Best Sellers

For an all-in-one playing experience that encompasses sounds from a crunchy '80s metal amp to weird and wild modulation effects, the Boss Katana-50 MkII Digital Modeling Combo is a solid pick. Five amp voices from Clean to Crunchy to Brown (think EVH's arena-sized sound) are on tap alongside five authentic onboard Boss effects from reverb and delay to distortion and modulation in a package that has enough punch to handle its own on a stage.

The classics never go out of style, but it never hurts to give them a touch of modern convenience, and the Fender Tone Master Deluxe Reverb combo aims to deliver true tube tone in a lightweight, all-digital package. Clocking in at just 23 pounds, this amp made for today's players sports the same headroom and tonal dynamics that attracted generations of players to the original, all with the addition of an onboard attenuator, balanced line out with IR cab sims, and USB for firmware upgrades.

Built with an all-tube design, dual-channel layout with Classic and Ultra Gain settings on tap, and real onboard reverb to complement the EQ section, the Marshall DSL40CR Combo offers up iconic British tone well-suited for the stage and practice space alike. A pair of EL34 and six 12AX7 tubes summon the same creamy tones that artists from Hendrix to Zakk Wylde have relied on for years with modern conveniences like a Softube-modeled 4x12 cabinet emulation so you can have authentic tone right in your bedroom.

For those who want the classic jangle and top boost of the Vox AC30 but don't need quite so much power, the AC15C1 is a great option. While there have been a number of AC15 variants since its debut in 1957, the current AC15C1 uses an all-tube, 15W 1x12 design to capture the tone of its predecessors. This amp might be made in China, but after plugging into it, there's no denying that the tone is pure classic Vox.

Featuring dual normal and vibrato channels, the power of two 12AX7 and two 12AT7 tubes, and 22w of power, the '65 Reissue Deluxe Reverb is a formidable tool built for the working musician. With each sporting two-band EQs and additional controls for reverb, speed, and intensity on the tremolo, the dual-channel design allows easy toggling between crisp, snappy cleans and surf-laden warble via channel selector switch. Built to the specs of the original heard on countless classics, new generation of a classic amp is a one way ticket to timeless Fender tone.

Built with 10 watts of power, a 12AX7 tube preamp and EL84 power amp, and the highly coveted Top Boost circuitry, the Vox AC10C1 10W Tube Guitar Combo Amp is one of the most accessible avenues into classic British tone. Meaty enough to hold its own during practice and even at small gigs, the AC10C1 is also an ideal amp to have around the house or apartment for easy, no fuss solo noodling. Whether you're a beginner looking to break into the world of Vox or a seasoned musician thinking about a new practice amp, the AC10C1 is a great choice for classic sound.

Looking for not just a practice amp, but five practice amps in one with a smorgasbord of onboard effects? The Fender Champion 20 Combo is just what you're looking for. Packing an 8" Fender Special Design speaker with 20 watts of power, this model sports a Voice knob for modes like Tweed, British, and Metal as well as onboard effects including reverb, delay, and tremolo for an all-in-one experience.

Packing tube-powered muscle to handle gigs and an affordable price tag, the Fender Blues Junior III combo is a compact solution for vintage tone, big sound, and plenty of headroom for pedals.

• Power Sections: Preamp with three 12AX7 tubes and power amp with two EL84 tubes


• Speaker: One 12" Fender Special Design Lightning Bolt speaker by Eminence


• Controls: Master, Volume (Gain), reverb, bass/middle/treble EQ knobs, FAT switch for added grit


• Other Features: 15 watts output power, solid-state rectifier, real spring reverb, external speaker jack

The Roland Jazz Chorus JC-40 is a smaller version of the popular JC-120, with 40W and 2x10" speakers.

The Orange CRUSH20RT Guitar Combo captures the enormous gain-laden tone the company has become famous for in an apartment (and budget) friendly package with features like a dual clean/dirty channel design, an explosive four gain stage preamp, and onboard reverb, three-band EQ, and chromatic tuning. Constructed with a headphone out that utilizes a CabSim circuit to emulate the feel and sound of a 4x12, you can have searing Orange tone from the comfort of your bedroom or practice space without breaking the bank.

The Katana Mini 7-watt modeling combo from Boss packs the signature Katana tone and functionality into an exceedingly compact 1x4 size. The mini features three amp types to choose from—brown, crunch, or clean—as well an authentic multi-stage gain circuit and three-band analog tone stack. Players can also take advantage of solid onboard features like a built-in tape-style delay. With the ability to forego the AC adapter for AA-sized battery power, the Katana Mini is also super portable, great for musicians on the go without a lot of room or weight to spare.

The Fender '57 Custom Champ Amp 5W 1x8 Guitar Combo captures the immense tone of one of the company's smallest offerings in their early years in a package made for today's players. Taking the exact design of the original with a handwired construction, the '57 Champ brings together a Weber 8" alnico magnet Special Design speaker, dual-channel design with Normal/ Bright modes, and a custom 5F1 circuit modeled directly after the original. Heard on thousands of recordings and famously used by Clapton on "Layla," you couldn't get a bad tone out of this combo even if you tried.

For those interested in an amp they can play in the apartment, bring to practice, and even gig out with at small shows, the Orange CRUSH CR35RT should be a considered option. Built with features found on more expensive combos like an analog signal path and four-stage preamp, the Crush 35RT also brings digital spring reverb and a buffered effects loop for a formidable amp at an attractive price.

The Blackstar Fly 3 is a portable, affordable practice amp that can run on a battery and come along anywhere you go. With three watts and 3-inch speaker, the Fly isn't meant to fill any stadiums, but still delivers compelling amp tones with built-in delay and EQ for good measure. Toss in a headphone output and line input for your phone or laptop, and there's not much this little guy can't do.

The '68 Custom Princeton Reverb-Amp is a faithful reproduction 1x10 combo with classic appointments such as the silverface front panel and onboard reverb/tremolo as well as modern updates like modified tone circuitry and a 10" Celestion TEN 30 speaker. Compact, well-built, and able to channel the classic Fender tube power guitarists have loved for decades, this is a versatile amp that functions equally well on a stage, in a practice space, or even in a bedroom.

Sporting features like a five-position amp voice knob with settings like Tweed, British, and Metal, onboard effects including, reverb, delay, tremolo and more, and a three-band EQ, the Fender Champion 100 2x12 Combo brings professional features at an entry-level price. Capable of pumping out up to 100 watts of power through the dual 12" Fender Special Design speakers, this is the perfect practice amp or step up for newer guitarists who want more muscle and features from their rig.

The Fender Champion 40 is a 40 watt, 1x12" combo amp that offers pure and simple Fender tone with a few added goodies. This budget-friendly combo packs 40 watts through a single 12-inch speaker, which makes a worthy companion for any jam session. Toss in onboard effects like reverb, delay, chorus, tremolo and more and you get a basic amp that can cover just about any tonal base.

The Fender Blues Deluxe Reissue uses three 12AX7s and two 6L6s to pump 40 watts through a specially designed 12" Eminence speaker, lending modern power to its vintage aesthetics. Unlike its little brother, the Fender Blues Junior, it has two channels with separate Gain and Master controls as well as a footswitch. Hands down one of the best stage amps under $1000.

Since its debut in 1991, the Fender '65 Twin Reverb Reissue has been one of the most popular and highest quality stage amps. Period correct appointments and modern reliability complement the classic 85W 2x12 design. The onboard reverb is so good that some pedals try to clone its sound. Loud enough to peel the paint off the walls and with a tremendous clean sound, the '65 Reissue Twin Reverb makes for one of the best pedal platform amps ever built.

With the Tone Master Twin Reverb Combo, Fender aims to translate the legendary sound of a tube powerhouse into a digital amp made for modern players. A 200-watt digital power amp pumped through two Jensen N-12K neodymium speakers painstakingly recreates the same headroom and tonal versatility that made the amp famous in the first place with added touches like an onboard attenuator and balanced line out with IR cab simulations.

The Roland Micro Cube Guitar Amp allows players to get an authentic electric playing experience in a confined space without sacrificing tone. Weighing just under six pounds, the Micro Cube comes packing with eight COSM amp models ranging from a pristine clean to a bluesy twang to a roaring metal with the twist of a knob. Further sculpt your tone with dedicated sections for Delay/Reverb and Modulation totaling eight onboard effects for a smorgasbord of sound in a tiny package.

Offering the same five amp models (Clean, Crunch, Brown, Acoustic, Lead) and full complement of over 50 accessible effects in a compact design, the Boss KTN-AIR Katana Air Wireless Combo is made for sitting on a desktop and delivering great tone for practice. Professional grade tone-shaping tools like a three-band EQ and boosts, overdrives, modulation and dedicated reverb get you a wide sonic spread with editable parameters available in the paired app so you can get that signature sound.

Built with a 12AX7 tube preamp, onboard tube reverb and tremolo with an included footswitch and 10" Celestion G10 Gold speaker, the Fender '65 Reissue Princeton Reverb captures the character of the classic at an attainable price point. This is a reissue combo, but the tone and quality is all vintage Fender.

If you want the 1968 silverface Fender Deluxe Reverb without shelling out a crazy amount of cash, check out the Fender '68 Deluxe Reverb, the company's model reissue. This 22W 1x12 combo amp is totally tube-powered and serves to pay homage to the original '68 Deluxe Reverb, sporting the classic look and sound of its predecessor with some modern updates, like both channels containing both reverb and tremolo. The custom channel even has a modified Bassman tone stack for the ultimate in versatility.

The Vox Pathfinder (V9168R) was introduced as an affordable practice amp with vintage Vox appointments. It includes onboard tremolo control and reverb. This amp was discontinued in 2012. 

Electronics: 15 watts, 1 x 8-inch speaker, reverb, tremolo

The Marshall Code 50 Combo is an ideal avenue to take for players who want the flexibility of a well-built modeling amp and the wattage necessary to be heard in practice or gig out with on small-sized stages. Choose from different combinations of 26 classic Marshall preamps, power amps, and cabs like the JTM45 or Silver Jubilee and send them screaming through the specially designed 12" speaker. Not just a guitar combo, the Code 50 lets you connect your preferred DAW into the onboard USB for direct recording or play music over BlueTooth through the Gateway app.

The Rocker 15 from Orange is a versatile, 15-watt amplifier that offers players two channels and endless amounts of versatility. The clean channel features a single volume knob and promises players classic British-style crunch, while the dirty channel gives players the classic control configuration of gain, volume, and a three-band EQ. Whether you need a loud, space-saving, and versatile amp for band practice or even performing at a small venue, definitely check out the Orange Rocker 15.

The Orange Crush 12 is the smallest combo available in Orange's Crush line of amplifiers. It features an all-analog signal path, 6" speaker, and CabSim- which allows the user to emulate the sound of a classic Orange 4x12" cabinet through the amp's headphone/line out.

Years of Production: 2015-present

Finishes: Orange, Black

Born from the original tweed blackface models of the early '60s with added functionality made for pedals, the Fender Vibro Champ is a winner in any rig. The Vibro Champ added a tube tremolo circuit with controls for Speed and Intensity, making this classic recording amp even more versatile without sacrificing any of the original tone. A classic combo you'd be hard-pressed to get a bad tone out of.

The Roland Jazz Chorus JC-22 packs essential features from the JC-40 into a smaller, scaled-down, and more budget-friendly option. Players get the famous Dimensional Space Chorus effect built-in, as well as a high-quality and complementary onboard reverb. The front panel also features a stereo input for plugging in modelers and multi-effects. Great whether you're jamming in your bedroom or practice space, or even for small performances and recording, the Roland Jazz Chorus JC-22 is available now.

For decades, Fender amps have been the standard in clean, gorgeous guitar tone. With the 15-watt Blues Junior IV, Fender doesn’t skimp on tonality, delivering a crisp sound through the company’s traditional Jensen speaker, housed in a compact enclosure.

Equipped with five unique voices ranging from pristine Clean to Van Halen-esque Brown sound, the Boss KTN-50 Katana Combo delivers a wide spread of classic tones in a portable package that packs plenty of roar. The 12" Katana Special Design Speaker gets you 50 watts of power on tap (plenty to handle mid-sized gigs), and an onboard suite of real Boss effects lets you run up to at a time to craft your signature sound.

In the early 1960s, British amp manufacturer introduced a low-wattage practice amp called the AC4. With the AC4C1-12 Limited Edition 4-Watt amp, the vintage amp’s legacy continues, giving guitar players Vox’s iconic British tone at low-volume levels, thanks to a Celestion 12-inch speaker.

The Fender Super Champ X2 is designed to capture the magic of the original Champ amps from the '50s and '60s but with a bit of a modern edge. While it's all tube signal path is primed for vintage guitar tone, the Super Champ X2 includes onboard digital effects as well as a convenient USB output for recording. Combined you get absolutely classic Fender tone with the flexibility of a modern practice amp.

Beautifully simple in design so you can get straight to those twangy, articulated tones you know and love, the Fender Champ Silverface Combo Amp delivers one of the best vintage options for the studio in an attainable package. One volume knob and EQ controls for bass/treble let you dial in sound on the fly and keep your sound tight and focused with the 8" design. There's a reason why so many studio pros have flocked to these little guys.

An update on a modern classic, the revamped MKII version of the Tone King Imperial amp expands the popular 1x12 combo with a set of modern features such as an onboard Ironman II attenuator.

Each amp in the Studio Series is all-tube and built in the UK, bringing the beloved Marshall tone of classic amps like the JCM 800 and '59 Plexi down to an ideal size for small venues and home studios.

The Marshall MS-2 Micro Amp is about as portable as you can get; perfect for quiet practice at home and in the van, or even clipped onto your belt for solo street performances. This battery-powered 1-watt wonder has switchable clean and overdrive channels, and a headphone jack which doubles as a preamp output for direct recording.

Want to capture the gritty tones of cranked vintage Fender amps in a modern, hand-built package? The Tone King Gremlin 5w combo might be your amp. A surprisingly streamlined package offers true tube tone with dual channels for rhythm and lead that offer plenty of headroom and gritty tweed overdrive when desired. For tone purists, this should be a serious contender.

The Fishman Loudbox Artist is a high-powered, surprisingly light-weight acoustic amp with a natural sound and affordable price point. Fishman's legendary tone is spread across two channels, both of which can accept a microphone or instrument signal with 3-band EQ and feedback control. Dual digital effects engines let you put reverb, chorus, flanger and delay effects on both channels to polish your sound to your liking. Auxiliary inputs let you play along to your MP3 or CD player, and a headphone output gives you all the great sound of the Loudbox Artist for silent practice. When it's time for the show, this bi-amplified combo pushes the full frequency spectrum through an 8" woofer and 1" soft dome tweeter for studio-quality sound. If you're a gigging singer songwriter who doesn't want to rely on suspect PA systems, the Loudbox Artist is for you.

The Orange CR60C Crush Pro amp is a high-powered 1x12 guitar combo with the highest quality solid-state components. This workhorse amp features twin channels, clean and dirty, and warm tones that'll have people convinced there's tons of tubes hiding inside. A single "Voice of the World" 12" speaker puts out a vintage-tinged treble response with chugging modern low-end. A digital reverb rounds out the sound, and a global master volume lets you have searing high-gain tones at bedroom volumes.

The Roland Cube Street EX Battery Powered Amplifier expands on the success of its predecessor with more features and an ultra-portable design tailor-made for buskers and street performers. Able to pump out 50 watts of power with only eight AA batteries, the Cube Street EX comes with three selectable output modes to maximize your time playing out. Built on a two-channel design with an instrument and two XLR inputs, you can sculpt your tone even further with COSM modeling, three-band EQs, and a dedicated effects section for wowing passerbys on the street corner or subway station.

The Fender Champion 600 reissue is an affordable tube-driven combo amp based on the highly collectable originals from the 1950s. The vintage examples beg to be cranked, and the new ones are no different. Simple as can be with just a volume control, you can plug into the high-gain input and goose up the volume for dreamy, creamy overdrive tones, or tap into the low-gain jack to hear the Champion 600 clean up nicely. A single 6" speaker moves just the right amount of air for recording, and the Champion 600 also makes a great solo practice amp.

The Fender Super Reverb 45-watt tube combo guitar amplifier was offered in a blackface finish between 1964 and 1967, although some early silverface finished units still had blackface circuitry. Well-known for its scooped mids, the Super Reverb features the same design as the Fender Super, but with the addition of built-in reverb and tremolo effects as well as four 10" speakers. Famous Super Reverb players include Johnny Marr, Stevie Ray Vaughan, Robben Ford, and Derek Trucks.

The Marshall DSL40C is 40 watt (switchable to 20 watt) all-tube combo guitar amplifier featuring footswitchable classic and ultra gain channels, effects loop, and controls for Gain, Volume, and Reverb for each channel, as well as global Treble, Middle, Bass, Presence, and Resonance controls.

The Mesa Boogie Recto-Verb 25 Combo is a 25 watt tube combo guitar amplifier offering two channels and four modes. It also features a fully-buffered effects loop, spring reverb, and controls for Gain, Treble, Mid, Bass, Presence, and Master on each channel.

The Marshall AS50D is a powerful, versatile acoustic amp and a must-have for the gigging singer-songwriter. With independent instrument and microphone channels, built-in digital effects and a handy feedback eliminator, the AS50D provides crystal-clear amplification of your acoustic instruments and represents one of the best bargains in the market.

Grammy-winning country artist Christ Stapleton is open about his affinity for the grittier sounds of outlaw country artists from the ‘60s and ‘70s. Stapleton’s love of vintage gets an output in his own signature ‘62 Princeton 1x12" 12-Watt Guitar Combo. With brown leather and a wheat grille cloth, it certainly looks the part, and sounds like it, too. The amp is hand-wired, and equipped with the artist’s favorite features: Fender Vintage “Blue” tone caps, Schumacher™ transformers, and upgraded Eminence® 12” Special Design “CS” speaker, along wih an output tube-biased tremolo circuit.

The Roland Jazz Chorus JC-120 is a 120-watt solid-state guitar combo amplifier with two 12" speakers and an on-board chorus effect. With outstanding clean tones and an effects loop, the JC-120 has been the mainstay of guitarists looking for its unique sound since its introduction in 1975. It has been used by such artists as Albert King, Andy Summers, Robert Smith, Siouxsie and the Banshees, Pat Metheny, Jeff Buckley, and Roger Hodgson.

The Roland Cube series offers an affordable, quality entry point into the world of amps, with built-in effects and amp modeling. 

The Roland Cube 30 is the flagship of the line, featuring 30 watts of power through a single 10 inch speaker. The COSM engine provides 11 amp models, with a range of effects and iOS connectivity to jam/record with your phone or iPad. 

The Blues edition features Roland's Tube Logic technology to emulate vintage tube amps.

Fender's Tone Master series promises to deliver the authentic warmth of tube sound in lightweight, all-digital packages. This Super Reverb packs four beefy 10-inch Jensen speakers for excellent articulation and loudness, while letting its advanced DSP craft tube sounds so accurate you'd have a hard time believing it's not the real thing.

The Marshall 5005 Lead 12 is a solid state amp with 12W of power, 10" Celestion speaker, two inputs, and a headphone/line output. Though small in stature, it did make an appearance on the ZZ Top recording of "My Head's In Mississippi" and is a solid candidate for your next practice amp.

The Roland Jazz Chorus JC-120 is a 120-watt solid-state guitar combo amplifier with two 12" speakers and an on-board chorus effect. With outstanding clean tones and an effects loop, the JC-120 has been the mainstay of guitarists looking for its unique sound since its introduction in 1975. It has been used by such artists as Albert King, Andy Summers, Robert Smith, Siouxsie and the Banshees, Pat Metheny, Jeff Buckley, and Roger Hodgson. This is a reissue of the 1980s JC-120.

The Marshall Class 5 amp takes the classic Marshall tube tone and distills it down into a single-channel, 5-watt combo. No frills, no unnecessary parts. Think of it as the Bluesbreaker combo's little brother.

Ready to start jamming? The Fender Mustang I V.2 Modeling Combo Amp will get you ripping tunes in no time with a compact design and full fleet of onboard features. The 8" Fender Special Design speaker and 20-watt design are complemented by a full 17 built-in amp emulations as well as true Fender reverb, tremolo, delay, and more.

The Marshall Code 25 25W 1x10 Digital Combo coalesces a world of one of music's most recognized amp companies into a single, convenient practice amp that will have you playing for hours. Sporting your standard controls like volume, gain, and a three-band EQ, the Code 25 features an individual digital modeling section for dialing in one of 26 power amp, preamp, or cab models. Craft your tone even further by adding one of 26 onboard effects and up to five at a time, or download Marshall's Gateway app for unprecedented ease in visual programming.

The Fender '57 Custom Deluxe Amp 12W 1x12 Guitar Combo summons the coveted tone of the legendary original in a package built for today's players. Built on a handwired dual-channel design, this tonal titan employs a 12" Eminence Special Design alnico speaker, a 12AY7 and 12AX7 hybrid tube preamp, and an original 5E3 circuit paired with Mercury Magnetics transformers. The end result is some of the most pristine cleans and organic tube snarl you can shake a stick at. Housed in a solid pine cabinet complete with a slick tweed covering era-correct chickenhead knobs, this combo is a premium avenue for authentic Fender tone.

The Orange Crush 20 is a small solid-state practice amplifier with two footswitchable channels, CabSim headphone amp, and three-band EQ.

This is the no-frills version, though other versions with built in tuner, reverb, and effects also exist.

The Fender '68 Custom Vibrolux Reverb is a faithful recreation of the Silverface Vibrolux combo amp from the "drip edge" era of the late '60s. This amp sports a pair of 10-inch speakers with 35 watts of power from an an array of four 12AX7 and two 12AT7 preamp tubes along with two 6L6 power tubes. The amp features two channels: a basic "Custom" channel with two inputs, along with a "Vintage" channel that adds a traditional Fender spring reverb circuit. Overall, the '68 Silverface Custom Vibrolux is a fantastic way to bring the unmistakable tone of a '60s Fender to your rig in a mid-sized package that can be deployed in just about every scenario.