Best Sellers

Industry standard, studio legend, mic for the masses. The Shure SM57 is responsible for a staggering percentage of the recorded sounds you've probably heard. It is the Swiss Army Knife of mics - infinitely capable, but not highly specialized. And for less than $100, we're OK with that.

When it comes to wah, the Dunlop Cry Baby is one of the founding fathers. Rugged, classic and reliable, the Cry Baby Wah can add instant emotion, funk or sensuality to anything you play. Stomp on it for the first time and say goodbye to the next couple hours with a smile on your face.

The GE-7 is a versatile seven-band equalizer with bands ranging from 100Hz to 6.4kHz and a boost or cut of 15dB for each band. The wide range of parameters allows for precise control over your sound and the ability to muffle unwanted feedback from other effects in your loop.

The DigiTech Drop does just what its name implies: it helps you drop your tuning down from one semitone all the way to a full suboctave with the simple twist of a knob. Use it to simply drop-tune your guitar or flip the Momentary/Latch switch for a swarm of trilling pitch-dips - the Drop is good for the simplest of uses or to create unique modulation effects with literally the flick of a switch.

For just a touch of dirt and push, the Boss BD-2 Blues Driver has been a perennial favorite for both bedroom players and celebrities such as John Mayer and Brad Paisley. Falling somewhere between your amp's natural clean tone and the mid-soaked scream of an Ibanez TS-9, the Blues Driver hits the sweet spot of articulation and grit.

The Line 6 HX Stomp brings the power of Line 6's much-celebrated Helix line to a smaller, more affordable format. This mutli-effect gives you a robust library of amp and cab models and effects, all of which can be tweaked and combined in virtually limitless ways. If you've been looking for a way to wade into the waters of digital modeling, the HX Stomp is a fantastic option. Line 6 also produces the HX Effects, which provides just the effects library without the amp simluations.

The ProCo RAT ranks as one of the most widely used distortion pedals ever, a favorite of such disparate musicians as Jonny Greenwood, Nels Cline, Kurt Cobain and John Scofield. The ProCo RAT 2 emerged in 1988 and continues to be a popular pedalboard staple for both guitarists and bass players with its characteristic jagged gristle, courtesy of the legendary LM308 chip.

Sporting a streamlined three-knob interface with highly reactive parameters to your playing that retain the natural sound of your guitar with a velvety clipping profile, the Greer Lightspeed Organic Overdrive infuses a rig with rich tonality that sounds like an extension of the existing setup. Built to provide a low- to mid-gain oompf to your sound with the added option of functioning as a completely transparent boost, this effect is a vied-for staple on a blues, country, or rock pedalboard.

Bringing together the familiar thick, even tone loved by chicken-pickin' and funk players with new, streamlined controls that dial in even more possibilities, the Keeley Compressor Plus infuses one of the company's staple effects with even more power for silky-smooth tone. A compressor complemented with an expander and sustainer, the new Release switch lets you toggle between single-coil and humbucker modes for tailor-made punch with nuanced Tone and Blend knobs which retain highs and sculpt peaks with ease. A do-it-all compressor for any style of play.

Sporting separate modes for chromatic or guitar/bass-specific tuning, a High Brightness setting for the clearest readings and the same precision 21-segment LED display as its predecessor, the Boss TU-3 is an industry standard in tuning pedals. No matter what genre you play, every guitarist needs a reliable tuner, and the TU-3 is one of the best on the market.

You would be hard-pressed to find a venue that doesn’t have a set of Shure SM58 mics on hand. As the go-to vocal mic for millions of professionals and amateurs since its launch in 1966, the SM58 hardly needs an introduction. Its reputation has been built on three simple traits: durability, quality and affordability.

Whether you're new to the world of delay or an old pro in need of a no-nonsense workhorse, the MXR M-169 Carbon Copy is a great choice when choosing an analog delay pedal. Just ask the thousands of players who've kept the MXR Carbon Copy on their board for years.

Arguably the most popular distortion pedal of all time, the ubiquitous Boss DS-1 is bulletproof, classic and affordable. Nearly every guitarist has had (or should have) at least one on his/her board at some point. Steve Vai even had two - one at the front of his chain and one at the end.

Bringing familiar elements of the original CE-2 like a two-knob layout for rate and depth and lush, analog chorus with a few new tricks like an added stereo mode and variable chorus depth, the Boss CE-2W Waza Craft Chorus takes the best bits of a classic pedal and dolls them up with modern boutique versatility. A flick of a switch also allows players to summon the circuit of the CE-1 chorus pedal of the late '70s. Part of the Waza Craft series reimagining the favorite pedals of the company from yesteryear, the CE-2W's dual mono/stereo nature makes it an attractive option for the discerning audiophile while the build and features make it a great choice for anyone who wants organic, room-filling chorus.

Though modeled off of Ibanez's classic Tube Screamer, the EQD Plumes is not merely a clone. Instead of using an IC op-amp in the circuit, EQD replaces it with what it calls a "low-noise JFET op-amp for a more robust and precise signal, with a significantly lower noise floor." So whether you crank it or use the pedal at more modest gain levels, you’ll keep extraneous noise to a minimum. A 3-way toggle lets you choose between clipping options for either a more compressed or more transparent sound. While the Tone knob lets you add bass or high-end without losing mids.

A secret weapon of everyone from platinum producers to broadcast legends, but with a price within reach of bedroom recordists, the Shure SM7B is both a classic vocal mic and versatile studio swiss army knife. While many people think of condensers as ideal for recording vocals, the cardioid-patterned SM7B is a dynamic mic, and as such possesses the rock-solid stability of its little brothers - Shure's stalwart SM57 and 58. Perfect for close-miked narration, silky smooth female vocals or getting a beefier tone from a guitar cab - if you could only have one microphone, the SM7B would be an excellent choice.

The Strymon Big Sky Reverb is one of the most comprehensive reverb pedals currently produced, including 12 different types of reverb with both classic and experimental sounds. With adjustable parameters to shape the presets, the pedal allows a nearly infinite array of reverb modeling.

For those playing the high gain game or struggling with noisy vintage single coils, the Boss NS-2 Noise Suppressor should be a must-have. This stalwart has been helping players stay defined and hiss-free at high volumes since 1987 and remains a favorite among the metal community.

Before there was a Klon, before there was an explosion of boutique overdrives, there was the Ibanez Tube Screamer. Its subtle, mid-boosted sound changed the way guitarists thought about their place in the sonic spectrum and spurred a wave of imitators. Today, it remains one of the most popular and borderline requisite items on any pedalboard.

Debuting in 1981, the Boss SD-1 is the second longest running Boss pedal and a pioneer in the world of compact overdrives. Even today, people still use it as an alternative to a Tube Screamer. Why pay $200 for a boutique overdrive when you can dial in the right amount of crunch and dirt for less with time-tested, original overdrive circuitry?

The Strymon Timeline Delay pedal is more of a workstation than a traditional pedal, providing the sort of granular control and processing power that's more commonly found in studios than on home pedalboards. Normally sold only direct from Strymon brand new, mint used specimens pop up frequently on Reverb, and sell quickly. Grab a Strymon Timeline while you can and check back to see the latest deals.

Offering the same fan-favorite polyphonic, chromatic, strobe, and alternate tunings modes as its predecessor with the addition of a might Bonafide Buffer to preserve your tone, the TC Electronic Polytune 3 Polyphonic Tuner Pedal is an essential presence on any pedalboard. The 109-LED display gets you clear readings whether you're on a dark stage or sitting in your bedroom, and the diehard design ensures years of use. A must-have effect.

The Microcosm is a wondrous machine, a next-level sampling and delay multi-effect built for experimentation. Cut up your signal into granular pieces, tweak and stretch them into unique microloops, and then build up sequences and textures that are only possible through the Microcosm. A perpetual best-seller, you'll have to explore with your own to fully grasp what all the fuss is about.

Building on the legacy of Boss's reverb line, the RV-6 packs a host of new features such as new studio quality reverb algorithms plus eight separate modes including Shimmer and Delay+Reverb, and Dynamic for automated depth attenuation. Impressively modern but able to summon reverb sounds across the wide universe of genres and decades, the RV-6 is an excellent upgrade for the Boss enthusiast or the perfect entry point for newcomers.

With an auxiliary input to take control of volume and expression control, a low friction band drive for the smoothest swells, and one of the smallest chassis designs for a volume pedal currently on the market, the Dunlop DVP4 Volume X Mini shrinks a staple effect down to the most convenient size. Ideal for the overcrowded pedalboard, this is also an ideal route for those with a smaller footprint.

As one of the longest running Boss pedals, the CS-3 Compression Sustainer remains a staple on thousands of pedalboards, providing all the crunch and squish you could ask for with typical Boss reliability and none of the noise associated with older compressors. If you're just getting into the compression game, there's no better place to start than the Boss CS-3 Compression pedal.

The master pedalboard would just be a rack of metal and circuits without the juice to back it up, and the Pedal Power 2 Plus is the ultimate in power supplies. The unit features eight completely independent 9v outputs, two outputs with adjustable voltage sag to capture the vintage "dying battery" sound, and is capable of powering all ASA, PCA, Line 6 Stompbox Modelers and ToneCore pedals, and twin Boss pedals.

Featuring up to twelve minutes of recording time, three separate loop modes and a 24-segment LED Loop Indicator, the Boss RC-1 Loop Station is a looping powerhouse in a compact pedal. Streamlined in design and easy to use, this pedal is a great introduction to looping or the perfect unit for more advanced musicians looking to save pedalboard space.

The TC Electronic Ditto Looper is the perfect entry point for players looking to break into the world of looping. Whether at a gig or practicing in your bedroom, the Ditto Looper is a great way to build your own backing tracks and unlock a new galaxy of writing and playing for guitar or any other instrument.

An Xotic EP Booster added to your effects chain is like ripping a wet blanket off of your tone. This little transparent FET preamp naturally enhances the sound of your guitar and amp with a drive that replicates the pre-amp on a vintage Echoplex tape delay.

Crafted with 10 carefully-selected frequencies and a towering +/-12dB boost and cut range for each channel, the MXR M108S Ten Band EQ gives you the juice to drive your sound and the tools to sculpt it in one package. The roughneck aluminum chassis and LED sliders with separate gain/volume controls house a versatile effect that easily rids your rig of unwanted frequencies and feedback while smoothing out your tone. A two-in-one boost/EQ that lasts for years.

Featuring double the headroom as the previous model, a new boost mode incorporated into the gain toggle and a tap switch input for essentially serving up two pedals in one on the fly, the JHS Morning Glory V4 brings even more gain-laden sparkly goodness than ever before. Still able to dial in that perfect transparent overdrive in a wide range of gain from bluesy warmth to screaming breakup, this flagship of JHS retains its place as the centerpiece firework on any board.

The Ableton Push 2 is a huge upgrade to the already powerful Push controller. Based around a velocity sensitive RGB-lit grid and full color screen, the Push 2 offers flexible insight into everything going on in your Ableton set. From melodic playing to drum sequencing and sample chopping to synth sound design, the Push 2 gives you hands on control over every aspect of music creation in Ableton Live. Premium build quality is evident throughout, from the low profile pads to the hefty matte black chassis. If you're serious about working in Ableton, the Push 2 is a must have instrument that ups the bar for software controllers.

The RC-5 is the latest in a popular line of looper pedals. Perfect for songwriting, creative layering, and live performance. It features 99 phrase memories and a whopping 13 hours of stereo recording, ensuring that none of your ideas go unexplored. There are 57 preset rhythms packed into the pedal, as well as seven different drum kits, and promises class-leading sound with 32-bit AD/DA and 32-bit floating-point processing. It can easily be synced with DAWs and drum machines thanks to MIDI connectivity.

Since its debut in 1989, the Boss CH-1 has been heard on countless hit records. Level, EQ, Rate and Depth knobs feed into a stereo output to create the classic clean swirls that have become standard at this point. Turn it all the way up for a vibe feel, or keep it turned down for subtle thickening.

The fully redesigned 404 includes everything producers loved about the original sampler, but adds a ton of modern upgrades: velocity-sensitive pads, a screen for visual slicing and chopping, multiple effects per pad, 16GB storage, and much more. With an ultralight design and AA battery power, the SP-404MKII is highly portable. Whether you're making beats at home, at the studio, or performing on stage, the new 404 can be your constant production companion.

Fender's reimagined American Pro II series brings over features from the popular American Ultra line, including a truly ergonomic neck heel. The American Pro II Strat features V-Mod II single coils, a 2-point tremolo, and a push-push tone pot that can add the neck pickup at the press of a button. For the Sienna Sunburst or Roasted Pine finishes, the body is a new tonewood from Fender, roasted pine, instead of alder.

The SE Silver Sky keeps the signature details of the US-made original: the small bird inlays on the fretboard, the beveled lower horn, and the 635JM-style pickups. And with a slightly flatter fretboard, it's a bit easier to play, especially when soloing. It's just about the same guitar at less than half the price—like a premium Stratocaster, but built for everyone.

The MXR Phase 90 has been a pedalboard staple since the mid-1970s. Since its introduction, this classic stompbox has remained relatively unchanged with just a single knob to control the speed of the phase shifting. When on a lower setting, the sound moves slower for broader sonic swells, while higher speeds offer more warbly motion. Whether you're chasing that Van Halen tone, trying to funk up your cleans or just experimenting, the single-knob Phase 90 is a proven place to enter the world of phase shifters.

The Boss TR-2 Tremolo will leave listeners wondering if you have a vintage tweed amp hidden in the backline with its dreamy slow flutter. It also has a few modern tricks up its sleeve, allowing you take tremolo tones to places they never went in the '50s and '60s.

For those after the original slap, twang, and roar of an electric guitar icon, the Fender Player Stratocaster delivers classic tone with a fleet of modern features at an attractive price. An added Bridge tone knob and two-point tremolo grants even more control over the triple stack of redesigned Player Series Strat pups, while the sleek Modern C profile neck makes for easy work up and down the pau ferro fretboard. Top it off with new finishes like Sage Green Metallic and Buttercream, and you've got a serious tone machine that looks (and sounds) like a Custom Shop creation.

Drawing from one of the most popular compression pedals of all time, the vintage Dyna Comp, the MXR Dyna Comp Reissue is missing a few key components of the original -- but also offers some great modern updates. While the Dyna Comp M-102 isn't hand-wired and doesn't feature the old CA3080 chip, the sound is so close that you can hear a unified sound over the Dyna Comp's decades. The new M-102 features an LED light, true-bypass technology, and the same output and sensitivity knobs that made the original so intuitive.

The MXR Phase 95 is a mini phaser pedal that squeezes the sound and function of the Phase 45 and Phase 90 into a compact enclosure -- about half the size of a standard MXR pedal. Flip between two-stage Phase 45 and four-stage Phase 90 modes to set the overall intensity, dial in your speed with a single knob, and then flip between modern and vintage "Script" modes, switching feedback out of the circuit in the latter mode for a more subtle, high-headroom sound. If you're in need of a wide range of swirling, swooshing phase sounds but don't quite have the space on your board for multiple phasers, take a long hard look at the Phase 95.

Since its launch in 1986, the Boss DD-3 has remained the go-to digital delay for players - both bedroom and pro - looking for something reliable, easy to use and familiar. If you're looking to go digital, there's no better place to start.

Built in the image of the coveted late '70s models made famous on the Smashing Pumpkins' enormous album Siamese Dream, the Electro-Harmonix Op Amp Big Muff Reissue Fuzz summons iconic '90s snarl in a compact chassis. Renowned for its enormous, biting presence thanks to the presence of op-amps instead of transistors and three gain stages instead of four, this much-demanded Big Muff is a fast, affordable avenue to the vicious tone of a company classic.

The Ibanez Tube Screamer Mini combines the all-time classic tone of the Tube Screamer with convenience of a bite-sized stompbox. For decades players like Stevie Ray Vaughan and Trey Anastasio have built their overdriven sound on the Tube Screamer circuit, and the Mini delivers that exact growl and bite in a format that will fit into any board. Add one to your rig and see what generations of guitarists have relied on pedals like the TS-9 and TS-808 to bring out the very best flavor of their guitars and amps.

Crafted with a formidable sound engine sporting 1GB of onboard storage, eight intuitive MIDI tracks for your hardware, and eight stereo audio tracks complete with individual multi-function filters and an LFO, the Elektron Digitakt goes beyond the company's analog history into seamless, pristine performance. More than capable of acting as the command center for your live rig, the long-awaited Digitakt also comes packing USB-supported Overbridge technology to plug directly into your preferred DAW for total control. A sleek piece of powerful technology you'd expect from the minds at Elektron.

A painstaking recreation of an iconic 'effect plus the rackmount unit it was based on, the Boss DC-2W Dimension C Chorus Waza Craft revitalizes a world of modulated stereo chorus in a modern package. All-analog audio circuitry faithfully summons the original depth and space of the DC-2 along with the powerful SDD-320 Dimension D studio rack it was based on, each with four settings for eight distinct voices.

The Boss TU-2 Chromatic Tuner has become the industry standard for the one pedal that everyone needs. Accurate, easy to read and bulletproof, there's no reason to think hard about this one. Join the millions of players both famous and bedroom-bound who start their signal chain with this little white box.

The Strymon Zuma High Current DC Power Supply is a pedal power solution equipped to fuel even the most ambitious pedalboards. This unit offers nine outputs: seven operate at 9V with 500mA while the other two are switchable between 9V, 12V, and 18V. Like the smaller format Ojai, the Zuma is designed for exceptional isolation for extremely low noise performance. It can also be strung together with other Strymon power supplies for those gigs where nine pedals just isn't enough. Nine power outputs: Seven 9V, 500mA and two variable 9V, 12V, 18V all with center-negative polarity