All original with ORIGINAL hardshell case. In amazing condition CLEAN pots and a near perfect finish for an almost 40 year old bass. There is a few scuff here and there (see pictures).
Small crack on end of fretboard which has been glued tight . And a small blemish on the underside of the 3rd fret neck.
Brand new bone nut and fret dress, polish and setup all done by a professional luthier. Comes with original tools for trust rod adjustment.
Sounds phenomenal and ready to play outing the case.
The tuning key ratio on the T-20 was described as 24:1, … the T-20 had a new bridge, a lightweight “triple chrome plated” item, which had barrel-shaped saddles and loaded through the end of the bridge on the T-20.
The new electronics on the T-20 were obvious at first sight. A new, powerful, single-coil Super Ferrite pickup was installed at an angle, and the price list proclaimed that it, too, was “harmonically placed”.
The pickup was surrounded by an “integral, mounting ring/thumb rest combination”, and the practical, asymmetrical design of this item was another aesthetically-intriguing idea that probably caught the eye of many players.
Sporting “lightning P” knobs like all other Peavey guitars and basses of the time, the T-20 had a (less-complicated) “tone compensated volume control” and a “wide-range tone control”.
Small crack on end of fretboard which has been glued tight . And a small blemish on the underside of the 3rd fret neck.
Brand new bone nut and fret dress, polish and setup all done by a professional luthier. Comes with original tools for trust rod adjustment.
Sounds phenomenal and ready to play outing the case.
The tuning key ratio on the T-20 was described as 24:1, … the T-20 had a new bridge, a lightweight “triple chrome plated” item, which had barrel-shaped saddles and loaded through the end of the bridge on the T-20.
The new electronics on the T-20 were obvious at first sight. A new, powerful, single-coil Super Ferrite pickup was installed at an angle, and the price list proclaimed that it, too, was “harmonically placed”.
The pickup was surrounded by an “integral, mounting ring/thumb rest combination”, and the practical, asymmetrical design of this item was another aesthetically-intriguing idea that probably caught the eye of many players.
Sporting “lightning P” knobs like all other Peavey guitars and basses of the time, the T-20 had a (less-complicated) “tone compensated volume control” and a “wide-range tone control”.
This item is sold As-Described
This item is sold As-Described and cannot be returned unless it arrives in a condition different from how it was described or photographed. Items must be returned in original, as-shipped condition with all original packaging.Learn More.
| Listed | 5 years ago |
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| Condition | Very Good (Used) Very Good items may show a few slight marks or scratches but are fully functional and in overall great shape.Learn more |
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