Wersi Analoge Bass Synthesizer AP-6 / The Wersi AP-6 Baß (Bass) Synth

€700 for the Wersi ap-6 or €950 for the Wersi Ap-6 + the original amplifier + speakerset.

Before I even start by giving the product info, let me start by saying that it sounds...wel so wonderfully deep analog! It’s so much instant fun to play. I’ve got two of them: at home and in the studio. The bass is delightful but you can change and ad so much to it that the sound is very versatile and has allot of karakter.
I love the “acoustic” bass sound as well as the electric bass sound, but to both you can ad dirt in a very versatile way! I wish the person that buys it al lot of fun with it. It, records very well by the way! Watch the included video ...it’s got the right vibe and “shows” you “the sound”.
Oh...one more detail, you can tune the whole synth with a dedicated knob on the backside...it works brilliantly...an you can even “detune” it to match slightly detuned other instruments or to transpose. You can even do that with the “slide” on the front as well.

Oh yeah, the weight of the synth is 10 kg, but if you want to have the original amplifier + the speakerset, we will have to weigh them as well and see how much the transportation cost...I Guess somewhere in the range of €150.

Greeting Marten

Then here’s the info:

In 1977 German organ company released the two in one Bass Synthesizer AP-6. Its a bass syntheszer and a bass guitar synthesizer in one with a quarky glide setting named "Hawaii" which worked as a slide guitar function presumably to play Hawaiian style slide guitar riffs.

Billed as two instruments in one: an Electric Bass Guitar and Synthesizer, this compact light-weight instrument from German organ builders WERSI was aimed at keyboard and organ players. The purpose was to give the organist/keyboardist some Bass Guitar and Synthesizer sounds they could incorporate into their performances. It is a monophonic analog synth with funky controls, decent sounds and a unique character.

The Bass Guitar sound is actually very realistic, really capturing the sound of an electric bass guitar or acoustic bass. It has an attack control called "On" that lets you adjust the initial attack to make it sound like a picked bass or a fingered bass. A "Damp" control is essentially a sustain envelope that can be used to create more of a muted bass sound.

The Synthesizer section is pretty basic, and definitely designed using organ player lingo as opposed to synth player lingo. There a five flute stops (sine) from 16', 8', 4', 2', to 1', two brass stops (sawtooth) at 16' and 8' and a woodwind stop (square) at 8'. Multiple stops and waveforms can be simultaneously engaged to create more complex tones. These waveform sections, as well as the Bass Guitar section, have independent volume controls to balance their mix.

There is a filter section—a formant filter referred to as "Wah-Wah"—that the brass (sawtooth) and woodwind (square) waveforms can be effected by in either automatic or manually adjusted modes using the "Wah-Wah" slider. No frequency cutoff or resonance knobs or anything usual like that here. Just an "On" switch, direction switch ("Up/Down"), a manual switch and a "Rotor" (auto) switch. A simple envelope section is available with attack and sustain parameters.

Wersi Bassie

A unique "Glide" slider can be used to pitch shift the keyboard by an entire octave. The octave shift can also be automated up or down at variable speed. A really interesting feature is the "Hawaii" button—an intermittent switch that drops the pitch by a half-tone. It is effectively like a pitch bend but only goes down and at a quick fixed rate. A Vibrato effect is available as well, with rate and depth controls and either continuous or delayed modes.

The WERSI Bass Synthesizer was available in kit form but also came pre-assembled with many keyboard/manual options. The idea being that you could connect it to the keyboard or pedals of your organ, or you could choose from WERSI's 13-, 25-, and 30-pedal claviers. WERSI provided connector kits and a wiring diagram to help connect your own keyboard or pedals to a 16-pin connector interface on the rear of the unit. It was encased in a carry-case-style chassis with a handle and cover.

Some models calls it the "Bassie" on the front panel, but they almost all usually say "Baß Synthesizer" on the front panel. That ß symbol is just another funky quirk of this synth—it's from the German alphabet for the "ss" sound. The model designation of the Bass Synthesizer was AP-6 (usually printed below the power cord socket), so you may also see it referred to as the Wersi AP-6.

The robustly built instrument is monophonic with square, saw and sine waveforms. There are 5 organ stops for playing various octaves. 3 envelope generators are available with attack and decay for the sine waves and attack and decay for the filter envelope. The bass guitar section has decay available as an envelope.

The filter section is a formant filter which acts more like an autowah than a traditional analog filter. There are 2 LFO modulators available LFO 1 is a rotorary style effect and LFO 2 is vibrato effect with a normal and slow setting.

There are 2 slider performance controls, 22 buttons and 10 knobs available for creating and setting sounds. The unit features 37 keys and is built into it's own case with lid for transporting. The output section has two monophonic outputs for low and high impedance.

Technical Specifications
Type: Analog
Synthesis: Subtractive

Oscillators: 1
Waveforms: Saw Up, Sine, Square
Osc Modulation: Fader, Knob, LFO

Envelopes: 3
Evelope Paramerters: Attack, Decay, Monophonic

Filters: 1
Types: 6dB Slope, Formant
Filter Modulation: Envelope, Knob, LFO

LFO: 2
Polyphony & Tuning
Polyphony: 1
Tuning: Standard
Modes: Mono

Patches RAM: 1

Case: Keyboard
Keyboard: 37 keys, Wood
Controls: Buttons, Knobs, Sliders, Pedal - Sustain

Connections
Audio Output Connections: 1/4" Phone Jack, Mono Out
Audio Output Count: 2

Production
Year Released: 1977-1982