monitors or loudspeakers at the mixing console so that no feedback is present when the volume control knob on the harmonica microphone is at its maximum setting.

Type: Dynamic

Frequency Response: 100 to 5,000 Hz

Polar Pattern: Omnidirectional

Impedance: High, unbalanced

Load Impedance Range: Minimum of 100 kilohms

Output Level (at 1,000 Hz): Open Circuit Voltage ­38.0 dBV/Pa (13 mV)* -- *1 Pa = 94 dB SPL

Polarity : Positive sound pressure on diaphragm produces positive voltage on tip with respect to sleeve (ground) of microphone output phone plug connector

Cable: 20-foot cable, two conductor shielded with standard 1/4-inch phone plug attached (supplied wired for high-impedance, unbalanced connection)

Case: Green and chrome finished die casting

Weight: 26 ounces


Applications Connect the 520DX directly into a guitar amplifier to produce the classic blues harp sound. Use the following guidelines:

The volume control on the microphone should be turned down before plugging it into an amplifier. As you move away from the amplifier, the volume can be turned up.

Adjust the microphone's volume control knob during performances as needed. For example, when switching from playing rhythm to lead or to place the microphone on standby between sets.

To avoid feedback, maintain as much distance as possible from monitors or loudspeakers. Adjust the volume of monitors or loudspeakers at the mixing console so that no feedback is present when the volume control knob on the harmonica microphone is at its maximum setting.


Specifications

Type: Dynamic

Frequency Response: 100 to 5,000 Hz

Polar Pattern: Omnidirectional

Impedance: High, unbalanced

Load Impedance Range: Minimum of 100 kilohms

Output Level (at 1,000 Hz): Open Circuit Voltage ­38.0 dBV/Pa (13 mV)* -- *1 Pa = 94 dB SPL

Polarity : Positive sound pressure on diaphragm produces positive voltage on tip with respect to sleeve (ground) of microphone output phone plug connector

Cable: 20-foot cable, two conductor shielded with standard 1/4-inch phone plug attached (supplied wired for high-impedance, unbalanced connection)

Case: Green and chrome finished die casting

Weight: 26 ounces


Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands.

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