Pineville, NC, United States
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Lewitt MTP 350 CM: Studio-Grade Condenser Detail in a Road-Ready Handheld
The Lewitt MTP 350 CM is a cardioid condenser handheld vocal microphone, an externally polarized, end-address design with a 90 Hz to 20 kHz frequency response tailored specifically for the singing voice. It brings the openness and high-frequency air of a studio condenser to the one place performers rarely get it - the hand-held mic in the middle of a loud stage. Where an ordinary dynamic can sound closed-in, the MTP 350 CM captures the breath, the consonants, and the shimmer at the top of a vocal, then wraps that sensitivity in a die-cast body tough enough to gig with. It is the mic for the singer who wants to be heard in full detail without leaving the studio sound behind.
Why a Handheld Condenser Captures More Than a Dynamic
A condenser microphone works differently from a dynamic. Instead of a heavy moving coil, it uses an extremely light diaphragm set very close to a charged backplate; the tiny diaphragm responds faster and to finer detail, which is why condensers capture more high-frequency air and transient nuance than a moving-coil dynamic can. That sensitivity is the MTP 350 CM's whole reason for being - and it comes with one requirement: the capsule needs to be charged, so the mic draws 48 volts of phantom power (about 5.3 mA) from your mixer or interface. Give it that power and it rewards you with a level of vocal detail most handhelds simply cannot reach.
Quiet in the Hand: Internal Shock Mount and Built-In Pop Filter
A sensitive capsule hears everything, including the noises you do not want - the thump of a hand on the body and the blast of air from a hard 'p' or 'b.' Lewitt addresses both mechanically. The capsule is rubber-mounted inside an internal shock mount, which isolates it from grip and cable noise so handling stays quiet even when the singer moves. A built-in spherical wind and pop filter sits in front of the capsule to break up plosive air blasts and breath before they reach the diaphragm. Together they let a vocalist work the mic hard and close without the detail being spoiled by handling rumble or popping.
A Response Tuned to Cut Through the Mix
The MTP 350 CM is not voiced flat - it is voiced to be heard. Its response brightens through the upper midrange and rolls the bass off gently below its 90 Hz corner, and both choices are deliberate. The bass roll-off keeps stage rumble and proximity boom out of the way, while the brightened mid places energy where the human voice carries its consonants and presence, so the vocal stays clear and intelligible over a full band. The result is a mic that cuts through a dense mix on its own, with little or no EQ needed at the desk.
Built to Survive the Stage
Studio detail is only useful if the mic survives the gig, so the MTP 350 CM is built like a road tool. A die-cast metal body and a ruthenium-coated steel-mesh grille stand up to the knocks of touring, while a maximum SPL of 141 dB means even a powerful vocalist cannot overload it. A low self-noise of 25 dB(A) keeps quiet passages clean, and a 200-ohm impedance on a standard 3-pin XLR makes it an easy load for any console or interface. Note that the sibling MTP 350 CMs model adds an on/off switch, if a physical mute is something you need.
On Stage and at the Podium: Where the MTP 350 CM Shines
This is a microphone for anyone who wants their voice heard in detail. Lead vocalists in venues, bands, and worship settings get condenser clarity that flatters the top end and cuts through the PA; lecturers and presenters get speech that stays crisp and intelligible in a large room; and interviewers and spoken-word hosts get a natural, detailed capture that sounds far better than a typical handheld dynamic. When the take has to happen with a mic in hand rather than on a stand, it delivers studio-quality results live.
Who the MTP 350 CM Is For
The MTP 350 CM is for the singer who has heard their voice through a studio condenser and wants that same detail on stage; for the venue, band, or worship team that needs a handheld with real high-frequency clarity; and for the presenter, lecturer, or interviewer who wants clean, articulate speech from a road-tough mic. Bright, detailed, and built to tour, it hands you the sound of a condenser and the durability of a stage mic in a single handheld you can trust with the most important voice in the room.
Price$199
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