Gibson Les Paul Studio 2007 Satin Faded Worn Cherry w/ Hard Case

This is a beautiful example of the Gibson Les Paul Studio 2007 Faded Worn Cherry. The guitar includes the Gibson plush lined hard-shell case.

The guitar is in great condition; has some light wear typical of a used instrument but no significant cosmetic issues to speak of. Straight neck, no fret wear. Satin finish.

Photos are of the actual item for sale.

Specs include:

·         Weight: 7.41lbs.

·         Body: Mahogany

·         Neck: Mahogany

·         Fingerboard: Rosewood

·         Fingerboard Radius: 12’’

·         Nut Width: 1.69’’

·         Scale Length: 24.75’’

·         Pickups: Cream T™ Billy F Gibbons “WhiskerBucker” Pickups©.  Set #89

 

Cream T Billy F Gibbons “WhiskerBucker” Pickups.

These pickups are made using Cream T’s “Super Scanner” technology. These premium pickup sets are 100% exacting electronic reproductions from the sound of BFG's famous 6-string electric, his ’59 ‘Burst, known around the world as “Pearly Gates”. The famed guitar sound of “Pearly Gates” is still regarded as one of the fiercest guitar tones in classic blues and rock ’n roll! Utilizing their patented analog spectrum recorder, developed exclusively at Cream T Pickups, they have recreated 100% mirror-imaging of the legendary pickups. Set #89. 

The guitar has a custom made copper relic Les Paul pickguard and toggle switch made by Snowflake Finishes.  

The hardware includes a vintage relic stop tailpiece and a vintage relic aged Gibson historic Spec Non-wire Tune-O-Matic ABR-1 nickel bridge

Emerson LPBB-Long Custom Les Paul Long Shaft Prewired Kit w/ 500K Pots. Wired 50's style for authentic vintage sound and feel. This kit includes 500K Emerson PRO CTS Split Shaft Potentiometers, Switchcraft J11 1/4" mono input jack, Emerson Bumblebee Paper in Oil Capacitors (1: 0.022uf Bridge, & 1: 0.015uf Neck). The overall tone gets stronger, tighter, and more transparent. It’s difficult to describe, but you might say it’s more “in your face.” The typical treble loss that occurs when rolling back the volume is much less than with standard wiring. Both the volume and tone controls become more responsive, and they react more smoothly without the usual hot spots. Another bonus: By simply rolling back your guitar volume a bit, you can clean up an overdriven amp without getting lost in the mix. The tone and the volume controls interact with each other—something you might be familiar with from certain tweed-era Fender tube amps. When you change the volume, the tone changes a little bit as well, and vice-versa. This may be strange at first, but you only need a few minutes to get used to it.

Black Schaller Strap Locks are included.