SAJLP-16x8x100 - 16 Channel 100 Foot XLR Low Profile Snake Cable with TRS Returns

When you're running FOH from the back of a 400-seat venue or tracking drums in a live room 100 feet from your control room, cable runs become a real problem. This 16x8x100 snake solves that problem with 16 XLR sends and 8 TRS returns in a compact steel stage box that won't eat up your entire stage real estate.

The circuit board technology here isn't marketing fluff — it eliminates the hand-soldered rat's nest you'll find inside cheaper snakes that fail when you need them most. Each of the 16 channels uses individually shielded 25-gauge conductors, so you're not dealing with crosstalk between your kick drum and lead vocal. The stage box measures just 10.75" x 5.5" x 2.75", which means it actually fits where you need it without blocking artist movement or taking up prime stage space.

Those 8 TRS returns handle your monitor feeds, effects sends, or any line-level signals you need to route back to the stage. Whether you're feeding wedges, in-ears, or outboard gear, the returns give you the flexibility to build a proper monitor system without running separate cables. The color-coded fantail at the console end speeds up your load-in and prevents the "which cable goes where" scramble during soundcheck.

At 26 pounds, this isn't ultralight, but it's built for regular setup and teardown. The heavy-duty strain relief at both ends handles the abuse of repeated coiling and transport. This snake works equally well for outdoor festivals where your mix position sits at the back of the field, church installs where the booth is in the balcony, or studio sessions where you need clean signal paths over distance.

Bottom line: If you're mixing mid-sized shows or recording sessions where 100 feet of separation is reality, this snake delivers reliable multichannel connectivity without the bulk and failure points of traditional stage boxes.

Technical Specifications

• Model: SAJLP-16x8x100
• Length: 100 feet
• Sends: 16 XLR male connectors
• Returns: 8 TRS (1/4 inch) connectors
• Stage Box Dimensions: 10.75" L x 5.5" W x 2.75" D
• Conductor Gauge: 25 gauge
• Shielding: 100% individually shielded pairs
• Stage Box Material: Heavy duty steel
• Stage Box Features: Circuit board technology, numerically labeled
• Fantail: Color coded
• Weight: 26 lbs
• Strain Relief: Heavy duty at both ends
• Warranty: One year
• Recommended For: Mid-sized venues, studios, outdoor events

Frequently Asked Questions

What's the difference between circuit board and traditional snake construction?

Traditional snakes use hand-soldered connections inside the stage box, which are common failure points. The circuit board design creates more secure, reliable connections that resist damage from transport and heavy use. You get fewer connection failures and a more compact stage box footprint.

Will this handle both my mic inputs and monitor returns for a typical 5-piece band?

Yes, 16 channels easily cover a full band setup — drums (6-8 mics), bass DI, two guitar amps, keys, and 3-4 vocal mics. The 8 TRS returns handle monitor mixes to wedges or in-ear systems, plus you have channels left over for effects sends or additional monitoring needs.

How much additional cable do I need to connect this to my console?

You'll need 16 XLR cables from the fantail to your console inputs, plus 8 TRS or XLR cables (depending on your console's aux outputs) for the returns. Budget for quality cables — cheap ones defeat the purpose of investing in a properly shielded snake.

Is 100 feet enough for outdoor festival stages?

For most outdoor stages where FOH sits at the back of the audience area, 100 feet works well. Measure your actual run first — some larger festival stages or amphitheaters where the console sits under a covered pavilion might need 150+ feet.