The Fireface UFX III handles up to 94 channels with ease, and its DURec, low latency hardware, and driver designs ensure reliable operation. It features SteadyClock FS, MADI I/O, a powerful DSP, USB 3.0, TotalMix FX, Direct USB Recording, and support for Advanced Remote Control USB, making it the go-to choice for multitrack recording. The device comprises of mintly developed analog and digital boards that deliver superior AD and DA converters, DC-coupled analog outputs, and advanced features.

RME FIREFACE-UFX-III Features:
  • (12) Analog I/O
  • (4) XLR/TRS Mic/Inst/Line
  • (2) Phones Output
  • (1) AES/EBU I/O
  • (2) ADAT I/O
  • (2) SPDIF I/O
  • (1) Word Clock I/O / MADI Coaxial
  • (1) MADI optical I/O
  • (2) MIDI I/O
  • RME USB 3.0
  • TotalMix FX
  • ARC USB
  • DURec
  • Class Compliant Mode
  • AutoSet Digital Gain Control
  • DC-coupled Outputs
  • Including FX
  • SteadyClock FS
RME FIREFACE-UFX-III Specifications:
  • Analog:
    • AD, Line In 1-8, rear
    • Input: 6.3 mm TRS, electronically balanced
    • Signal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA
    • Signal to Noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBA
    • Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz
    • Frequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz
    • Frequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz
    • Filter: Short Delay Sharp, 5 / 5 / 6 samples delay
    • THD @ -1 dBFS:< -120 dB,< 0.0001 %
    • THD+N @ -1 dBFS:< -110 dB,< 0.00032 %
    • Channel separation: >110 dB
    • Maximum input level: +19 dBu
    • Input: 6.3 mm TRS jack, electronically balanced
    • Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced
    • Input sensitivity switchable between Lo Gain and +4 dBu
    • Input level for 0 dBFS @ Lo Gain: +19 dBu
    • Input level for 0 dBFS @ +4 dBu: +13 dBu
    • Variable digital gain: 0 to +12 dB
    • Minimum level for 0 dBFS: +1 dBu, -1.2 dBV
    • Microphone In 9-12, front
  • As AD, but:
    • Input: XLR, electronically balanced
    • Input impedance @ 1 kHz: 3.4 kOhm
    • Signal to Noise ratio (SNR) @ 0 dB Gain: 117 dB (AES17), 119.5 dBA
    • THD+N @ -1 dBFS, Gain 20 dB:< -110 dB,< 0.00032 %
    • Frequency response @ 44.1 kHz, -0.1 dB: 10.7 Hz – 20.3 kHz
    • Frequency response @ 96 kHz, -0.5 dB: 5.1 Hz – 45.0 kHz
    • Frequency response @ 192 kHz, -1 dB: 3.5 Hz – 88 kHz
    • EIN @ 60 dB Gain, 150 Ohm, A-Weighted: -129.8 dBu
    • Gain range: 75 dB
    • Maximum input level, Gain 0 dB: +18 dBu
    • Maximum input level, Gain 75 dB: -57 dBu
    • CLIP LED: 0 dBFS
    • SIG LED: -60 dBFS
    • Instrument In 9-12, front
  • As AD, but:
    • Input: 6.3 mm TS jack, unbalanced
    • Input impedance @ 1 kHz: 1 MOhm
    • Signal to Noise ratio (SNR): 116 dB (AES17), 118.5 dBA
    • Frequency response @ 44.1 kHz, -0.5 dB: 2.4 Hz – 20.0 kHz
    • Frequency response @ 96 kHz, -1 dB: 1.6 Hz – 28 kHz
    • Frequency response @ 192 kHz, -3 dB: 0.8 Hz – 54 kHz
    • THD+N @ -1 dBFS, Gain 20 dB:< -107 dB,< 0.00045 %
    • Gain range: 42 dB
    • Maximum input level, Gain 8 dB: +21 dBu
    • Maximum input level, Gain 50 dB: -21 dBu
  • DA, Line Out 3-8, rear:
    • Output: 6.3 mm TRS jack, servo-balanced
    • Signal to Noise ratio (SNR) @ HiGain: 116.5 dB (AES17), 118.5 dBA
    • Signal to Noise ratio (SNR) @ +4 dBu: 116 dB (AES17), 118 dBA
    • Signal to Noise ratio (SNR) @ -10 dBV: 107 dB (AES17), 109 dBA
    • Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz
    • Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.6 kHz
    • Frequency response @ 192 kHz, -1 dB: 0 Hz – 77.5 kHz
    • THD+N:< -110 dB,< 0.00032 %
    • Channel separation: >110 dB
    • Output level switchable Hi Gain, +4 dBu, -10 dBV
    • Output level at 0 dBFS @ Hi Gain: +19 dBu
    • Output level at 0 dBFS @ +4 dBu: +13 dBu
    • Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)
    • Output impedance: 75 Ohm
    • DA - Stereo Monitor Output XLR (1-2)
  • As DA, but:
    • Output: XLR, balanced
    • Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV
    • Output level at 0 dBFS @ 24 dBu: +24 dBu
    • Output level at 0 dBFS @ Hi Gain: +19 dBu
    • Output level at 0 dBFS @ +4 dBu: +13 dBu
    • Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)
    • Output impedance: 150 Ohm
    • DA - Stereo Monitor Output Phones (9-12)
  • As DA, but:
    • Output: 2 x 6.3 mm TRS stereo jack, unbalanced
    • Maximum output level at 0 dBFS, High: +19 dBu
    • Maximum output level at 0 dBFS, Low: +2 dBV
    • Max power per channel @ 32 Ohm load, 0.02% THD: 200 mW (2.5 Vrms, +10 dBu)
    • Signal to Noise ratio (SNR) @ High: 116.5 dB (AES17), 118.5 dBA
    • Signal to Noise ratio (SNR) @ Low: 115 dB (AES17), 117 dBA
    • Output impedance: 2 Ohm
  • MIDI:
    • (2) MIDI I/O via 5-pin DIN jacks
    • Galvanically isolated by optocoupled input
    • Hi-speed mode: Jitter and response time typically below 1 ms
    • Separate 128 byte FIFOs for input and output
    • (2) MIDI I/O via MADI
    • Invisible transmission via User bit of channel 56 (up to 48 kHz)
    • Invisible transmission via User bit of channel 28 (up to 96 kHz)
  • Digital:
    • Clocks: Internal, ADAT, AES, SPDIF, word clock
    • Jitter suppression: >50 dB (>1 Hz)
    • Effective clock jitter influence on AD and DA conversion: near zero
    • PLL ensures zero dropout, even at more than 100 ns jitter
    • Digital Bitclock PLL for trouble-free varispeed ADAT operation
    • Supported sample rates: 28 kHz up to 200 kHz
  • Digital Inputs:
    • MADI:
      • Optical via FDDI duplex SC connector
      • 62.5/125 and 50/125 compatible
      • Coaxial via BNC (Word Clock input), 75 Ohm
      • High-sensitivity input stage (< 0.2 Vpp)
      • Accepts 56 channel and 64 channel mode, plus 96k Frame
    • Standard: up to 64 channels 24 bit 48 kHz
    • S/MUX: up to 32 channels 24 bit 96 kHz
    • S/MUX4: up to 16 channels 24 bit 192 kHz
    • Lock range: 25 kHz – 54 kHz
    • Jitter suppression: >50 dB (>1 Hz)
  • AES/EBU:
    • (1) XLR, transformer-balanced, galvanically isolated, according to AES3-1992
    • High-sensitivity input stage (< 0.3 Vpp)
    • SPDIF compatible (IEC 60958)
    • Accepts Consumer and Professional format
    • Lock range: 27 kHz – 200 kHz
    • Jitter suppression: >50 dB (>1 Hz)
  • ADAT Optical:
    • (2) TOSLINK, format according to Alesis specification
    • Standard: 2 x 8 channels 24 bit, up to 48 kHz
    • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
    • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
    • Bitclock PLL ensures perfect synchronisation even in varispeed operation
    • Lock range: 31.5 kHz – 50 kHz
    • Jitter suppression: >50 dB (>1 Hz)
    • SPDIF optical (ADAT 2):
    • (2) optical, according to IEC 60958
    • Accepts Consumer and Professional format
    • Lock range: 27 kHz – 200 kHz
    • Jitter suppression: >50 dB (>1 Hz)
  • Word Clock:
    • BNC:
      • Internal termination 75 Ohm switchable
      • Automatic Double/Quad Speed detection and internal conversion to Single Speed
      • SteadyClock guarantees super low jitter synchronization even in varispeed operation
      • Not affected by DC-offsets within the network
      • Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
    • Overvoltage protection:
      • Level range: 1.0 Vpp – 5.6 Vpp
      • Lock Range: 27 kHz – 200 kHz
      • Jitter suppression: >50 dB (>1 Hz)
    • Digital Outputs:
      • MADI:
      • Optical via FDDI duplex SC connector
      • 62.5/125 and 50/125 compatible
      • Coaxial via BNC (Word Clock input), 75 Ohm
      • High-sensitivity input stage (< 0.2 Vpp)
      • Accepts 56 channel and 64 channel mode, plus 96k Frame
      • Standard: up to 64 channels 24 bit 48 kHz
      • S/MUX: up to 32 channels 24 bit 96 kHz
      • S/MUX4: up to 16 channels 24 bit 192 kHz
      • Lock range: 25 kHz – 54 kHz
      • Jitter suppression: >50 dB (>1 Hz)
    • AES/EBU:
    • XLR, transformer-balanced, galvanically isolated, according to AES3-1992
    • Output level Professional 4.5 Vpp, Consumer 2.6 Vpp
    • Format Professional according to AES3-1992 Amendment 4
    • Format Consumer (SPDIF) according to IEC 60958
    • Single Wire mode, sample rate 28 kHz up to 200 kHz
  • ADAT:
    • (2) TOSLINK, format according to Alesis specification
    • Standard: 2 x 8 channels 24 bit, up to 48 kHz
    • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
    • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
    • SPDIF optical (ADAT 2):
    • (2) optical, according to IEC 60958
    • Accepts Consumer and Professional format
    • Lock range: 27 kHz – 200 kHz
    • Jitter suppression: >50 dB (>1 Hz)
  • Word Clock:
    • BNC:
    • Max. output voltage: 5 Vpp
    • Output voltage @ 75 Ohm termination: 4.0 Vpp
    • Output impedance: 10 Ohm
    • Frequency range: 27 kHz – 200 kHz
  • General:
    • Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts
    • Idle power consumption: 19 Watts
    • Typical power consumption: 22-25 Watts
    • Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5")
    • Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3")
    • Total depth: 240 mm (9.4”)
    • Weight: 3 kg ( 6.6 lbs)
    • Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
    • Relative humidity:< 75%, non condensing

ConditionMint (Used)
Mint items are in essentially new original condition but have been opened or played.Learn more
Brand
Model
  • Fireface UFX III USB Audio Interface
Categories
Computer Connectivity
  • USB
Bus-Powered
  • No
Compatibility
  • macOS
  • Windows
Format
  • Desktop Standalone
Number of Mic Preamps
  • 6

Product safety information may be available here.

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