Lovepedal Super Stevie Six Billet Boost

NOTE: Please excuse the weird glare in some of the photos ... this rascal is so shiny, it's hard to avoid!

One of a limited run from Lovepedal!  How do you improve on Lovepedal's "SRV" version of the Super Six overdrive?  You match it up with a separate boost and tuck the whole works into a handsome machined aluminum case! 

SRV Super Six on the left; independent boost just waiting to be kicked in on the right ... uh-huh.

Fresh from the mad tone labs of Lovepedal at less-than-SNS pricing!  Out of the box just long enough to know how good it sounds (regretfully, it must go) with all original packaging and free shipping in the lower 48. 

Note the recessed input/output jacks: depending on the style of your patch cables, you may want to use straight plugs on this one.

No trades, thanks!

Watch the demo vid for Texas Blues Alley's test flight of the standard Stevie Super Six.

And here are some words of wisdom from the good folks at Lovepedal, again on the standard Super Six Stevie Mod:

The Lovepedal Super 6 is back! This sought-after pedal re-creates the tone of a blackface-era Fender amplifier, namely a Super on 6! The Lovepedal Super 6 is perfect for buffering, boosting, or vintage-ing your tone. Add soft, vintage compression or a vintage tone stack to your guitar rig.

Between the full range controls, the Lovepedal Super Six also acts as a vintage tone stack that is voiced like a blackface-era Fender. When you’re looking to channel the 60’s American amp tone, the Lovepedal Super Six is the ticket…

This version has been morphed to channel the classic Stevie Ray Vaughan tone; The Super "Stevie Mod" Six.

• Classic, touch sensitive, tones..

• True Bypass switching, making sure your signal is preserved when the effect is off

• +9VDC / +22VDC, center negative adapter or 9V battery / Current draw 18mA

• Designed and manufactured by a “very smart group of people” along side musicians to create the perfect balance of touch, tone, feel, reliability and grace.

• Controls:

• LEVEL – Master overall volume at the output

• DRIVE – Smooth, feedback loop style clipping

• Bass – Active / Pre clipping section / Bass bump

• Treble – Tone damp / Passive / Post clipping