When you're running FOH and monitors from separate consoles, you need a splitter snake that won't let you down mid-show. The SARMSS-32x1515 takes each of your 32 stage inputs and creates two identical feeds—one for your front-of-house console and one for monitors. No more arguing over who gets which channels or dealing with Y-cables that introduce noise and signal loss.

The rack-mountable stage box handles the real world of live sound: combo jacks that accept both XLR mics and 1/4" line sources, so you're not hunting for adapters when the keyboard player shows up with a TRS output. Each channel passes phantom power to both outputs, meaning your condenser mics get the 48V they need whether it's coming from FOH or monitor consoles. The 22-gauge conductors and individual shielding on every pair keep your signals clean across all 32 channels.

The dual 15-foot XLR fantails give you decent reach for smaller-to-mid-sized venues where your mixing positions aren't too far apart. This isn't the snake for arena gigs where your FOH is 100 feet from the stage, but for clubs, theaters, houses of worship, and festival stages where both consoles can be positioned within reasonable distance of your stage box, it's a solid workhorse.

At 25.6 pounds, the steel stage box has some heft but includes a handle for load-in. Everything's clearly labeled, which matters when you're setting up in the dark or handing the rig off to local crew who've never seen it before.

Bottom line: If you need reliable monitor splits for venues where both consoles can be positioned within 15 feet of your stage box, this splitter handles 32 channels without fuss at a price that won't break the gear budget.

Technical Specifications

• Channels: 32
• Configuration: 4-space rack mount
• Stage Box Connectors: XLR/TRS 1/4" combo jacks (female)
• Trunk Length: Two 15-foot XLR fantails
• Trunk Connectors: Male XLR
• Conductor Gauge: 22 AWG
• Shielding: 100% individually shielded pairs
• Phantom Power: Passes 48V phantom power
• Stage Box Material: Heavy-duty steel with handle
• Returns: None (send only)
• Weight: 25.6 lbs
• Warranty: One year
• Recommended For: Mid-sized venues, monitor splits, touring rigs

Frequently Asked Questions

What's the difference between this and a regular snake cable?

A regular snake is point-to-point—stage to one console. This splitter snake takes each input and creates two identical outputs, so the same mic feeds both your FOH and monitor consoles simultaneously. You're not splitting signals with Y-cables or trying to figure out who gets which channels. Each console gets its own dedicated feed from every stage input.

Can I mix XLR mics and 1/4" instruments in the combo jacks?

Yes, each combo jack accepts either XLR or 1/4" connections. Use XLR for vocal mics and 1/4" for keyboards, active DI outputs, or other line sources. You don't need adapters, and you can use whatever combination makes sense for your particular show.

Does this pass phantom power to condenser mics?

Yes, 48V phantom power passes through both output paths. Whether your FOH console or monitor console is providing the phantom power, your condenser mics and active DIs will get what they need. Both outputs carry the phantom power, so either console can power the same microphone.

Will the 15-foot trunks work for my room layout?

That depends on where you can position the stage box relative to both consoles. If you can place the box somewhere that puts both your FOH and monitor positions within 15 feet, you're good. This configuration works well for smaller theaters, clubs, and houses of worship where mixing positions aren't too far apart, but it's not the right choice if your FOH is way out in the house.