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The Vi7000 digital mixing consoles delivers the best Vi sound ever, bringing optional 96kHz processing, upgraded channel counts and even more reliable hardware to live sound's most popular mix interface.

Partnering a compact control surface with new Local Rack and Active Breakout box hardware, Vi delivers simultaneous mixing of up to 128 inputs and 32 mono/stereo busses.

Pristine sound quality is assured by ultra-low noise mic amp designs and enhanced 96kHz* 40-bit floating point digital audio processing, while FX come courtesy of 8 independent Lexicon multi-FX units, BSS DPR901ii™ integration and a BSS graphic EQ on every bus output. Rapid configuration and powerful automation features, radio mic status monitoring and extensive ViSi Connect I/O expansion (EtherSound™, CobraNet™, Dante™, MADI, etc.) complete the package.

* Additional DSP cards and reduced channel count required for 96kHz operation


  • The latest Vistonics™ & FaderGlow™ interface
  • Up to 128 inputs and 32 mono/stereo busses
  • Enhanced audio processing with 96kHz sample rate option
  • Powerful new features including BSS DPR901ii™ Dynamic EQ
  • New Local Rack hardware for 384 I/O channels
  • 128 channel record interface via MADI or Dante™
  • Mix live with UA™ plug-ins (via Realtime Rack)
  • Huge connectivity options - Dante™, Rocknet™, Ethersound™, Cobranet™, MADI and more
Specifications Frequency Response - Stagebox Mic input to Line output +0/-1dB, 20Hz-20kHz AES/EBU In to AES/EBU Out +0/-0.2dB, 20Hz-20kHz Stagebox Mic In (min gain) to Local Line Out <0.003% @ 1kHz Stagebox Mic In (max gain) to Local Line Out <0.020% @ 1kHz Local Line In to Line Out <0.003% @ 1kHz Mic Input E.I.N <-126dBu (150ohm source) Residual Noise -91dBu Stagebox line output; no inputs routed, Mix fader @0dB CMRR, Stagebox Mic input 80dB @ 1kHz Sampling Frequency 48kHz or 96kHz Latency: Stagebox Mic Input to Local Line output <2ms @48kHz AES/EBU Input Sample Rate 32-108kHz (with SRC enabled) DSP Resolution 40-bit floating point Internal Clock Accuracy <+/-50ppm Internal Clock Jitter <+/-5ns External Sync BNC Wordclock Input & Output Levels - Mic Inputs +28dBu max Input & Output Levels - Line Inputs +22dBu max Input & Output Levels - Line Outputs +22dBu max Input & Output Levels - Nominal Operating Level +4dBu (-18dBFS) Input & Output Impedances - Mic Inputs 10kohm Input & Output Impedances - All other analogue Inputs >10kohm Input & Output Impedances - Line Outputs <75ohm Input & Output Impedances - AES/EBU Outputs 110ohm Oscillator 20Hz to 20kHz/Pink/White Noise, variable level Stagebox HP Filter 80Hz fixed, 12dB per octave Channel HP filter 20Hz-600Hz, 18dB per octave Channel LP filter 1kHz-20kHz, 18dB per octave EQ (Inputs and Bus Outputs) - HF 20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving EQ (Inputs and Bus Outputs) - Hi-Mid 20Hz-20kHz, +/-18dB, Q=0.3-8.7 EQ (Inputs and Bus Outputs) - Lo-Mid 20Hz-20kHz, +/-18dB, Q=0.3-8.7 EQ (Inputs and Bus Outputs) - LF 20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving Metering Internal 20-segment LED bargraphs plus 9-segment gain reduction meters for all inputs and Outputs. Peak hold variable from 0-2s. Mains Voltage Operating Range 90-264V, 47-63Hz, autoranging Mains Power Consumption 300W Operating Temperature 0°C - 45°C (32°F - 113°F) Relative Humidity 0% - 90%, non-condensing Ta=40°C (104°F) Storage Temperature -20°C - 60°C (-4°F - 140°F)

ConditionBrand New (New)
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Studio Gears

Temecula, CA, United States
Joined Reverb:2015

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