The Way Huge Smalls Doom Hammer Fuzz will pound your ears with thick saturation worthy of high-desert riffage and dense walls of fuzz straight from a ‘90s fever dream. It all began in the original Way Huge garage lab back in 1998 when Jeorge Tripps modified an op-amp-powered fuzz circuit from 1978 for the band Oranger. Prized for its less pronounced scoop, Mr. Tripps refined its design for a tighter low end and more reliable performance when played live on stage. Many years later he would craft a handful of prototypes based on that modded original—and these would be the basis for the sonic sledge now called the Doom Hammer Fuzz. Output, Tone, and Fuzz dials allow you to tailor the pedal’s velvety harmonics to your rig. Try a low Fuzz setting for the most delightful crunch.