The DG 2 has a great dynamic range; lower the sustain control for crunch rhythm sounds, and boost it for power distorted lead tones.

Like the Cornish ss3 except without the buffer

Many different types of drive are achievable with this pedal. The tone control is exceptionally well voiced; there isn’t an unusable position on the dial! Boost the tone and back off the sustain, and I achieved some old school rhythm drive sounds reminiscent to “Time” and “Money”. Keeping the tone boosted and drive the drive the sustain and you’ll achieve a convincing “Time” solo tone. For me the pedal really comes into its own with the tone set between 11 and 12 o’clock resulting in a thick smooth overdrive, ideal for those “Comfortably Numb” moments. Although the DG 2 has been called a Cornish G-2 clone, I feel this pedal has a personality of its own. The fact the Mike Matthews, who created the Muff, gives Olmar his blessing with these pedals says a lot for the build and tonal quality of this product. Pricewise this pedal is more expensive than mass-produced fuzz, but let's not forget that just one man builds this pedal by hand, so you’re getting something very special with a Top Tone pedal. I love this pedal, and have used the DG1 and DG2 for a number of years. If you’re in the market for a boutique fuzz that will achieve the perfect Gilmour tone and more, then check out the DG 2.