When you're tired of dragging 16 separate cables across the venue floor every gig, this 12x4 snake is the solution you need. The SAXQ-12x4x50 gives you 12 XLR sends for mics and instruments, plus 4 return channels that handle your monitor feeds — all in one 50-foot run that eliminates the spaghetti nightmare behind your mixing console.

What makes this snake practical is the dual connector setup on the returns. Each return channel has both XLR and 1/4" TRS jacks running parallel, so you can feed your powered monitors via XLR while simultaneously sending to a headphone amp or IEM transmitter through the TRS. No Y-cables or splitters needed — just plug into whichever connector matches your gear.

The 22-pound steel stage box feels substantial without being a load-in killer. Everything's clearly numbered and color-coded on both ends, which matters when you're setting up in dim venue lighting. The individually shielded pairs inside keep your channels clean — you won't get bleed between your kick drum and vocal mics, and the oxygen-free copper conductors maintain signal integrity across all 50 feet.

This configuration works well for most club gigs, small theaters, and house-of-worship setups where your console needs to be 30-45 feet from the stage. If you're regularly micing a full drum kit plus bass, guitar, and vocals, those 12 channels will get used quickly. The return channels handle your wedge monitors or side fills without needing separate cable runs.

Bottom line: If you're running mid-sized shows and want to streamline your cable management while maintaining clean signal paths, this snake handles the job reliably without breaking your back during load-in.

Technical Specifications

• Model: SAXQ-12x4x50
• Send Channels: 12 XLR Male to Female
• Return Channels: 4 XLR Male (paralleled with 1/4" TRS on box)
• Cable Length: 50 Feet
• Conductor Gauge: 22 AWG
• Conductor Material: Oxygen-Free Copper (OFC)
• Shielding: 100% individually shielded pairs
• Stage Box Material: Heavy duty steel with handle
• Fantail: Color coded and numerically labeled
• Stage Box Connectors: Numerically labeled
• Strain Relief: Heavy duty at both ends
• Weight: 22 lbs
• Warranty: One Year
• Recommended For: Live venues, studios, churches, touring rigs

Frequently Asked Questions

What venue sizes work best with this 50-foot length?

This snake is ideal for small to mid-sized venues up to about 400-500 capacity where your mixing position is 30-45 feet from stage. Perfect for clubs, small theaters, churches, and recording studios. If you're doing larger venues or festival stages regularly, you'll want to look at longer options.

Can I use both the XLR and TRS return jacks simultaneously?

Yes — the return channels are paralleled, so both connectors carry the same signal. You can feed XLR-input powered wedges while simultaneously sending to TRS-input gear like headphone amps or IEM transmitters. Use either connector type or both depending on what you're driving.

How many channels do I really need for a typical band setup?

If you're micing drums (kick, snare, hi-hat, maybe overheads), that's 3-4 channels right there. Add bass DI, guitar mic, lead vocal, maybe backing vocals or keys — you'll hit 8-10 channels fast. The 12 sends give you room to grow, and the 4 returns handle your monitor feeds without separate cable runs.

Does this snake maintain signal quality over the full 50 feet?

Yes — the individually shielded pairs prevent channel crosstalk, and the 22 AWG oxygen-free copper conductors maintain clean signal transmission across the full length. You won't get bleed between your kick and vocal mics, and RF rejection stays solid even in electrically noisy venues.