Description

In 1960, the U 67 sought to deliver smoother highs, a solid bass and a rich detailed mid-range while introducing some new technical advances. 

Proximity effect is the low-end boost created when a vocalist gets very close to a microphone. It can have a very powerful effect, but can leave the bottom end muddy and boomy. To handle this, the '67 introduced a low-end roll-off switch. For very loud sources like drums or certain guitar amps, a -10 dB pad switch was also introduced. Though the much-loved steel body VF14 tube of the U 47 had been discontinued, a lower noise floor was now possible with the new glass pentode tube. A more accurate figure-eight polar pattern was also now possible thanks to the development of the double back plate K67 capsule. Manufactured from 1960 to 1971 the U 67 was the versatile workhorse of professional recording studios of the time. The Peluso P-67 is a faithful tribute to this treasured microphone.

• Large Diaphragm Condenser
• Center-Terminated Capsule
• EF95 (6AK5, 6J1, 5654) Vacuum Tube Amplifier Stage
• Custom-Wound Output Transformer
• 9-Polar Patterns

Microphone kit comes as a complete system including:

• P-67 Microphone
• Wood Microphone Box
• Power Supply
• 8-Pin Screw-on Cable Assembly
• Shock Mount
• Locking Padded Flight Case

P-67 Technical Data

• Capsule Type: Condenser Pressure Gradient w/ 34mm, center terminated
• Frequency Range: 20Hz/20Khz
• Polar Pattern: 9 - Switchable from omni- to bi-directional
• Sensitivity: 18 mv/pa
• Impedance: 200 ohms
• SPL: 148 dB with 10dB pad engaged
• Equivalent Noise: 14 dB(A)
• Tube Type: EF95 (6AK5, 6J1, 5654)
• Power Requirements: Dedicated Power Supply, 115V or 230V AC
• Size: 56mm x 205mm
• Weight: 600g