Kawai K4 61-Key 16-Bit Digital Synthesizer Keyboard

Used - Excellent+ Condition

• Chassis: there is something rattling around on the inside of the chassis, however this keyboard still functions properly; some light scuff marks and scratches can be seen on the top, bottom, sides, front, and back
• Buttons, Sliders, and Wheels: all the buttons, sliders, and wheels move nicely and work properly
• Keys: all the keys move and function flawlessly and just show a few very light scratches on a few of them
• Jacks and Connectors: all the jacks are intact and function flawlessly, however the card slot has not been tested due to a lack of cards for this keyboard
• LED Screen: the LED screen function properly and just has a couple of scuff marks on it that do not affect functioning or readability
• Includes: 61-key digital synthesizer keyboard, owner's manual, and power adapter (keyboard stand, bench, pedal, cards, and case/gig bag not included)

Features

• 61 keys with Velocity and Aftertouch
• Polyphony: 16-voices, 8-part multitimbral
• Oscillators: 16-Bit PCM digital synthesizer
• Filter: Digital Dynamic Filter
• 32 eefects types including Reverb, Reverse Gate, Normal Delay, Stereo Pan Delay, Chorus, Flanger, and Over Drive
• Two line LCD screen
• 256 16-bit, 32 kHz internal waveforms (96 Digital Cyclic waveforms and 160 PCM samples)
• Drum section (61 drum patches)
• Mod and Pitch Bend Wheels
• 1/4" Stereo outputs
• Heaphone output
• MIDI In/Out/Thur ports
• Dimensions: 40.2"W x 12.2"D x 3.5"H
• Weight: 16.1 lbs.
• Made in Japan

Released in 1989, the K4 from Kawai can be thought of as a warm and fuzzy digital synthesizer. A sample-based digital synth, its sounds are those typically weird industrial type sounds that can still be useful in lo-fi, big-beat and trip hop music styles. The Kawai K4 can split up to 8 different sections at once. For live performance this is fantastic. In addition, you can have up to 8 different tone layers. There is also a “link” function which allows you to program a queue and change patches on the fly during a performance. This makes moving from one patch to another seamless. Plus there is velocity switching, so you can have different sounds play depending on how hard or soft you press the keys. The sounds are 16-bit preset PCM samples of acoustic instruments. However, unlike its predecessor the K1, the K4 adds a welcomed digital filter section. This truly makes the K4 more flexible, fun and useful for today's filter tweaking music effects!

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