Immaculate - Emu Systems Emax II - Digital Sampling Keyboard
Model 2212, Stereo Sampling, SCSI 1GB HD, 2MB RAM expandable to 8MB

Works absolutely perfectly. All keys, buttons & functions in pristine state; nothing worn. Possibly one of the the best Emax II keyboards available.

• Shipping cost flexible if we both collaborate to arrange preferred shipping/carrier.
• Shipping Reference Info: 50" x 20" x 9" / Max 60 lbs.

Emu EMAX II defined an era, now hard to find. Emax instruments were the most advanced of the classic keyboard/samplers of late 1980's. Emax is essentially a complete replication of the Emulator II using custom E-mu chips instead of standard off the shelf silicon chips. This new engineering increased ongoing reliability greatly.

From the studios of the late ’80s and early ’90s, the EMAX II brought lush filters, sweet sampling, and unmistakable warmth that modern plugins can’t replicate. Rare, sought-after keyboard.

Notable Users: Many iconic artists that shaped music history use and used this equipment. Alphaville, Alan Wilder, Andy Fletcher, Beastie Boys, Cabaret Voltaire, Depeche Mode, Faith No More, Fear Factory, Ice MC, Johnny Hates Jazz, KMFDM, Los Prisioneros, Manufacture, Mats/Morgan Band, Meat Beat Manifesto, Mouse on Mars, Nine Inch Nails, Die Krupps, Orbital, Saint Etienne, Skinny Puppy, Steve Roach, Tony Toni Tone, Tyske Ludder, U2, Tom Waits, The Whispers, The Wiggles, White Town. Richard Barbieri, Peter Christopherson, Tom Lord-Alge, plus more.

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A little more Info for geeks like myself...

Emax II has the same custom digital audio technology as E-mu Proteus, described by Electronic Musician magazine in the 90's being "the cleanest, clearest, quietest electronic instrument."

The Emax II is designed to reproduce sound with a dynamic range. Its proprietary pitch-shifting technique allows virtually distortion-free transposition of samples and synthesized waveforms over a full ten octave range.

In keeping with E-mu Systems' position as the leader in sound library support, Emax II provided immediate access to the industry's most extensive sampled sound library. In addition to being able to read and play all original Emax sound disks (including Optical Media International's "Universe of Sounds"), Emax II arrived with its own large (and growing) selection of stereo samples, digitally transferred from the legendary Emulator III sound library.

E-mu introduced a new family of instruments that exploited the latest generation of custom VLSI technology to offer true Emulator III sound quality.

Emax II combines user sampling and the extraordinary realism of sampled sounds with the creative power of digital synthesis. Spectrum Interpolation Digital Synthesis, first introduced in the Emax SE, is E-mu's user-friendly implementation of additive synthesis.

Designed specifically for the reproduction of true stereo samples, Emax II's 32 audio channels are configured as 16 stereo voices or 16 monophonic voices with true stereo chorusing. 32 custom digital lowpass filters provide "analog-style" timbre control with the reliability and consistency of digital design.

Emax II also offers true 16-bit DSP (Digital Signal Processing) functions including Digital Sample Rate Conversion, Digital Pitch Conversion, and Transform Multiplication- a sample by sample processing of two digital sounds which result in one new and unique sound. MIDI Analyzer allows you to view real-time MIDI information.