This Selmer Mark VI tenor saxophone, serial number 91xxx, was shipped from Selmer Paris in March 1961 as part of a Canadian-market allocation. According to Selmer historian Douglas Pipher, archival records indicate that 42 Mark VI tenor saxophones were shipped to Selmer Canada in 1961. This example was engraved, lacquered, and set up in France prior to export.

The instrument represents a stable and fully realized period of Mark VI production. Response is immediate and even throughout the range, with a centered core that remains composed at all dynamic levels. Resistance is balanced and supportive, allowing articulation and pitch to remain consistent without forcing the player to compensate. The sound carries weight without excess and retains clarity under pressure.

The horn remains in original lacquer with even, honest wear. Engraving is crisp and intact. The body and neck are straight, with no evidence of pull-down. Original fittings and solder points are present. Pads are sealing and the instrument plays across the full range. There are no structural issues or repairs to note.

Visually and mechanically, this is a complete and uncorrected example. Nothing here reads as over-handled or restored to specification. It presents as an instrument that has been played, respected, and left fundamentally intact.

For the player, it offers direct access to a mature Mark VI voice without instability or excess resistance. For the collector, it represents a clearly documented moment within Selmer’s output, preserved without intervention.

TThis Selmer Mark VI tenor saxophone, serial number 91xxx, was shipped from Selmer Paris in March 1961 as part of a Canadian-market allocation. According to Selmer historian Douglas Pipher, archival records indicate that 42 Mark VI tenor saxophones were shipped to Selmer Canada in 1961. This example was engraved, lacquered, and set up in France prior to export.

The instrument represents a stable and fully realized period of Mark VI production. Response is immediate and even throughout the range, with a centered core that remains composed at all dynamic levels. Resistance is balanced and supportive, allowing articulation and pitch to remain consistent without forcing the player to compensate. The sound carries weight without excess and retains clarity under pressure.

The horn remains in original lacquer with even, honest wear. Engraving is crisp and intact. The body and neck are straight, with no evidence of pull-down. Original fittings and solder points are present. Pads are sealing and the instrument plays across the full range. There are no structural issues or repairs to note.

Visually and mechanically, this is a complete and uncorrected example. Nothing here reads as over-handled or restored to specification. It presents as an instrument that has been played, respected, and left fundamentally intact.

For the player, it offers direct access to a mature Mark VI voice without instability or excess resistance. For the collector, it represents a clearly documented moment within Selmer’s output, preserved without intervention.

In-person inspection or discussion can be arranged with serious buyers.