Best Sellers

The Aguilar Tone Hammer 500 Head expands on the popular Aguilar Tone Hammer pedal, shaping it into 500w bass head form. Four pounds of versatile, solid state tone with a three-band EQ and a Drive control to add flavor to your harmonics and won't put a strain on bass players on the move.

Packing features like a built-in compressor with dedicated controls, ultra hi/lo boost buttons, midrange controls with a five-position frequency selector, and pre and post EQ control, the Ampeg PF-500 Portaflex 500W Bass Amp Head offers a dizzying array of features in one of the most compact heads on the market. A tiny titan, the MOSFET preamp and Class D power section in this model push up to 500 watts of solid state power for possibly the most powerful 11 lbs of bass-centric amplification on the market.

Crafted with features like a full, responsive three-band EQ, active and passive operation, and a Class D power rating operating at a hefty 500 watts, the Orange Terror Bass Head BT500H brings together an easy to transport size along with the earth-shaking tone you know and love from Orange. Fashioned in a lunchbox design to fit in even the most packed touring van, the 12AX7-based preamp blasts the big, mean sound that's kept players coming back to this company for decades.

The Tone Hammer 350 Head is a compact solid state bass head designed as an a financially accessible and portable alternative to the company's more expensive models.

Features: Class D power section, 350w power, solid state preamp, treble, mid-level and bass EQ, pre/post button

For those after aggressive sound that plays well in an apartment, the Ampeg Micro-CL Mini Bass Stack delivers signature SVT bite without fear of noise complaints. 100 watts of solid state power and nifty onboard features like an FX loop, three-band EQ, and dual inputs with an option for -15dB to tame hot signals are all housed in a package about the size of a slim bookcase.

Combining features like active EQ, 700 watts of solid state power, and company standards like contour and voicing, the Gallien-Krueger 1001RB-II 700/50W Biamp Bass Head is a lightweight workhorse ready for practice or the stage.

• Power: 700W solid state with 50W horn


• Inputs/Outputs: One instrument input, two speakON, two 1/4", one XLR, one tuner outputs


• Onboard Effects: Four-band active EQ, contour, presence, and four- or five-string voice controls, Gate Valve Induced Effect boost (GIVE)


• Other Features: Effects loop, level, ground lift, and pre/post XLR controls

The TC Electronic BH250 is a compact, lightweight bass amp head. It features TC's "Tone Print" technology with USB interface, a built-in tuner, and a DI output for recording or taking signal straight to the front-of-house mixer.

If you want to channel the legendary growl and bite of the SVT series into a package made for lower volumes, look no further than the Ampeg Classic MICRO-VR 200W Bass Amp Head. Real Ampeg snarl comes accompanied by a three-band EQ with Ultra Mid control and balanced line out with pre/post options and a 15dB pad, all well-suited for recording applications and smaller gigs.

The Fender Rumble 500 Bass Amp Head packs together the most power offered in this series with the same convenient design for gigging musicians. Packing 500 watts of power, this thunderous amplifier ropes in features like a four-band EQ with focused high/low mid controls, built-in overdrive circuit, and three buttons for contour, bright, and vintage modes to essentially contain three amps in one package. Weighing only five pounds, the Rumble 500 is tailor-made to make getting to and from the gig easier than ever without sacrificing tone.

The Mesa Boogie Subway D-800 bass head stuffs tons of power and classic Mesa tone into a lightweight amp that can fit into a backpack or the pocket of your gig bag, perfect for a busy city musician. A hefty 800 watts by way of a modern Class-D power section can fill any size room, from the smallest club to the biggest halls.

Bringing together a dual 12AX7 tube-powered preamp and a whopping six 6550 power section, a five-position mid tone control selector, and a nuanced three-band EQ, the Ampeg SVT CL Classic Bass Head is an industry staple for good reason. Serving up a thunderous 300W of power, the vintage-voiced roar inherent in his model is coveted by the likes of players from George Clinton to Gene Simmons for its ability to capture a wide harmonic spectrum while still pumping out an onslaught of presence. Immensely versatile, the SVT-CL is found in the bass rigs of genres from heavy metal to fusion funk to post rock and stands firmly as a pillar of low-end tone.

The Darkglass Electronics Microtubes 900 V2 900-Watt Bass Head builds on the success of the company's flagship amp with the same pristine power and even more tone-shaping features. An amp just over six pounds gets you 900 watts of class D power and studio- and stage-ready features like the Microtubes distortion/OD engine, a six-band graphic EQ, VCA compressor, and IR cab simulators to afford players a world of tone-shaping options.

With the Bass Block 800 Ultralight 800W Bass Amp Head, Quilter gives bass players a dynamic amp for live and studio settings. Like the 101 Mini Reverb 50-Watt Guitar Head for guitar players, it's incredibly light but packs 800 watts into its modest chassis. With this much power and depth, bass notes won’t bottom out or clip on players.

Featuring an all-tube design, responsive bias adjustment and five-position midrange switch, the Ampeg PF-50T Portaflex 50w Bass Head brings studio-quality output in a portable, compact package. Designed for fast, easy tube replacement and built with a balanced line-out, this might little head provides the utmost in tonal versatility without breaking your wallet or back.

A lower-powered little brother to the Pro and Super models, Fender's 35-watt Vibrolux Reverb is prized for the early breakup of its 6L6 power section and the tight, responsive tone from its 10 inch speakers. Featuring Bass and Treble controls plus a Bright switch for tone shaping on both channels, with lush spring reverb and tube-driven tremolo accessible on the Vibrato inputs. The Silverface models were produced from 1968 to 1972 and were engineered to provide a little more clean headroom than the Blackface models, but are tonally very similar and tend to trade at a lower price point.

The PF–350 is Ampeg’s no–frills take on Class D amplification, featuring a three–band EQ, 350W of solid–state power, an onboard limiter, a -15dB pad, 1/8” headphone out, and 1/8” audio in. It promises classic solid–state Ampeg tone with updated modern practice tools at a price that won't break the bank.