Lichtlaerm Altar Fuzz & Distortion Pedal

Dual Gain Monolith

Bring your sacrifices unto the Altar... and immanentize the eschaton.

The Altar is not a pedal — it’s a ritual. A relic. A weapon forged from fire, thunder, and saturated chaos. The latest incarnation of their dual-channel behemoth fuses searing high-gain fuzz/distortion with a colossal clean boost, designed to crush amps, split skies, and blur the line between musical expression and sonic blasphemy.

At its core, the fuzz circuit is a loosely summoned spirit of the Black Russian Big Muff — stretched, mangled, and reborn. From soaring Gilmourian sustain to molten doom-soaked riffage, sludge, stoner, and noise rock madness, this is your go-to for tone that refuses to behave.


Refined by Fire

Earlier versions served both guitar and bass alike. This new evolution is more focused — the guitar version leads the charge, bringing tighter control and a voice tailored for six-string prophecy.

The Blend knob is gone, replaced by a 3-band active EQ with ±18dB of cut/boost across Bass, Mids, and Treble — perfectly voiced for sculpting anything from classic scooped Muff roars to aggressive, mix-cutting fuzz with laser-focused mids.

The Depth control lets you dial in saturation character — from tight, amp-like drive to blown-out, speaker-destroying fuzz filth.

The EQ section is insanely powerful. Push it hard for extremes — fuzz with hi-fi clarity, or doom that sounds like tectonic plates grinding beneath you.


The Sacred Control: COMP

Introducing a new proprietary control: the COMP knob. This is your secret weapon — a morphing circuit that shifts the Altar's personality across an entire spectrum of gain. Blend from raw, dynamic distortion, to dry and violent Muff-style aggression, to smooth, organic Germanium-like overdrive. It’s not just a sound — it’s a shapeshifter.

And to fuel this wild ride, the Altar boosts your 9V supply internally to a bone-crushing 36V, granting massive headroom, clarity, and brutal loudness. They’re not saying this is the loudest Muff-inspired pedal ever built. They’re saying no other one dares to be this loud.


Enter the DOOM

Inside lies a forbidden rite — the DOOM switch. Flip it, and the gain stages plunge into beast mode. It alters the corner frequencies of the circuit, shifting from mid-forward Sovtek crunch to a low-end hammer that sends everything through the clipping stage. It’s like detuning reality.


Independently Usable Clean Boost

The Boost circuit is a standalone leviathan: up to +36dB of clean push with a secret agenda — it subtly excites upper harmonics, mangles fuzz textures, and sends tube amps into frenzy. Combine with the fuzz for infinite sustain, square-wave chaos, and even death metal style gnarlyness.

Grind control warps the boost’s EQ curve — from near-flat to a brutal HM-2-style scoop that turns your tone into serrated concrete. Think chainsaw tones buried in molten tar.

The Altar was their first-born — and with this version, it has ascended. It’s no longer just a fuzz. It’s not even just a distortion or overdrive. It’s a temple of tone, a heretical monument to Pink Floyd, Entombed, Bongripper, or even your most soul-crushing dad-rock licks.

One box. A thousand voices. 


Features:

• Lichtlaerm Audio Smart Relay technology
• "Depth" alters the input saturation, compression and fuzziness of the sound
• proprietary “comp”-control that blends between different clipping styles: seamlessly mix fuzz, OD and distortion
• 3 band active EQ with 18dB boost/cut per band
• independently usable boost with up to 36dB output
• “Grind”-control for the boost-section blend in a fully cranked HM2 EQ-curve
• internal “DOOM”-switch for full on sludge-sounds
• the loudest Big Muff style circuit in existence
• 9V center-negative power supply (13mA) (runs on 36V internally)

ConditionBrand New (New)
Brand New items are sold by an authorized dealer or original builder and include all original packaging.Learn more
Brand
Model
  • Altar
Categories
Pedal Format
  • Standard

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Motor City Guitar

Waterford, MI, United States
Joined Reverb:2014

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