When you're running sound for the big outdoor stage or that venue where the FOH position is way back from the performers, you need cable that can make the distance without losing signal or picking up noise. This 100-foot XLR cable gives you the reach for those situations where your standard 25-footers just won't cut it.

The SAXLX-100 uses 22-gauge oxygen-free copper conductors with proper shielding to maintain clean signal across the full length. You'll get reliable mic and line connections whether you're running vocals from the stage to a distant mixing console or sending monitor feeds to upstage positions. The heavy-duty rubber jacket handles the abuse of outdoor gigs and repeated coiling without the internal wiring taking a beating.

The shielding does its job blocking interference from wireless systems, LED wash lights, and all the other RF noise you deal with in live environments. Standard 3-pin XLR connectors lock securely and work with all your existing gear — no adapters needed.

This isn't the cable you'll reach for in your home studio or small club gigs. But when you're dealing with festival stages, large venues, or permanent installations where the cable run exceeds normal lengths, having a reliable 100-footer in your kit saves the day.

Bottom line: If you regularly work large stages or outdoor events where standard cable lengths don't reach, this gives you the distance you need with the signal integrity you expect from professional XLR.

Technical Specifications

• Model: SAXLX-100
• Length: 100 feet
• Connectors: 3-pin XLR male to XLR female
• Cable Color: Black
• Conductor: 22-gauge oxygen-free copper (OFC)
• Shielding: Yes
• Jacket: Heavy duty flexible rubber
• Warranty: One year
• Recommended For: Long-distance mic/line connections, outdoor events

Frequently Asked Questions

Will this cable maintain signal quality across the full 100 feet?

Yes, the oxygen-free copper conductors and proper shielding maintain professional signal quality across the entire length. For runs longer than 100 feet, you might want to consider an active DI or line driver, though many applications work fine with passive cables up to 150-200 feet.

Can I use this for both mics and line-level gear?

Absolutely. This balanced XLR cable handles both microphone-level signals from your dynamics and condensers, plus line-level connections between mixers, EQs, crossovers, and amps that use XLR.

How well does the shielding work in venues with lots of wireless and LED lighting?

The shielding effectively blocks electromagnetic interference from wireless mics, LED wash lights, and other common venue electronics. Combined with the balanced design and OFC conductors, you get clean signal transmission even in electrically noisy environments.

Can I use this for DMX lighting runs?

While it physically connects to DMX gear and many people do use it this way, DMX512 technically calls for 120-ohm cable and this is designed as 75-ohm audio cable. For occasional DMX use or short runs it often works fine, but for critical lighting applications or long DMX runs, dedicated DMX cable ensures proper data integrity and AES compliance.