Best Sellers
Top products on Reverb over the past 90 days
Best Sellers in Electric Guitars - Archtop
- 1
Godin 5th Avenue Kingpin
Bringing together features like a Canadian wild cherry archtop, sides, and back, silver leaf maple neck, and rowdy Kingpin P-90 neck pickup, the Godin 5th Avenue Kingpin Hollowbody infuses a modern instrument with classic construction. Robust and resonant, the 5th Avenue Kingpin's moody character blends effortlessly into genres from alt folk to jazz, and no matter what stage you find yourself on, the Cognac Burst will grab any audience's attention. - 2
Gretsch G5120 Electromatic Hollow Body 2006 - 2013
Built with the unmistakable look and twang of their legendary hollow bodies in an affordable, modern package, the Gretsch G5120 Electromatic puts a professional guitar within reach of the everyday musician.
- Body: Laminated maple arched top and body in single cutaway design
- Neck: Set five-piece maple in "U" shape with 12" rosewood fretboard
- Electronics: Black Top Filter'Tron humbuckers with master tone and volume, individual volume knobs, three-way pickup selector
- Other Features: Bigsby B60 Vibrato tailpiece, Adjusto-Matic bridge, fretboard and soundhole binding
- 3
Duesenberg Starplayer TV Electric Guitar
The Duesenberg Starplayer TV is a luxe guitar with some of the best appointments for the guitar player who only wants the best. Semi-hollow, sporting one custom-wound P-90 at the neck and a vintage humbucker at the bridge, with a modified '60s-style tremolo and floating bridge, the Starplayer TV has pretty much everything you could ask for from a semi-hollow electric. Hop in a time machine and take it back to some of the best years of rock 'n' roll with the vintage-inspired Duesenberg Starplayer TV. - 6
Godin 5th Avenue CW Kingpin II
Summoning the warm tone and refined presence of '50s archtop guitars, the Godin 5th Avenue Kingpin II Hollow Body Guitar in Cognac Burst is an ideal jazz player ready for duty as a go-to gigging workhorse.
- Body: Canadian Wild Cherry with laminated top and acrylic lacquer sides/back
- Neck: Silver Leaf Maple with 16" radius
- Electronics: Two Godin P90 pickups, master volume/tone knobs, three-way pickup switch
- Other Features: Adjustable TUSQ graphite bridge, cream body binding, trapeze tailpiece, 24.8" scale
- 9
Gretsch 6122 Chet Atkins Country Gentleman 1964 - 1970
Following the 1961 - 1963 model, the 6122 Country Gentleman sported one filter'tron and one super'tron pickup until 1970, when Gretsch switched back to using two filter'trons. This model was then renumbered to model 7670 in 1971. - 12
D'Angelico EX-SS Semi-Hollow with Stairstep Tailpiece
Built with illustrious flamed maple, dual Kent Armstrong humbuckers and an immensely comfortable 15" body design, the D'Angelico EX-SS Semi-Hollowbody Guitar marries vintage look and sound with modern appointments for today's player. Featuring a buttery neck and rosewood fretboard which allow for some of the smoothest playing on the market, the EX-SS's pristine sound might only be matched by its incomparable finish in natural, grey black, or sunburst. - 21
Gibson Lucille BB King Signature 2012 - 2019
Based off of the lovingly named axe of the legendary B.B. King, the Gibson Lucille draws from the various ES-355s that King used and modified over the years. The semi-hollowbodied Lucille has no F-holes, intended to reduce feedback, and boasts two humbuckers along with a tunable TP-6 bridge. The headstock logo has changed over the years, originally simply saying Lucille but more recently wearing a larger B.B. King emblem. - 25
Grestch 7670 Chet Atkins Country Gentleman
Renumbered from the 6122 model, the 7670 Chet Atkins Country Gentleman was produced from 1971 - 1981. This model no longer featured the double mute and had open f-holes, rather than the painted or simulated f-holes from earlier years. - 35
Gretsch Single Anniversary 1958 - 1959
The Anniversary series launched in 1958, replacing the earlier Streamliner series. It featured a similar single cutaway body, and stripped down aesthetics, but upgraded the Streamliner's DeArmond single coil for Gretsch's Filter'Tron humbucker. The "Single" Anniversary was also available as a "Double", featuring two pickups. In 1960, the Filter'Trons were replaced with Hi-Lo'Tron single coil pickups. - 36
The Loar LH-309
The The Loar LH-309 Archtop Guitar combines traditional design with modern construction for an affordable player with plenty of style. Ideal for for the blues or bluegrass player who wants hot output and articulate treble.
- Body: Maple sides and back w/ hand-carved and hand-graduated spruce top
- Neck: V-shape mahogany w/ rounded rosewood fretboard
- Electronics: The Loar P-90 humbucker w/ tone and volume knobs
- Other Features: Gloss finish, Fleur-de-Lis headstock inlay
- 37
Gibson L-5CES "Norlin Era" 1969 - 1985
The Gibson L-5 CES is the electric cutaway version of the iconic L-5 acoustic archtop. In the first years of production, it featured P-90 pickups and later Alnico V pickups until humbuckers debuted in 1957, which is still uses. Unlike most other Gibson guitars, it has a 25.5 inch scale. It featured a sharp cutaway between 1960 - 1969, with a rounded cutaway for all other years.
This model is also produced in limited numbers in a natural finish, which creates slightly higher value.
Years of Production: 1951 - present - 38
Washburn J-600 Vintage Matte Sunburst
This interpretation of a Super 400-bodied guitar features distressed hardware and a vintage-looking matte finish. It includes a single floating pickup in the neck position, and a true Ebony tailpiece with an Ebony bridge and bone nut.
Years of Production: 2011 - present - 43
Gretsch Chet Atkins Tenessean 1958 - 1960
Following up on the success of the 6120 Chet Atkins Hollow Body, Gretsch introduced 6119 Tennessean in 1958 as another Chet Atkins endorsed guitar. Upon introduction, the 6119 was somewhat less ornate than the 6120 and included only one filter'tron pickup in the bridge position. In 1961, a second pickups was added. - 44
Gretsch Double Anniversary 1960 - 1971
The '60s iteration of the Anniversary model featured Gretsch's single coil Hi-Lo'Tron pickups instead of the original Filter'Tron humbuckers. It was also produced with an optional stereo output from 1961 - 1962, though examples are vanishingly rare. The Double Anniversary ran unchanged until the early '70s, when Gretsch would reorganize their model numbering system. - 46
Gretsch Viking 1965 - 1971
The Viking debuted in 1965 as a new ultra-high end archtop electric from Gretsch, featuring the latest in their proprietary hardware. The Viking was equipped with the new Super'Tron humbuckers, which had been introduced the year before, as well as their unique Floating Sound Unit, or "tuning fork" between the pickups and the bridge, as well as their "T-Zone Tempered Treble" treatment on the upper register of the guitar, meant to improve intonation. While these appointments were hot technology for 1965, they found little traction in the market, and were steadily jettisoned from the Viking's design until 1971, when Gretsch moved the bridge closer to the pickups (into the space where the Floating Sound Unit had occupied) and switched to a smaller format "tube arm" vibrato unit. - 52
Ibanez GB10 George Benson Signature 1977 - 1979
Original GB10 models featured 21 frets, and were changed to a 22 fret neck in mid-1979. - 53
Epiphone Zephyr Regent with 2 New York Pickups 1950 - 1958
The Epiphone Zephyr was a single pickup hollowbody produced by Epiphone starting in the late '40s, where it was part of the Zephyr series of instrument starter packs. The model underwent significant changes in 1958 when Gibson assumed control of the company and moved production to Kalamazoo.
Years of Production: 1939-1957, 1958-1964 (under Gibson)
Wood Composition: Maple body, Mahogany neck, Rosewood fretboard
Design Elements: Four control knobs, three-way selector switch, two Epiphone New York single coil pickups, full binding - 56
Gretsch 6120 Chet Atkins Hollow Body 1961 - 1963
Following up on the 6120 from 1960 - 1961, the Chet Atkins Hollow Body received a few notable changes in late 1961. Now a double cutaway model, the 6120 also saw updates such as a smooth leather back pad, simulated / painted f-holes, and a string mute. - 59
Gretsch 6122 Chet Atkins Country Gentleman 1959 - 1961
Following the original version from 1957, the 6122 was updated with a zero fret, bone nut, and Gretsch "V" Bigsby. The signature and signpost were also removed from the pickguard starting this year. - 61
Gretsch Clipper 1958 - 1960
In 1958, Gretsch introduced the Clipper Hollow Body in a sunburst finish. In 1959, a blonde finish became available. By 1961, the blonde finish was discontinued. - 63
Epiphone Casino E230TD 1961 - 1969
The Epiphone Casino was one of the main thinline hollowbodies produced by Epiphone following the brand's acquisition by Gibson in 1957. Unlike a Gibson ES-335 or an Epiphone Sheraton, the Casino is a full hollowbody and lacks a wood centerblock running through the middle of the body. The Casino’s close association with the Beatles has greatly enhanced its reputation and collectability. Guitars with the optional tremolo bridge are more sought-after than those with regular trapezoid bridges.
Years of Production: 1961 - 1970, 1995 - present
Body Style: Double cutaway thinbody archtop, full hollowbody
Wood Composition: 5-ply laminate maple and birch body
Design Elements: Two single-coil P90 pickups (also available with one pickup), trapeze tailpiece or optional tremolo tailpiece, 16-inch wide, tune-o-matic bridge, single bound
Finish Specifications: Sunburst was a standard finish for '60s Casinos.
Notable Players: John Lennon, George Harrison, Keith Richards, Noel Gallagher - 64
Gretsch Country Club 1954 - 1957
The 6192 Country Club was one of the more conventional archtops produced by Gretsch in the late '50s. The Country Club evolved out of the earlier Electro II and sported DeArmond pickups from 1954 until 1958 when a switch was made to Gretsch Filter'Trons. Though not as flashy as some of its counterparts, the 6192 is considered to be one of the finer instruments Gretsch ever made by some collectors. - 66
Gretsch 6120 Nashville Hollow Body 1964 - 1970
Previously known as the Chet Atkins Hollow Body, the 6120 was renamed "Nashville Hollow Body" in 1964. In 1971, the model number was also updated to 7660. - 68
Gretsch Rambler 1957 - 1959
The original Rambler debuted in 1957 and featured a DeArmond single coil pickup. In 1960, it was updated to Gretsch's Hi-Lo'Tron single coil. - 70
Gretsch Country Club 1963 - 1964
In addition to being updated from the previous 1 7/8" thick model, the 1963 Country Club also saw updates such as a padded back, zero fret, and a mute control. The mute was then dropped in 1965. - 71
Gretsch Country Club 1974 - 1981
The 1974 iteration of the Country Club had a wooden tailpiece insert displaying the model name, and the previous model's humptop inlays were updated to Block inlays. The Country Club was discontinued in 1981. - 76
Gibson Byrdland 1969
The Byrdland was designed by Gibson with Billy Byrd and Hank Garland (the model name being a portmanteau of their last names). This guitar is similar to the L-5CES but with a thinner body and shorter scale. At the end of 1957, the Byrdland was graced with PAF humbuckers (replaced by Patent number humbuckers in 1962). In late 1960, the designed changed from a curved Florentine cutaway to a sharp Venetian cutaway. Later models and reissues have been made with either cutaway style.
Body Style: Hollowbody single cutaway
Years of Production: 1955 - 1985 - 78
Gretsch 6120 Chet Atkins Hollow Body 1960 - 1961
While most specs stayed the same from the 1959 6120 , the body thickness was updated in 1960 and 1961 to 2.5" and 2.25" respectively. - 79
Gretsch Chet Atkins Tenessean 1961 - 1970
Starting in 1961, the Chet Atkins Tenessean featured simulated / painted f-holes, two HiLo'tron pickups, and a rosewood fretboard with thumbprint inlays. In 1971, this model was renumbered 7655. - 81
Epiphone Sorrento E452TD 2-Pickup 1960 - 1969
The Sorrento came out in 1960 with a similar design to the Gibson ES-125TC. This guitar was a thinline archtop and was produced with either one or two mini-humbucker pickups. A vibrato tailpiece was available as an option until 1962.
Years of Production: 1960 - 1970
Unique to this Year: First year of Sorrento production.
Body Style: Semi-hollowbody double cutaway
Design Elements: Dual mini-humbuckers, 24 3/4-inch scale length, dot inlays, tortoieshell pickguard, trapeze tailpiece, nickle-plated hardware
Finish Specification: Natural was a standard finish on the Sorrento. - 83
Heritage Eagle Sunburst 2003
After Gibson relocated its main factory from Kalamazoo, Michigan to Nashville in the late '70s, Heritage Guitars was founded by a number of former Gibson employees. As such, most Heritage instruments closely resemble historical Gibson models. The Eagle series includes a collection of singe cutaway hollowbodies.
Years of Production: 1986 - present - 84
Gibson Howard Roberts Custom 1973 - 1981
Designed for jazz session guitarist Howard Roberts (who recorded the themes for the Munsters, the Twilight Zone and plenty of other TV classics), this signature model was originally built as an Epiphone in the '60s. In the '70s, Gibson made two versions of this guitar, the Custom and the Artist. The two were essentially the same with a distinct oval soundhole, but the Custom featured a Rosewood instead of Ebony fingerboard and chrome hardware.
Body Style: Single cutaway hollowbody
Years of Production: 1973-1981
Design Elements: One pickup (non-original shown in picture), three control knobs, trapeze tailpiece, block inlays, 25 1/2-inch scale length, oval sound-hole - 85
Gretsch Single Anniversary 1960 - 1971
The '60s iteration of the Anniversary model featured Gretsch's single coil Hi-Lo'Tron pickups instead of the original Filter'Tron humbuckers. The Single Anniversary ran unchanged until the early '70s, when Gretsch would reorganize their model numbering system. - 91
Gibson Byrdland 1961 - 1968
The Byrdland was designed by Gibson with Billy Byrd and Hank Garland (the model name being a portmanteau of their last names). This guitar is similar to the L-5CES but with a thinner body and shorter scale. At the end of 1957, the Byrdland was graced with PAF humbuckers (replaced by Patent number humbuckers in 1962). In late 1960, the designed changed from a curved Florentine cutaway to a sharp Venetian cutaway. Later models and reissues have been made with either cutaway style.
Body Style: Hollowbody single cutaway
Years of Production: 1955 - 1985 - 92
PRS McCarty Hollowbody II Wine Red 2000
A hollowbody version of the PRS McCarty, the Marty Hollowbody II was launched in 1998. The Hollowbody II differs from the Hollowbody I in its use of a figured Maple top. The word McCarty was dropped from the name in 2006.
Years of Production: 1998 - present
Unique to this Era: A Piezo pickup at the bridge position is offered as an option starting in 1999.
Body Style: Double cutaway hollowbody
Wood Composition: Mahogany body, Flamed/Quilted Maple top, Rosewood fingerboard
Design Elements: Bird inlays, single-piece bridge/tailpiece, 25-inch scale length, two humbuckers, F-holes
Notable PRS Players: Carlos Santana, Mark Tremonti, Al Di Meola - 98
Gretsch 6120 Chet Atkins Hollow Body 1958
In 1958, the 6120 sports thumbprint fretboard inlays. The Brazilian rosewood fretboard featured on the previous year was updated to ebony fretboard, and "pat-pending" filter'tron humbuckers replaced the earlier DeArmond pickups. - 100
Gretsch 6120 Chet Atkins Hollow Body 1956
Following up on the introduction model 6120, the 1956 Chet Atkins Hollow Body received slight updates including a horseshoe headstock inlay, unengraved block fretboard inlays, and an aluminum swing-arm Bigsby.
