iZotope Music Production Suite 3 comprises many powerful pieces of pro audio software in a single downloadable purchase. Process vocals with Nectar 3. Add vocoded effects with VocalSynth 2. Clean up noise and other issues with RX 7 Standard, which includes a standalone version. Mix your tracks with Neutron 3 Advanced. Add reverberation with Exponential Audio R4 and Exponential Audio NIMBUS. Master it all with Ozone 9 Advanced while using Tonal Balance Control 2 to ensure your final product has the right frequency balance. Use Insight 2 for metering making use of the Relay module to focus in on the context of specific tracks or submixes. All of this software is compatible with Mac and Windows platforms. They operate in AU, VST, RTAS, and AAX formats. iZotope Ozone 9 Advanced - Mastering Software (Download) Available for download,

iZotope Ozone 9 Advanced is software designed for mastering music, providing many modules for the task. The software builds upon the offerings of previous iterations with visual improvements, CPU optimizing, new modules, and new assistive options. The software allows you to create masters of your music in an intuitive, user-friendly manner. Take the Master Rebalance Module, for instance. With tech borrowed from RX 7, this module intelligently grabs your bass, drums, or vocal parts and brings them up and down in level, depending on your settings. Now, you may not need to contact the mixing engineer when the bass part isn't loud enough—you can simply raise it up yourself. Another new offering is the Low End Focus module, which uses proprietary processes to help you secure impact, translation, and a distinct absence of mud in the low end of your masters. Use this module to help the kick and bass play nicely together in a stereo track. You'll note that Match EQ has been broken out into its own module. It now sports more controls to help you get the most out of this process in every part of the frequency spectrum. You'll find the Vintage mode in the Master Assistant useful, as it applies colorful strokes in the mastering process. Use the traditional Master Assistant to get you to the level you wish as transparently as possible, or choose the Vintage mode if the mix needs some more weight, vibe, or color. Then, tweak from there. Included with Ozone 9 Advanced is an upgrade to the Tonal Balance Control plug-in. Tonal Balance Control 2 now comes with a far greater number of presets than the first version. It also lets you solo each individual band to home in on frequency issues. As with the previous version, you'll find a reference section to load in your favorite referencing tracks. You'll also find dither options and be able to audition how the master sounds through various lossy codecs. Other tweaks have been made to existing modules under the hood, including performance enhancements, and, in the case of the Imager module, increased sonic transparency. You can now resize the GUI at will. This being the advanced version, you can break out any module you wish into its own plug-in, so if you only want to use the Master Rebalance function, you needn't load the whole suite. The software is compatible with Mac and Windows platforms in AU, VST2, VST3, and AAX formats. It's now compatible with NKS supported environments as well. New Features Master Rebalance Master Rebalance gives you the final say in a mix, letting you correct and change the levels of instruments without needing the original tracks. Give your vocals a small boost to add presence without affecting the midrange, or eliminate a muddy low end by slightly lowering the bass guitar. Correct weak-sounding drums, saving you from hours of EQ surgery. A well-balanced mix makes any mastering engineer's job easier. With Master Rebalance, you can nudge your sound in the right direction. Low End Focus Low End Focus is your first line of defense against a muddy or blurry low end in a mix. Using new processing designed to enhance bass sounds, this feature brings your low end into better focus and gives you a well-defined foundation for your track. Tame unruly or clashing kick drums and boomy bass guitars without changing the overall impact of your music, or get that extra bit of bass magic to put your track over the finish line. Go in-depth with surgical controls that let you shape your tone and timbre and bring out the best in your low end with no artifacts. EQ Match Ozone 9 brings the tone and vibe of your favorite artists to your music with the upgraded EQ Match. With this new module, you can conform to any reference track to a precise degree, with an EQ that uses over 8000 separate bands to give an accurate point of comparison. New region parameters now give you more control over the end result by letting you choose what parts of the audio to match. Capture a reference from a track in your session, or a reference file loaded into Ozone 9, and save your favorite results as presets for easy access. Vintage Assistive Technology The improved Master Assistant uses machine learning to give you a custom preset in seconds. Use the new Vintage mode to quickly add the right combination of color and character, with automatic adjustments for Vintage Compressor, EQ, Limiter, and more. Get a solid master in seconds while preparing your music for distribution with CD and streaming targets that intelligently set loudness for you. Or, load a reference track to have Master Assistant match the flavor and intensity of any audio you like. Get a head start on your master with the confidence that your music will sound great on any system. Native Instruments NKS Support NKS support puts Ozone directly into your creative production process. Easily access controls, presets, and DSP from within your NKS supported environment. Improved Features

  • Improved Imager Module - Transparently adjust your stereo image with powerful multiband controls and an improved Stereoize mode.

  • Improved Performance - Experience faster performance and smoother workflows improved visualizations and fluid metering.

Tonal Balance Control 2 Tonal Balance Control is improved with smoother metering, resizability, new target curves, and inter-plugin communication with Relay for quick and easy gain control across the mixing and mastering stages. iZotope Neutron 3 Advanced - Channel Strip Software with Mix Assistant for Pro Audio Applications (Download) Neutron 3 Advanced represents the next step forward in iZotope's channel-strip plug-ins, giving you the ability to balance your entire session in three clicks with the new Mix Assistant. As with previous iterations, you get an equalizer, a compressor, a transient shaper, an exciter, and other goodies from Neutron 2. But iZotope has brought a new module into the mix as well—a sweetening, tone-shaping module called Sculptor. The modules offered in version 2 have been optimized to take as little CPU as possible. The GUI has seen an overhaul with a resizeable window as well as better control of the sliders than Version 2. The Masking Meter, which helps you identify and fix competing frequencies between two tracks, is now elegantly compacted into one, easy-to-understand window, with essential parameters like inverse link more readily available. The most prominent additions to the Neutron platform are Mix Assistant and Sculptor. Through plug-in communication, the Mix Assistant can listen to all of the tracks in your mix and give you a static starting point. Use it at the beginning of the process: Simply place Neutron 3 or Relay on every track of your mix, run the Mix Assistant, choose the most prominent tracks when prompted (i.e., the vocal in a pop tune), and let Neutron handle all the busywork so you can get to the fun stuff. Sculptor, on the other hand, is a sweetening, finalizing module that applies a comprehensive EQ, one that fluctuates in real-time, reacting to the track as it plays. It makes multiple dynamic choices per second. Use it to add both final polish and a creative emphasis to any track. Neutron 3 Advanced is compatible with Mac and Windows computers and is available for download. It works in AU, AAX, and VST formats. General Features Mix Assistant Through inter-plug-in communication, Mix Assistant listens to your entire mix, communicating with every track in your session to give you a balanced starting point. This starting point is built around a focus of your choice. Neutron 3 listens to your session and makes decisions to give you a balanced mix—a jumping off point from which you can make creative decisions. Sculptor Module Select a desired style from the menu, and the algorithm shapes the tone to achieve an ideal balance for that instrument. Change the speed at which the process is applied, or change the overall tonality, highs, or lows. You can even set filter points, stopping all processing below or above your desired frequency. This can be useful for sculpting just the midrange of track or for excluding the treble to obviate any undue harshness. Breakout Plug-Ins Neutron Advanced comes with 8 individual module plug-ins, so if you only need the EQ or Sculptor, you can instantiate it without loading the compressor, transient shaper, etc. Each of the modules can be loaded independently. Improved Masking Meter With a convenient one-window display, smoother metering with more obvious parameters, Masking Meter is now even better at helping you find and fix the competing elements of your mix. Optimized Performance Insert more instances of Neutron in your session, open sessions faster, and forget about bouncing sessions for overdubs. Not only is Neutron faster at processing your audio, but your sessions with multiple Neutrons will open faster with refresh rates doubled for visualizations. Other Features at a Glance
  • Visual Mixer and iZotope Relay: Launch Mix Assistant directly from the Visual Mixer and move your tracks in a virtual space, tapping into iZotope-enabled inter-plugin communication.
  • New EQ Functionality: EQ now has a Soft Saturation mode for a more analog feel and sound.
  • Tonal Balance Control: Updated to support Neutron 3 to further help you shape a balanced mix.
  • 7.1 Surround Sound Support: 7.1 Surround and zero-latency mode in all 8 modules for professional, lightweight processing for audio post or surround music mixes.
iZotope Nectar 3 - Vocal Production Channel Strip Software for (Download) Available for download, iZotope Nectar 3 is a channel strip plug-in developed for vocal mixing and polishing. Compression, equalization, saturation, vocal harmonies, and more are provided in the channel strip. Nectar 3 takes many features available in version 2 of Nectar and expands upon them, updating them both in aesthetics and processing. Many new features are offered in Nectar 3, such as a Vocal Assistant, which creates a custom preset for your specific vocal after analyzing it. You'll also note the unmask feature, which carves out of the way any competing instruments, letting the vocal shine through the mix. A dynamic EQ has been added that can follow unwelcome resonances as they move up and down the frequency range, intelligently curtailing nasty blooms of sound so you don't have to automate them yourself, or split them onto different tracks. The new Dimension module provides chorus, flanging, and more, while Reverb and Delay modules have been redesigned to give you new and exciting kinds of delay. The Harmony section has been updated. Automatic Level Mode, on the input fader, quickly adjusts the levels of your vocals in a transparent manner, mitigating the need for corrective dynamics processing. A limiter, at the end of the chain, can ensure you don't go over your desired level and can also impart a meaty feeling upon the sound. Included with Nectar 3 are several other plug-ins that are quite helpful. Melodyne is world-renowned pitch-correction software, and Nectar 3 comes with Melodyne 4 Essential. RX 7 Breath Control is on hand for taking out unwanted breaths. Relay ensures inter-plug-in communication: put Relay on a guitar track that competes with the vocal's midrange, and the Vocal Assistant can now target that guitar, changing its EQ to keep it out of the vocal's way. This software is compatible with Mac and Windows platforms. It is included in AU, AAX, VST, and RTAS formats. General Features New Features over Version 2
  • Vocal Assistant provides custom presets utilizing machine learning technology to help your vocals fit in the mix
  • Unmask carves away competing mix elements directly from Vocal Assistant’s menu screen, allowing your vocals to cut through the mix
  • Dynamic EQ with Follow EQ Mode tracks down pesky resonances and removes them in real time
  • Auto Level Mode adjusts the level of vocals before any processing, minimizing the need for corrective dynamics or riding the fader
  • Nectar 3 utilizes inter-plug-in communication to interface with other iZotope plug-ins in your session, seamlessly addressing mix issues, tonal balance, masking, and more
  • Use the included Relay module to use Nectar 3's unmasking mode with tracks that don't have iZotope plug-ins on them
  • RX 7 Breath Control is included for reducing unwanted breaths without sacrificing audio quality
  • Melodyne 4 Essential for renowned time- and pitch-correction
  • Hundreds of professionally designed presets for music and dialogue applications
Redesigned and Updated Modules
  • Corrective and Creative Dynamic EQs
  • Compression
  • Harmony
  • Pitch
  • De-Esser
  • Saturation
  • Reverb
  • Gate
  • Dimension (chorus and other modulations)
Improvements in the Following Areas
  • Delay: Two brand new modes and new independent controls for stereo support
  • De-Esser: New interactive threshold design experience that can be auto-set with Vocal Assistant
  • Saturation: Two new Saturation modes, Decimate, and Distort
  • Harmony: Increased number of voices you can add from 4 to 8, improvements to MIDI mode experience for easier playability
  • EQ: Ability to add two EQ instances of up to 24 bands with Dynamic processing for frequency and pitch.
  • Compressor: Ability to add two compressors. New interactive threshold design with interactive visualization
  • Reverb: Additional third EQ node for additional shaping flexibility; immersive visual display
  • Dimension: New Chorus and Phaser modes with interactive UI
iZotope RX 7 Standard Audio Restoration and Enhancement Software (Upgrade from Elements, Download) Available for download, 


RX 7 Standard is the latest update to iZotope's audio repair software, which is considered a staple for recording, mastering, and audio-for-video post-processing. The software can operate either as a standalone application or as a plug-in for both Mac- and Windows-based DAWs and NLEs. From fixing common audio problems like noises, distortions, and inconsistent recordings, to repairing severely damaged audio using Spectral Repair, RX can transform previously unusable audio into something usable. The standard edition of RX 7 takes nearly all the modules provided in RX 6 Standard and implements a graphic overhaul more in line with iZotope's current aesthetic. You'll also find several new processes sure to help out in audio-restoration contexts including Variable Time, Variable Pitch, Music Rebalance, and the Repair Assistant. Variable Time lets you change the time stretch of an audio selection without affecting its pitch. Variable Pitch does the opposite, allowing you to adjust the pitch of an audio selection without negatively impacting its duration. Previously, these processes were combined into one module. Music Rebalance analyzes a full mix of music and allows you to rebalance the levels of its bass, vocals, drums, and harmonic content, doing so with four dedicated sliders. Do you have a bit of background music whose vocal line interferes with the dialogue? Use the Music Rebalance module to lower the offending vocal. Need to beef up the bass in an anemic mix that came your way? Use this tool to emphasize the bass with the bass slider. Repair Assistant takes the concept behind iZotope's Mixing and Mastering Assistants and applies them to the restoration of audio. Simply select the audio you need to process, click on the Repair Assistant button, and let the program analyze your audio. It will offer you three options for processing (light, medium, and aggressive), and you can choose among them after auditioning each one. Next, hit render, and the Repair Assistant will automatically fix the issue. All the tools work as they did in earlier versions of RX, allowing you to paint away audio problems on the spectrogram, as does the Module Chain, which reduces the number of mouse clicks required for using a series of processes. Many algorithms which did not provide real-time preview now do, which makes working a bit faster. High-quality resampling and dithering are once again provided along with batch processing. A detailed spectrum analyzer detects peaks automatically, and a suite of automatic, intelligent modules reduces manual tasks in the audio production workflow. RX 7 can be used as a standalone audio editor (including standalone but connected to your host via RX Connect, or as your DAW's audio editor, in the case of Logic Pro), and much of it can be used as a suite of plug-ins. Note: This item is for registered users of RX Elements who wish to upgrade to RX 7 Standard. New Modules and Features Variable Time Adjust the time-stretch amount of an audio selection without altering its pitch. Variable Pitch Adjust the pitch of an audio selection while preserving the time and length. Music Rebalance Identify vocals, bass, percussion, and other instruments in a mix, and adjust the gain for each element. Isolate or remove vocals. This module is also available as an AudioSuite plug-in. Repair Assistant Repair Assistant is an intelligent tool that detects noise, clipping, clicks, and more, allowing you to solve audio-restoration issues quickly and effectively. After analyzing any snippet of audio you select, it will provide three different options for processing, and let you make the ultimate choice. General Features Composite View Composite View allows you to edit and apply processing to 16 individual audio tracks as if they were one, easily addressing audio issues that appear across multiple microphones. De-bleed Working across multiple tracks, the De-bleed module reduces the leakage of one signal into another. De-bleed can help reduce or eliminate bleed from headphones, click tracks, multiple mics with small amounts of cross bleed, and even some drum bleed issues. De-ess The De-ess plug-in and module attenuates or reduces sibilance (the harsh high-frequency sounds that come from S, F, X, SH, and soft C sounds). Two modes for handling sibilance are provided. Classic Mode detects sibilants and attenuates them with a broadband gain envelope. Spectral Mode is more transparent, intelligent, and frequency-specific and only attenuates the high frequencies where sibilance is most active, leaving the lower frequencies untouched. Mouth De-click The Mouth De-click module has been finely tuned to detect and reduce mouth noises such as clicks and lip smacks—many listeners' worst nightmare. It's designed for use on longer audio selections, but it can also be used to remove individual clicks. Breath Control The Breath Control module intelligently detects breaths in dialogue or vocal recordings and suppresses them. Removing and reducing breaths in recordings can be a time-consuming process for dialogue editors and music producers. Breath Control can help reduce the time spent on repetitive editing without sacrificing audio quality. Voice De-noise The zero-latency Voice De-noise has been designed to focus on dialogue and sung vocal treatment. Voice De-noise has an Adaptive mode that can adjust to a changing noise floor in real time, making it ideal for dialogue denoising. Also added are optimization modes for dialogue and music. When optimized for music, Voice De-noise excels at attenuating unwanted background noise from like air conditioners and street noise from sung vocals in apartment recording situations. Key Features at a Glance
  • De-plosive eliminates every plosive from any dialogue track with transparency
  • Leveler smooths any volume inconsistencies with an automatic clip gain envelope; leveler optimized for dialogue using intelligent De-breath and De-ess algorithms
  • Instant Process tool is a one-click eraser for removing unwanted coughs, scene-interrupting sirens, etc.
  • Module Chain can process multiple modules at once, save your customized chains as presets, and execute them all with a single click, enhancing workflow and reducing mouse clicks
  • Sync and integrate the RX Audio Editor with any DAW or NLE timeline using RX Connect
  • Pro Tools support for clip-by-clip and handles, which preserves the boundaries of clips, allowing for simpler picture changes
  • Corrective EQ for removing harsh high frequencies, whines, rumbles, resonances, and distortion artifacts, and for accurately honing in on any problem frequency areas
  • Sixty problem-oriented presets across several modules
  • Signal Generator creates accurate test tones, calibration tones for post-production delivery specs, bleep tones for eliminating obscenities in dialogue
  • Markers and regions (search) provide greater flexibility for those longer edits, with the ability to perform text based searches of any markers, regions, and comments in the metadata of the audio
  • Turn flawed audio into usable material by removing noises, distortions, and more
  • Edit audio with visual editing techniques using precision drawing tools, such as a brush and magic wand
  • Salvage unusable material by filling in audio gaps instantly with Spectral Repair
  • Seamlessly integrates with audio or video editing software, both as a standalone application or plug-in
  • EQ Match allows for quickly learning the EQ of a source audio clip and applying that EQ curve to a target audio clip, enabling sonic balance and smooth transitions between multiple audio sources with different EQ qualities
  • Ambience Match for matching the environment noise of two different audio recordings
  • Learn the ambient noise from a source audio clip and apply it to another audio clip, and create long sections of constant ambient noise to insert under inconsistent dialogue recordings
  • Loudness module processes whole program mixes or segments to comply with international industry standards, ensuring mixes never fail network specifications
  • High-quality resampling using the SRC sample rate conversion algorithm
  • Reduce bit resolution for final delivery of a project without sacrificing quality with the MBIT+ Dither algorithm
  • Rebuild distorted audio caused by analog and digital overload, and get through projects faster with the automatic Suggest feature
  • Spectrum Analyzer delivers a detailed spectral display that detects peaks automatically
  • Adaptive Hum Removal notches out fundamental hum frequencies that may change over time, like when recording a shot in multiple locations
  • Non-destructive Clip Gain allows for easily adjusting and balancing the volume of vocals and instrumentals
  • Export marker regions as files
  • Metadata display (see ID3 tags and broadcast WAV metadata like source Timecode, etc.)
  • Time-reverse audio
  • Updated timeline ruler that displays original recorded source Timecode
  • Movable tabs
  • Full-screen support for Mac
iZotope VocalSynth 2 - Vocal Resynthesis and Harmony Generation Software (Download) Featuring a complete graphical redesign and a whole new voice-modeling module, iZotope VocalSynth 2 is a tool designed to transform an input signal—usually a vocal—into a creative, synthetic sound. An instance of this plug-in provides access to five separate vocal engines. You get the four modules from the original Vocalsynth (Vocoder, Talkbox, Polyvox, & Compuvox), and a whole new one called Biovox. Biovox utilizes scientific modeling of the human vocal tract, allowing you to change aspects like formants, vowel shapes, and nasality in a smooth manner. Use Biovox for subtly-changed vocal doubles when you've only got a single vocal track, or utilize this module as an eccentric sound-design tool. The effects section has been updated to provide better sound quality, and two new stompbox-style modules have been added to the mix: Chorus and Ring Mod, the latter also serving as an idiosyncratic tremolo effect. As with the previous version of VocalSynth, you can use the plug-in in various modes, including Auto Mode (requiring no MIDI or sidechaining), MIDI Mode (imparting the consonants, formants, and vowels of a sidechain inpun upon the MIDI synth); and Sidechain Mode (applying the quality of the vocal to an audio source, say a guitar for example). This plug-in also allows for inter-communication between iZotope plug-ins, meaning you can seamlessly integrate VocalSynth 2 with Neutron 2, Ozone 8, and Tonal Balance Control. VocalSynth 2 can be seen and manipulated within Neutron 2's Visual Mixer and Masking Meter as well. This software is compatible with Mac and Windows platforms, and supports AU, VST, and AAX formats. 5 Vocal Processing Engines VocalSynth 2 provides separate engines for Vocoder, Talkbox, Polyvox, Compuvox, and now Biovox. Use any of these to emulate the tones of classic records or to achieve something truly new. Stompbox Style Effects VocalSynth 2's effects include two brand new pedal-style effects: Chorus and Ring Mod with a tremolo effect. Now drag to re-order all seven effects including an improved Shred with sequencer as well as Distort, Filter, Transform, and Delay. 3 Modes VocalSynth 2 is built to be flexible, giving you three ways to interact and create: Auto Mode, MIDI Mode, and Sidechain Mode. Inter-Plugin Communication Use VocalSynth 2 within Neutron 2's Visual Mixer and Masking Meter, as well as Tonal Balance Control for a bird's eye view of your music production at all times. Improvements Over Original Improvements have been made to the Vocoder module, as well as Talkbox, Polyvox, and Compuvox. These improve usability, CPU utilization, and sound quality. iZotope Insight 2 - Metering & Audio Analysis Plug-In for Music & Post Production (Download) Available for download,

iZotope Insight 2 is an update to their renowned metering software and comprises a set of tools designed for post-production and broadcast applications. Insight 2 provides an extensive set of audio analysis and metering tools that can help you visualize the changes made during mixing and mastering. These meters can be essential for troubleshooting problematic mixes, as well as ensuring compliance with broadcast loudness standards. Fully customizable and scalable, Insight 2 allows you to visually monitor all the relevant information from your mono, stereo, or multichannel mix in a convenient floating window. This window has been redesigned and updated to provide a sleek look more in concert with iZotope's current design scheme. Also, the GUI is now resizable: it can encompass a full screen or just one tiny meter floating in the corner of your DAW. Thus, the metering can be adapted to suit your workflow as it changes. Insight 2 visually guides you throughout the mixing process, empowering you to look deeper into your audio with intelligent analysis tools and real-time monitoring capabilities. Loudness meters are clearly visible with color-coded readouts for short-term, momentary, and integrated values. Multichannel RMS metering is on hand, as is sound-field monitoring, a loudness history graph, a spectrum analyzer (for frequency content), a customizable spectrogram, and a new addition to the family: the Intelligibility Meter. This tool works in conjunction with iZotope's new Relay module to help you see, at a glance, whether or not dialogue is intelligible over the rest of the mix. Simply put Relay on your mix, and track the results in the meter. With an easy-to-read scale, you will discover if your dialogue's intelligibility will translate to other listening environments. You can even choose listening environments to check if the dialogue will read well over moderately noisy or severely noisy confines. The included Relay module facilitates intercommunication with compatible iZotope products as well as the ability to monitor the output of audio affected by third-party plug-ins; the latter function is accomplished by instantiating Relay as the last plug-in in your chain. The module itself has multiple useful features, including delay offset, phase invert, sum-to-mono, L/R swap, and high-pass filtering. Fully compliant with EBU R128, ITU-R BS.1770-1/2/3/4, ATSC A/85, OP-59, and other current standards, Insight 2 provides the tools you need to be confident that your audio meets regulations. It is compatible with Mac and Windows platforms, and operates in AU, AAX, AAX-AS, RTAS, DPM-AS, VST2, and VST3. Updated Look and Feel Insight 2 has an updated design that matches the rest of the iZotope family. Important metering targets have been emphasized to make the metering suite easier to read at a glance. Resizable Now you can easily resize individual meters in the main window by clicking and dragging between two meter frames. Also, the main window can be resized to be as small as the smallest meter, or to take up the whole screen. Customize Your Layout Insight 2 is customizable and flexible to suit your workflow. Select one of the many Layouts designed for specific post- and music-production settings. Intelligibility Meter This meter provides guidance on whether dialogue is likely to be overshadowed by the loudness of the rest of your mix. Using iZotope Relay or other compatible plug-ins, Insight 2 takes information from your dialogue track and gives you recommendations on where your dialogue should be when compared to the rest of the elements. Select among different target listening environments that range from low to high noise. This will help you check how your dialogue will translate to different listeners in different spaces. Multichannel support Analyze audio in surround sound up to Dolby Atmos 7.1.2 iZotope Exponential Audio R4 - Stereo Algorithmic Reverb for Pro Audio Applications (Download) Available for download, Exponential Audio R4 from iZotope is an algorithmic reverb that provides a colorful sound, one suitable for music production and mixing. This reverb traces its lineage back to the classic Lexicon units of earlier ages, and you can hear that heritage in the reverb's sound. You'll also note the tweakable interface, with many different parameters in the Early Reflection, Reverb Attack, and Reverb Tail tabs. Use these sections to tailor the reverb perfectly for any given situation. A Chorus section adds modulation, and you can separately dictate how the modulation effects the tails or early reflections on an individual bases. A Warp tab offers compression, overdrive, bit-reduction, and more. Use the Gate tab to create classic, gated reverb sounds, or automate the Freeze button to achieve momentary experimental sounds. Whether you're looking for halls, chambers, rooms, or plates, R4 has an algorithm for you. Browse through them all by keyword, or click the magnifying glass in the top right of the GUI to enter terms for the search. Over 1200 presets are provided in total. This product is compatible with Mac and Windows platforms. It operates in AU, VST, and AAX formats. An iLok account is required for authorizing the plug-in, though an iLok key is not strictly necessary. General Features Key Features at a Glance
  • Lush stereo reverb algorithm
  • Warp controls with compression and overdrive
  • Create ambient drones and textures with Freeze
  • Tweakable Chorus tab for musical effects
  • Use Gate to duck reverb and create space in a mix
  • Predelay and reverb delay adjustable by tempo
  • Dynamic tail suppression to lower reverb in louder parts of mix
  • Clear, informative frequency display and responsive UI
  • Over 1200 presets (rooms, plates, halls, chambers, and more)
  • EuControl support
iZotope Exponential Audio NIMBUS - Stereo Algorithmic Reverb for Music & Post Production (Download) Available for download, Exponential Audio NIMBUS from iZotope is an algorithmic reverb that provides an inherently musical sound, one that can be tweaked surgically or mangled colorfully to suit the needs of your mix. This reverb provides dedicated and comprehensive controls over both early reflections and reverb tails, so that you can tailor each time-based effect for your exact mix. Note the Keyword and Preset section in the top right of the GUI; here you can find over 1200 presets categorized by type. Click on the magnifying glass above this section, and you can search for verb presets by typing in your own terms. So, whether you're a post-production engineer looking for a canyon—or a music mixer looking for a vocal plate—the reverb can be equally useful. Tabs are provided for the verb's Attack, Tail, Early Reflections, and Warp parameters. Each tab reveals a page full of parameters. Whether you need to temper early reflections, or add overdrive and compression for character via the warp page, Nimbus will nimbly let you accomplish the task at hand. This product is compatible with Mac and Windows platforms. It operates in AU, VST, and AAX formats. An iLok account is required for authorizing the plug-in, though an iLok key is not strictly necessary. General Features Key Features at a Glance
  • Natural stereo reverb algorithm
  • Warp controls with compression and overdrive
  • Predelay and reverb delay adjustable by tempo
  • 5 early reflection patterns and two plate reverb algorithms
  • Dynamic tail suppression to lower reverb in louder parts of a mix
  • Over 1200 presets (rooms, plates, halls, chambers, and more)
  • EuControl support
  • Tempo-syncable multi-effects

ConditionBrand New (New)
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  • Music Production Suite 3 Creative, Mixing & Mastering Software for Pro Audio (Upgrade from any iZotope Product, Download)
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