The KM 184 (cardioid) has become the studio standard for high-quality miniature microphones. Because of its optimized mechanical construction, the KM 184 is designed for economy-minded production and home recording studios who don’t want to compromise on quality. The KM 184 features incredibly detailed sound in a low-profile microphone. It excels as a spot microphone for instruments and is known worldwide for use with acoustic guitar. The mic can also be used in pairs as overheads or for ambient room recordings.

Neumann KM 184

The Neumann KM 184 is a cardioid, high-quality miniature microphone that satisfies the demands of common studio applications. It performs especially well when used to attenuate off-axis sound from the rear or from other nearby instruments. A standard in the studio community, the KM 184 features a slender shape and a fresh and lively tonal balance. It can be used as a main mic, spot mic or in a stereo pair.

Neumann is regarded worldwide as the standard-setting, leading manufacturer of fine microphones for the studio and the stage. Neumann microphones are requested by artists and engineers alike for their unique sonic character, robust and attractive design, and carefully developed technology. Neumann recently introduced its line of studio monitors, making the brand the perfect partner for both the input and the output of the audio signal path. Each Neumann product is subject to rigorous quality control processes, ensuring that you acquire a product with unsurpassed sound quality, reliability and lasting value.

Highlights

Successor to the classic Neumann KM 84

Smooth frequency response for the 0-degree axis and for lateral (off-axis) sound incidence

No coloration of sound over a wide pickup angle

Cardioid polar pattern

Gentle rise at about 9 kHz for a fresh, lively tonal balance

Transformerless circuitry

Sound pressure handling capability of up to 138 dB

Balanced and phantom-powered (48 V) output

Available in two finishes: nickel or matte black

Nickel or matte black

For universal use, especially for recording situations in which it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby instruments

As an announcer’s mic for broadcasting

As an overhead spot mic

For close miking of acoustic guitars, strings, wind instruments, percussion, piano, guitar amps

For as an XY or ORTF stereo pair

KM 184

SG 21 BK stand mount

WNS 100 windscreen