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This is an incredible piece of gear, at an extremely affordable price. Our pro-audio techs have done complete inspection, cleaning and maintenance on this console. Console will include the CPS-275 Power supply, meter bridge and cables.  

Console Specifications:

INPUT CHANNEL
Microphone input
  • Sensitivity range for 0VU output..................................-8dBu to -60dBu
  • Maximum input level.....................................................+14dBu
  • Input impedance.............................................................2k ohm
  • Common Mode Rejection Ratio(CMRR) 1kHz..........Typical figure -90dB @ sensitivity -30dBu
  • Equivalent input noise EIN.....................................22Hz-22kHz measured at insert point -128dBu @ sensitivity -60dBu
  • 150 ohm mic input load.................................-122dBu @ sensitivity -30dBu
Input Channel
  • Sensitivity range for 0VU output..................................+12dBu to -40dBu
  • Maximum input level...................................................+34dBu
  • Input impedance..........................................................15k ohm
  • Common Mode Rejection Ratio(CMRR) 1kHz..........-60dB @ sensitivity 0dBu
Insert send & return
  • Nominal level.....................................................................-2dBu
  • Maximum level ..............................................................+22dBu 
  • Maximum send load .....................................................2k ohm
Direct Output level
  • Channel output selected................................................-2dBu
  • Group output selected..........+4dBu/-10dBV link selected
Tape Return input
  • Sensitivity at calibrated centre detent.....................+4dBu
  • Tape trim range .............................................-15dB to +15dB
  • Input impedance.......................................................>24k ohm
  • Common Mode Rejection Ratio(CMRR) 1kHz: ...........................-60dB @ Calibrated detent
Low Cut Filter
  • Frequency ...........................................................................100Hz
  • Type of filter ....................................3 pole, 18dB per octave
Equaliser section
  • HF Eq. turnover frequency ............................................12kHz
  • Maximum boost/cut...................................................+/- 15dB
  • LF Eq. turnover frequency................................................60Hz
  • Maximum boost/cut...................................................+/- 15dB
  • HMF Eq. frequency range...........................400Hz to 20KHz
  • Q range .............................................................................0.7 to 6
  • Maximum boost/cut...................................................+/- 15dB
  • LMF Eq. frequency range..............................25Hz to 1.5kHz
  • Q range .............................................................................0.7 to 6
  • Maximum boost/cut...................................................+/- 15dB
MASTER SECTION
Nominal levels
  • Group output level.................+4dBu/-10dBV link selected 
  • Group insert level.............................................................-2dBu 
  • Aux output level ..............................................................+4dBu 
  • Mix output level ..............................................................+4dBu 
  • Mix insert level..................................................................-2dBu 
  • Mix B output level...........................................................+4dBu 
  • CRM/ALT/Headphones level ........................+14dBu at maximum 
  • Studio outputs..................................................................+4dBu2 
  • Track inputs ...................................................................+4dBu 
  • Stereo return inputs .......................................................+4dBu
Console Input/Output circuit types
  • Electronically balanced inputs:Microphone, Line, Mix B, Stereo Return, 2-TrackUnbalanced 75ohms inserts: Channel, Group, MixUnbalanced 75ohms outputs: Channel DirectGround Compensated 75ohms outputs:Group, Studio, Aux, Mix & Mix B
TYPICAL CONSOLE PERFORMANCE
Attenuation. All at 1kHz
  • Long Fader attenuationFrom top to bottom.........................................................-90dB
  • Mix B rotary fader attenuationFrom max to min ..............................................................-70dB
  • Mute attenuation Channel & MixB............................-80dB
  • Pan isolation, ie from left to right..............................-70dB
THD+n. (harmonic distortion)
  • 1dB below clipping, 1kHzMic/Line to Direct output.............................0.002% EQ out.................................................................................0.003% EQ in
  • MixB to Direct out (Swap pressed)...........................0.002%
Direct output noise
  • 22Hz-22kHz Mic sensitivity @ -10dBChannel Fader at unity..................................-95dBu EQ out.................................................................................-93dBu EQ in
Frequency response
  • Mic/Line input to any output .......................20Hz - 20kHz.....................................................................................(+0/-0.5dB)......................................................................Sensitivity @ 30dB
Crosstalk
  • Mic input to Line input crosstalk.............-100dB @ 1kHz
  • Line input to Mic input crosstalk...............-90dB @ 1kHz 
  • Mix B to Channel crosstalk............................-80dB @ 1kHz 
  • Channel to Mix B crosstalk............................-75dB @ 1kHz
Bus noise
  • 22Hz-22kHz Channel faders down+4dBu/-10dBV selected to +4dBu 
  • Group outputs 1 to 8 
  • Group fader at unity, nothing routed .....................-90dBu 
  • 24 channels routed, chan faders down...................-80dBu 
  • 32 channels routed, chan faders down...................-78dBu
Mix outputs L & R
  • Mix fader at unity, nothing routed..........................-90dBu 
  • 24 channels routed, chan faders down...................-80dBu 
  • 32 channels routed, chan faders down...................-78dBu
Dimensions and weights (kg/lb)
  • 24 1059.36mm (41.71”).............................44.0/97 
  • 32 1303.20mm (51.31”) ..........................53.6/118 
  • 24 exp. 815.52mm (32.11”)...............................33.0/73

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Listed9 years ago
ConditionVery Good (Used)
Very Good items may show a few slight marks or scratches but are fully functional and in overall great shape.Learn more
Brand
Model
  • Ghost 32-Channel 8-Bus Mixing Console
Categories
Made In
  • United Kingdom

Product safety information may be available here.

British Audio

Nashville, TN, United States
Joined Reverb:2016

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