When you're dealing with tight spaces behind your rack or need to keep cables flat against the floor, right-angle XLR connectors make all the difference. This 50-foot mic cable has right-angle XLRs on both ends, so you won't have cables sticking out awkwardly from your mixer or creating trip hazards across the stage.

The right-angle design really shines in drum booths, vocal isolation setups, and anywhere you're working around equipment racks. Instead of having straight XLR connectors forcing your cables into sharp bends — which eventually leads to cable failure — these lay flat and route cleanly. The 20-gauge copper wire maintains clean signal transmission across the full 50-foot run, whether you're connecting a vocal mic to your board or running line-level signals between pieces of gear.

Fifty feet handles most stage-to-FOH runs in smaller to medium venues, and the right-angle connectors make cable management much cleaner in permanent installations. The XLR connectors lock securely, and since they're angled, there's less stress on both the cable and your equipment's input jacks when you're packing up or moving gear around.

Bottom line: If you're tired of cables creating awkward bends or sticking out where they get kicked and damaged, this right-angle design solves those problems while giving you professional signal quality over 50 feet.

Technical Specifications

• Length: 50 feet
• Connector Type: XLR Right Angle Male to XLR Right Angle Female
• Wire Gauge: 20 AWG
• Cable Type: Microphone Cable
• Construction: Copper wire
• Warranty: One Year
• Model Number: SAXRA50
• Recommended For: Tight spaces, permanent installations, equipment racks

Frequently Asked Questions

What's the real advantage of right-angle XLR connectors over straight ones?

Right-angle connectors keep your cables from sticking out and getting kicked or bent at harsh angles. When you plug into the back of a mixer or audio interface in a rack, straight connectors force the cable into an immediate 90-degree bend. Right-angle connectors eliminate that stress point and let you route cables flat against equipment or along the floor.

Will this work with both mic-level and line-level XLR signals?

Yes, the cable handles both. You can use it for microphones, DI boxes, line outputs from mixers to powered speakers, or any other balanced XLR signal. The connector type determines compatibility, not the signal level — and these are standard XLR connections that work with all your gear.

Is 50 feet long enough for most gigs?

For small to medium venues, absolutely. Fifty feet covers most stage-to-mixing-board runs and works well for permanent installations in churches or clubs. If you're doing larger outdoor festivals or need to place your mixer way back in bigger venues, you'll want to step up to 100-foot cables to avoid signal degradation.

How does 20-gauge wire compare to thicker cables for audio quality?

For 50 feet, 20-gauge copper wire gives you professional results with minimal signal loss. Some engineers prefer 16-gauge for very long runs over 100 feet, but at this length, 20-gauge delivers clean audio while staying flexible and easier to coil. The trade-off for going thicker would be a stiffer, heavier cable without much sonic benefit at 50 feet.