Best Sellers
Top products on Reverb over the past 90 days
Best Sellers in Pro Audio
- 1
Shure SM57 Cardioid Dynamic Microphone
Industry standard, studio legend, mic for the masses. The Shure SM57 is responsible for a staggering percentage of the recorded sounds you've probably heard. It is the Swiss Army Knife of mics - infinitely capable, but not highly specialized. And for less than $100, we're OK with that. - 2
Shure SM58 Handheld Cardioid Dynamic Microphone
You would be hard-pressed to find a venue that doesn’t have a set of Shure SM58 mics on hand. As the go-to vocal mic for millions of professionals and amateurs since its launch in 1966, the SM58 hardly needs an introduction. Its reputation has been built on three simple traits: durability, quality and affordability. - 3
Shure SM7B Cardioid Dynamic Microphone
A secret weapon of everyone from platinum producers to broadcast legends, but with a price within reach of bedroom recordists, the Shure SM7B is both a classic vocal mic and versatile studio swiss army knife. While many people think of condensers as ideal for recording vocals, the cardioid-patterned SM7B is a dynamic mic, and as such possesses the rock-solid stability of its little brothers - Shure's stalwart SM57 and 58. Perfect for close-miked narration, silky smooth female vocals or getting a beefier tone from a guitar cab - if you could only have one microphone, the SM7B would be an excellent choice. - 6
Neumann TLM 103 Large Diaphragm Cardioid Condenser Microphone
The Neumann TLM 103 has been a workhorse microphone for everyone from bedroom enthusiasts to professional broadcasters and major recording engineers since its release in 1998. Extremely low self-noise and impressive technical specifications fuse with an authoritative tone that nods to classic Neumann microphones to offer top quality recordings regardless of budget. - 7
Cloud Microphones Cloudlifter CL-1 Mic Activator
The Cloud Microphones Cloudlifter CL-1 is a phantom-powered boost for your passive ribbon and dynamic microphones that need a little extra level before the mic preamp. Simply connect the CL-1 between your microphone's output and your preamp's input, then engage the +48V phantom power on the pre to kick on the CL-1's gain boost, requiring less muscle from your interface's preamp. - 8
Electro-Voice RE20 Cardioid Dynamic Microphone
Known as a radio and voice-over standard, the Electro-Voice RE20 can do so much more than podcasts. With Variable D design and a high-pass filter to curb bass muddiness, this large diaphragm cardioid is great for low end and close proximity work involving vocals, kick drums, upright bass or electric bass cabs. - 11
Shure BETA 52A Supercardioid Dynamic Bass Drum Microphone
If you're in search of a big, fat kick drum sound that hits you in the gut, the Shure Beta 52A is likely all that you'll need. This industry-standard microphone has a frequency response and pickup pattern perfectly suited for the job, and takes the guess work and corrective EQ out of the equation for a "finished" sound straight to the mixer or DAW. - 13
Sennheiser e609 Silver Supercardioid Dynamic Microphone
The Sennheiser e609 is the epitome of "point and shoot" microphones for guitar amplifiers, both in the studio and on the stage. With a tight supercardioid pattern for great rejection and a frequency response especially tailored for guitar amps, you can simply hang this modern classic in front of your rig, practically on top of the speaker, for a classic sound with plenty of midrange punch and focus. - 16
Radial ProD2 Stereo Direct Box
If you've been looking for a stereo direct box for your keyboard, look no further than the Radial ProD2, a passive DI that features two totally independent channels that have their own inputs and thru-puts, as well as two isolated outputs perfect for PA systems. This stereo DI is able to handle enormous peaks without giving in to distortion, instead serving up a smooth, rounded out tone with a wide frequency range of 20Hz to 20kHz. - 18
Sennheiser e906 Supercardioid Dynamic Instrument Microphone
The Sennheiser e609 is a durable, versatile dynamic instrument microphone designed to take on huge amounts of level from close distances -- guitar amps especially. This update to the popular e609 seen on stages all over the world adds switchable presence settings to tailor high frequencies, and sonically has more in common with the vintage MD409. Their full sound and fast response is amazing on all sorts of instruments, but hang this puppy in front of a guitar amp and you'll smile ear-to-ear. - 20
Sennheiser MD 421 II Cardioid Dynamic Microphone
Ubiquitous, iconic, legendary -- the Sennheiser MD421 II microphone can be found in stages and studios across the globe. With its high SPL handling, great rejection and versatile filter options, the MD421 has long been a standard large diaphragm dynamic, and a staple on guitar amps, toms, and vocals. Shop Reverb.com and compare prices on new & used MD421 II microphones for the best deals. - 22
Audio-Technica AT2020 Cardioid Condenser Microphone
The Audio-Technica AT2020 is a budget cardioid-pattern condenser microphone great for home studio beginners and experts alike. It comes in two models, with either an XLR or USB output, and offers a custom-made low-mass diaphragm for improved frequency and transient response. - 23
Shure BETA 58A Handheld Supercardioid Dynamic Microphone
Featuring shaped frequency response, supercardio design and sturdy construction, the Beta 58A is one of the most popular vocal microphones on the market and an industry standard. Affordable yet renowned for its quality, this mic works well in any genre and for bedroom recording or live performance. - 26
Sennheiser MD 421-N Cardioid Dynamic Microphone
The Sennheiser MD 421 was released in 1960 to much acclaim, with a very tight cardioid polar pattern that borders on "supercardioid" at many frequencies and a clear, present sound that was far superior to most dynamic mics of the era.
The MD 421-N model features a 3-pin DIN connector and a switchable high-pass filter that goes from "M" for music (full bandwidth) to "S" for speech (low frequencies attenuated). - 27
Radial ProDI Passive Direct Box
Whether you need a DI for stage or for studio, the Radial ProDI will satisfy all needs. This passive direct box is the perfect all-purpose DI, boasting a custom-wound transformer that will reduce loading, take on extreme signal levels of all kinds and at all frequencies, and isolate and protect your signal so it won't distort. Can't ask much more from a sturdy, professional DI box! - 28
Alesis 3630 Dual-Channel Compressor / Limiter with Gate
The Alesis 3630 is a rack-mount, two channel compressor and limiter. - 29
Shure SM81 Small Diaphragm Cardioid Condenser Microphone
The Shure SM81 is a classic cardioid condenser mic that shines bright on acoustic instruments. This small diaphragm staple, originally released in the 1970s, has found a home with countless studios and stages thanks to its detailed pickup, exceptionally low noise, and rugged build quality. Unhyped and true from one end of the frequency range to the other and nearly impossible to clip, the SM81 remains a tried-and-true mic that should be in every engineer's collection. - 32
Yamaha HS5 5" Powered Studio Monitors (Pair)
The Yamaha HS5 is a compact powered studio monitor for the home studio, or even as a second reference in a professional control room. Calling upon the styling and function of the ubiquitous NS-10M monitors made popular in the 1980s, the HS5 adds built in bi-amplification for 70W of total power pushing a 5" woofer and a 1" tweeter. The sound is true and unflattering -- if it sounds good on these speakers, it's because it sounds good everywhere. - 33
LR Baggs Para DI
The LR Baggs Para Acoustic DI is a direct box specifically tailored for acoustic guitar players, featuring a five band parametric EQ. It has a built-in active preamp that adds fullness and depth to any guitar. The tunable mid-band let's you control the crucial midrange tone, while a sweepable notch filter is essential for eliminating whatever frequencies are prone to feedback. A built-in effects loop let's you incorporate anything else you have in your sonic arsenal before sending it on to the PA. Whether you're a singer-songwriter or incorporating acoustic guitar as part of a larger ensemble, the LR Baggs Para Acoustic DI is an essential tool to put your best tone on stage. - 35
Neumann KM 184 Small Diaphragm Cardioid Condenser Microphone Matched Stereo Pair
The Neumann KM 184 small diaphragm condenser microphone makes drum, instrument, and ensemble recording a breeze with its natural sound and near-perfect cardioid pattern. This modern update to the classic KM 84i offers a wide frequency response, high SPL handling, and self noise low enough to take on even the quietest applications. The SKM 184 matched pair is a great choice for all sorts of stereo instrument, room and ambience recording, from drum overheads to large orchestras and ensembles. - 36
Alesis Midiverb II 16-Bit Digital Effects Processor
The MidiVerb II is a budget-friendly, rack-mountable professional reverb/multi-effects unit. It features instant recall via user input or MIDI command, a 16-bit processor, and a 16 kHz bandwidth. - 40
AKG C414 XLII Large Diaphragm Multipattern Condenser Microphone
Drawing from the playbook of classic AKG mics, the C414 XLII condenser microphone offers a detailed, bright sound without being harsh or edgy. Switchable polar patterns, attenuation, and bass cuts make the C414 XLII a true workhorse mic that can work wonders on any instrument or voice. - 41
Neumann U 87 Ai Large Diaphragm Multipattern Condenser Microphone
Few microphones are more ubiquitous and beloved than the Neumann U 87 Ai, found in recording and broadcast studios in every corner of the planet and heard on hundreds of thousands of recordings and arguably the benchmark by which other FET microphones are judged. Originally released in 1967 and wholly unchanged since 1987, the U 87 Ai is a phenomenal do-it-all condenser microphone that's equally at home in front of a singer, hanging above a drum kit, or peeking into a grand piano. - 42
Warm Audio WA76 Limiting Amplifier
Closely modeled after the classic 1176LN compressor/limiter, the Warm Audio WA76 Limiting Amplifier offers up vintage tones at a breakthrough price point. From subtle transient shaping on a bass guitar to explosive limiting on a drum room mic, the WA76 covers all the bases of an original 1176. - 43
Shure BETA 57A Supercardioid Dynamic Instrument Microphone
The Shure BETA 57A is a dynamic microphone that excels at versatility due to its high output supercardioid design. Whether in the studio recording drums and amplifiers or at home recording vocals or various project needs, the BETA 57A provides warmth and reliability in all situations along with its shock mount system and legendary Shure build quality. - 47
Behringer X32 Rack 40-Input Rackmount Digital Mixer with iOS Control
The Behringer X32 Rack is a comprehensive digital mixer with a ton of I/O, powerful digital processing, Midas-designed mic preamps and remote control with your iPhone or iPad. This 3U-high mixer boasts everything you'd find in a large-format live sound console -- full routing and bussing, inserts, groups and more. A virtual FX rack gives you tons of processing, with high-end emulations of immensely popular studio units to shape your sound. Control the mix from anywhere in the venue with Behringer's iOS app so you don't have to guess how it sounds in the crowd. - 48
Shure SM7dB Cardioid Dynamic Microphone with Built-In Preamp
The standard SM7B is one of our era's most popular and versatile mics. It's as great for singers and instrumentalists as it is for podcasters. But one thing about the standard version: It needs a lot of gain to get up to a decent recording volume. In the SM7dB, Shure has placed a preamp inside the body of the mic, giving you plenty of gain even before you hit your audio interface or external mic pre. - 51
AKG D112 MKII Cardioid Dynamic Bass Drum Microphone
The AKG D112 MkII takes the classic sound and function of the original D112 and gives it a new spin -- literally. The MkII model features an integrated mount which allows you to angle the microphone into different positions without moving your mic stand. Zone in on the exact placement of the microphone and revel in a huge, fat kick drum sound without the need for additional EQ. - 52
Neumann TLM 102 Large Diaphragm Cardioid Condenser Microphone
The Neumann TLM 102 packs classic Neumann sound and build quality into a petite package, with a price tag that mere mortals can afford. With a newly-designed capsule and modern transformerless electronics, this large diaphragm marvel features impressive self-noise and SPL specs while delivering that intimate, up-close sound that made the classic Neumanns the most widely used microphones in professional studios around the world. - 58
sE Electronics Voodoo VR1 Passive Ribbon Microphone
The sE Electronics Voodoo VR1 is a passive ribbon mic with a wide frequency response that covers the entire human hearing range -- not something you'll typically hear from a ribbon. Smooth, natural transients mate with a relatively bright tone to go where most ribbons need extensive EQ to go. The VR1 is compact and durable, making it easy to position and even easier to get the sound you desire. - 59
FMR Audio Really Nice Compressor RNC 1773
The FMR Audio Really Nice Compressor, or "RNC" as it is lovingly known, draws a thick line in the sand between what is "cheap" and what is simply "inexpensive." This tiny little stereo workhorse, originally introduced in the late 1990s, has found its place in both weekend-warrior bedroom studios and top control rooms thanks to its transparent compression and compact footprint. It would be a steal at three times the price, and should make a number of higher-cost compressors blush and get back to the gym. - 60
API 512c 500 Series Mic Preamp Module
The original 500 Series mic pre is still around, still taking names, and still being put to use on records all over the world. Extremely true to the original Saul Walker design, the API 512c gives you the electrifying tone of API console preamps in the portable 500 Series format to give your microphones and instruments the clarity and punch that they deserve. - 61
AKG C214 Large Diaphragm Cardioid Condenser Microphone
When it comes to mics, AKG is known for high end, made-in-Austria icons like the C414, C451, and C12 that are out of reach for most consumers. The AKG C214 brings the same studio grade quality and design people expect from the company's professional line at a price point accessible to the working musician. - 62
Sennheiser MD 441U Supercardioid Dynamic Microphone
The Sennheiser MD 441U keeps a legend a live. This long-time studio staple dynamic microphone features a wide, tailorable frequency response and crystal clear sound. Able to withstand immense SPL levels without overloading and distorting, the MD 441U is among the best microphones of any time or type for recording snare drum and blaring amplifiers. - 66
Sennheiser MD 421-U Cardioid Dynamic Microphone
The Sennheiser MD 421 was released in 1960 to much acclaim, with a very tight cardioid polar pattern that borders on "supercardioid" at many frequencies and a clear, present sound that was far superior to most dynamic mics of the era.
The MD 421-U models (U-4 and U-5) feature a 3-pin XLR connector and a switchable high-pass filter that goes from "M" for music (full bandwidth) to "S" for speech (low frequencies attenuated). The U-4 model's original clip had a mount threaded for 3/8" stands, while the U-5 was threaded for 5/8" American stands. Being that most examples seen and sold today have replacement clips, this page will show both versions as they are otherwise interchangeable. - 70
Yamaha MG10XU 10 Channel Analog Mixer
With 10 channels, a stereo bus, rack-mount capability, an integrated digital effects bank, and iOS device connectivity, the Yamaha MG10XU is an analog mixing workhorse. Its rugged, road-ready metal chassis and straightforward layout make it a great choice for any live application. - 72
Radial ProRMP
Reamping has never been so easy as with the Radial ProRMP Reamp. Just play your pre-recorded tracks through whatever alternate amps or pedals your heart desires to get just the sound you want and record it back through the ProRMP and voila! You've got yourself a totally new track. With its totally passive design and custom-wound transformer that both balances and isolates, the ProRMP is the answer to all of your reamping prayers or your entry into the world of reamping. - 74
Rupert Neve Designs RNDI Active Transformer Direct Box
The Rupert Neve Designs RNDI is a transformer-balanced active direct box. A single 1/4" input can handle instrument and line signals, or speaker level sources to connect a power amp with up to 1000W of output. Output is on a balanced XLR connector on the rear of the unit. - 76
Radial JDI Passive Direct Box
With a genuine Jensen transformer at its heart, the Radial JDI is a 14-gauge-steel-housed DI Box capable of screening out electrical hum and delivering high impedance signals to your low impedance gear with pristine fidelity. With a flat frequency response from 10Hz to 40kHz, the JDI delivers the pure, accurate sound of your instrument without artifacts. Unlike active DI boxes, a passive DI like the Radial JDI requires no power and even when driven hard sounds warm and musical, not distorted, making it a great sounding and nearly indestructible tool in your sonic arsenal. - 77
dbx DriveRack PA2 Complete Loudspeaker Management System
The dbx DriveRack PA2 Complete Loudspeaker Management System is a complete solution for total control over your PA with some nifty features for even easier use. Incorporating features like Advanced Feedback Suppression (AFS) technology, a new AutoEQ, and real dbx compression, the DriveRack also sports ethernet control for wirelessly handling the system from your phone. - 78
Neumann KMS 105 Handheld Supercardioid Condenser Microphone
The Neumann KMS 105 handheld condenser microphone gives you studio-quality vocals live on stage. The KMS 105's supercardioid pattern and transparent off-axis response give it incredibly high gain before feedback, something you'd not necessarily expect from a condenser microphone. This microphone's transformerless electronics reproduce the true sound of your voice with amazing detail and nuance that no dynamic microphone could ever dream of. With a low-frequency response specifically tailored for up-close vocals without overwhelming proximity effect, the headbasket of the KMS 105 also greatly reduces troublesome pops and plosives, giving you a crystal clear sound that cuts right through the mix without issues. - 85
Avalon VT-737sp Tube Channel Strip
Since almost immediately after its introduction in the 1990s, the Avalon VT-737sp vacuum tube channel strip has become the platinum standard for highlighting a lead vocal or giving a "finished" sound to a bass or keyboard track. The likes of Dr. Dre, Kelly Clarkson, The Crystal Method, and countless other A-List artists and producers rely on the VT-737sp's crystalline fidelity, vast tone-shaping ability, and military-grade build quality to keep the hits coming. - 88
AKG C414 B ULS Large Diaphragm Multipattern Condenser Microphone
The AKG C414 B ULS is about as versatile as a condenser microphone can be, which is what's made them a studio staple consistently over three decades. With four selectable polar patterns (cardioid, supercardioid, bidirectional, omnidirectional) on the front and three-position switches on the rear for attenuation and bass rolloff, the C414 B ULS is also the last of the 414s to make use of an output transformer. When compared to the more modern iterations of this mic (TLII, XLS, XLII, C214 and C314), the ULS has a bit more vibe and character to the sound while retaining that "natural" quality that's made every version of the 414 what it is today. - 89
Sennheiser e604 3-Pack Compact Dynamic Drum Microphone Set
The Sennheiser e604 three-pack is a solid, affordable solution for mic'ing toms both live and in the studio. These compact dynamic mics clip directly onto the rim of the drum for perfect placement without a microphone stand, saving you time and space during quick changeovers on stage. The e604s are ultra-durable and can take on a ton of SPL, making them a great choice even when the drummer is hitting the skins with a vengeance. - 94
Yamaha NS-10M Studio Monitors
Few studio monitors have enjoyed the longevity and acclaim (as well as an army of vocal detractors...) of the Yamaha NS-10M, which isn't all that bad for a speaker that was originally designed and marketed for casual home listening. They've got anything but a flat response, but the idea is that when you get a mix perfect on a pair of NS-10M's, that mix will be perfect everywhere. When legendary engineer Bob Clearmountain started carting his set around NYC in the 1980s, colleagues took notice and the NS-10M became standard-issue kit for major recording studios all over the globe. - 96
Shure Beta 87A Handheld Supercardioid Condenser Microphone
The Shure Beta 87A condenser microphone combines studio clarity with a rugged form factor. Offering an incredibly tight cardioid polar pattern for isolation from other sounds, the Beta 87A excels at multiple applications through its smooth frequency response with a presence rise in the upper midrange. - 98
Universal Audio Apollo Twin DUO MKII Thunderbolt Audio Interface
Bringing together two formidable SHARC processors, lightning-fast Thunderbolt interface, and two Unison-capable mic preamps emulating a world of studio icons, the Universal Audio Apollo Twin MKII Duo Audio Interface brings professional studio production power to your desktop. Use the same A/D 24-bit/192kHz resolution found in the fabled Apollo series to record your tracks with near-zero latency and incorporate onboard emulations from EQs and tape machines to guitar stomp boxes for your best tracks yet. - 100
Rupert Neve Designs Portico 511 500-Series Mic Pre Module with Silk
The Rupert Neve Designs 511 mic pre module puts the Portico sound into your 500 Series rack. With 72dB of available gain and variable Texture/Silk control, the 511 interfaces beautifully with any microphone and lets you dial in exactly as much (or as little) extra harmonic love as you want. The variable high-pass filter provides an easy way to roll out unwanted bass right from the get-go, clearing out the mud and making room for everything else in the mix. At mix time, knock the gain down to unity and send line level signals into the 511 to take advantage of the mojo of the Silk circuit, dropping your tracks into a deep vintage well you won't want to pull them out of.
