Up for sale is my Walrus Audio Melee pedal which, except for maybe a little minor velcro tape residue and a partially torn sticker (both on the back) from pulling off the velcro (see photo 6), is in near-mint condition.

This pedal has never been gigged, let-alone even left my house from the day I bought it (a little over a year ago). I have only had the chance to use it at home and even then I only used it very sparingly due to not getting much time to play my bass or guitar.

Still, it breaks my heart to have to sell this (as well as all the other pedals I'm listing), but I have to downsize my pedal collection and, honestly, I need to pay the bills.

I'm a bassist and I love making all sorts of crazy noise and ambient-style music. It sounds amazing on my guitar as well.

I'm admittedly not the best photographer in the world, so I'm not happy with the way my pictures turned out; i.e., the pedal may not look Neon Pink, but I assure you it is.

I'm shipping this pedal in the original box with a Walrus Audio sticker and two cards which show you some suggested settings, however...

*** YOU WILL NEED TO PURCHASE THE WALRUS AUDIO POWER SUPPLY SPECIFICALLY FOR THIS PEDAL SEPARATELY ***

Here is a more detailed description about the Melee from Walrus Audio:

"The Melee Wall of Noise is a distortion + reverb combo that unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now.

In a less is more approach, we’ve intentionally decided on controls that are fun to use and will inspire a wealth of creative output. Use the joystick to control the amount of distortion by moving it up and down. Moving the joystick left and right will adjust your reverb mix. The tone and decay toggles have low, medium, and high settings. Modulation can be added to the wet signal by holding down the bypass switch and moving the decay toggle. The left position is no modulation, the middle is a slight modulation, and the right is a high modulation.

ALGORITHMS

The Melee is equipped with three different reverb programs, which can be changed by simultaneously pressing the bypass and sustain stomp switches. Experiment with the order toggle switch to hear how differently these all react in front and after the distortion!

• Ambient Reverb (Pink LED) - Huge reverb capable of massive trails and engulfing your chords into an angry wash of sound. Great for soaring melodic lines or shoegaze-driven chord progressions.
• Octave Down Reverb (Yellow LED) - Similar to the Dark mode in the Slö, you’ll find an eerie lower octave hovering in the reverb trail for a nice and dark atmospheric touch.
• Reverse Reverb with Feedback (Blue LED) - Add reversed reverb trails back into your signal, create gentle melodies or push into reverse feedback overload. Big, slow, and sad chords love to hang out here.

MOMENTARY

Press and hold the sustain switch to ramp up the reverb trails. Release and the trails will ramp back down to where the decay switch is currently set. The sustain switch can also latch in all three programs. Press and release the Sustain switch to capture and sustain the current reverb decay for long pad-like sounds in your wet mix. Press again to release the latch, and the reverb trail will taper off based on the position of the decay knob.

Joystick Control:

Control the amount of distortion and reverb dry/wet mix using the joystick. Left/Right sets amount of reverb with Right being fully wet, while Up/Down sets amount of distortion with up being fully distorted glory.

Reverb Programs:

• Ambient Reverb (Pink LED)
• Octave Down Reverb (Yellow LED)
• Reverse Reverb (Blue LED)

Order Switching:

Sure, the traditional Drive into Reverb sounds great with all three reverb programs, but when you want to get weird, try changing the order with Reverb into Drive to get a powerful muddy wall of sound at the flick of a switch."