Harrison console 950 M 16 frame full 2011 16 Mic pre, 16 chnn, 16 eq modules, center section complete

This is a console that i will never forget, it’s really hard to let it go, maybe on of the best analogue modern sounding consoles in small format. It really shines for his sound. Stunning versatility, in small size. Tape send/return per channel, 4 auxs, 2 masterbuses once VCa type and the other the marvelouse Harrisson sound that artists like Michael Jackson Abba Zappa and many others summed in the second transformer bus present in 950M. Harrison invented the inline type of consoles and is one of the most beloved sound desired in Industry.

Frequency Response
Microphone input to Mix Bus line output: Conditions are, input source impedance of 150 to 200 Ohms, output load impedance of 600 Ohms, channel fader and Mix Bus fader set for unity gain, effective measuring bandwidth of 20 Hz to 20 kHz. Gain shall not deviate from gain at 1kHz for any frequency from 20 Hz to 20 kHz more than +.2dB to -2dB. Line input to Mix Bus output: Conditions are, input source impedance of 600 Ohms, output load impedance of 600 Ohms, channel fader and Mix Bus fader set for unity gain, effective measuring bandwidth of 20 Hz to 20 kHz, and overall gain of unity. Gain shall not deviate from gain at 1 kHz for any frequency from 20 Hz to 20 kHz by more than +.2dB to -1.0dB.

Distortion
Microphone in to program line out: Conditions are, input source impedance of 150 to 200 Ohms, output load impedance of 600 Ohms, Mix Bus fader set for unity gain, channel fader set for any gain from +10dB to -10dB (ref: unity gain), microphone preamplifier set at any gain, Mix Bus output level set to +8dB (ref: 0.775 VRMS), distortion being measured is SMPTE IM (60 Hz and 7 kHz mixed 4:1). The measured intermodulation distortion shall not exceed 0.1%. Conditions are as above but with the channel fader set for unity gain and the program output level set to +18dB (rms ref: 0.775 VRMS). The measured intermodulation distortion shall not exceed 0.1%.

Noise
Microphone in to Mix Bus line out: Conditions are, input source impedance of 150 to 200 Ohms, output load impedance of 600 Ohms, channel fader and Mix Bus fader set for unity gain, one input module is assigned to the Mix Bus output, effective measuring bandwidth of 20 Hz to 20kHz, meter response unweighed to DIN 45 405 and DIN 45 500, meter ballistics true RMS to DIN 45 402 and DIN 45 500, overall gain is 70 dB at 1 kHz. The equivalent input noise shall not exceed -129dB (ref: 0.775 VRMS). Keeping all the test conditions the same with the exception that the overall gain is 38dB and the quantity of channels assigned to the output is four, the noise measured at the output shall not exceed -70dB (ref: 0.775 VRMS). Keeping all the test conditions the same with the exception that no input channels are assigned to the output, the noise measured at the output shall not exceed -80 (ref: 0.775 VRMS).

Crosstalk
Microphone in to Mix Bus or auxiliary line out: Conditions are, input source impedance of 150 to 200 Ohms, output load impedance of 600 Ohms, channel faders and Mix Bus faders set for unity gain, auxiliary masters set for unity gain, overall gain set to 50dB on two test inputs. One input is driven with any frequency from 20 Hz to 15 kHz and routed to any program or auxiliary output, and an adjacent input terminated with 150 to 200 Ohms and assigned to any other program or auxiliary output. The crosstalk shall not be worse than - 65dB with reference to the driven output. This specification will be -55dB if the measured pair is the left and right path of a stereo signal path.