Rane MP2015 Rotary Club DJ 4-Deck Mixer w/USB+Samson Dual Handheld Wireless Mics

Package Includes:

• (1) Rane MP2015 Rotary Club DJ 4-Deck Mixer w/Dual USB+32 Bit DSP
• (1) Samson Concert 288 Handheld Dual Channel Wireless Microphone System w/ 2 Mics

#1 Authorized Rane Internet Retailer!Description of MP2015:
The Rane MP2015 is a no-compromise music-mixing performance instrument.
Control, sound, reliability and durability distinguish Rane’s new techno house club mixer for high-end audio systems.

Born from a legacy of rotary club mixers beginning in 1971 with Rudy Bozak’s CMA-10-2DL, on to 1982 and UREI’s 1620, then in 1999 Rane’s MP2016/XP2016 combo, and now in 2015, the MP2015 represents the next revival and evolution.

With over 40 years of rotary mixer experience to draw on, along with collaboration and input from the world’s best techno house DJs, the MP2015 is the best mixer produced by Rane—ever. There are no compromises in the design. It has the best sound, the best features, the best feel, and the best reliability and durability.

Sound Quality
A world-class leader in performance, the MP2015 is designed for playback of High-Resolution Audio (HRA) 24-bit studio master quality sources. Its sonic signature has no equal, satisfying the most stringent vinyl purists. And the dynamics are perfect for DJs preferring the uncompressed sound of WAV and FLAC files.

Professional high-end sound quality begins and ends with the audio signal converters. The MP2015 uses premium performance Audio 4 Pro™ delta-sigma modulator converters by AKM [Asahi Kasei Microdevices Corporation] that meet the highest sound quality standards of recording studios. The balanced differential audio input converters deliver 116 dB dynamic range, utilizing a built-in modified FIR architecture that minimizes group delay, allowing excellent linear phase response. The 24-bit audio output converters have the same 116 dB dynamic range and sport AKM’s proprietary 24-bit digital filter for better sound quality achieving low distortion characteristics and wide dynamic range. The differential outputs eliminate the need for AC coupling capacitors further increasing performance.  Input and output converters support sample rates of 44.1 kHz, 48 kHz, or 96 kHz. Overall Digital/USB in to Line-out, or Line-in to Digital/USB out dynamic range is 116 dB (A-weighted), while Line-input to Line-output dynamic range is a remarkable 113 dB (A-weighted) with vanishingly low THD+N of 0.0009%.

Studio-Quality Phono Preamps, and S/PDIF for CDJs
The Phono-CD (or any line-level source) analog input stages feature gold RCA connectors and are true studio-quality preamplifiers providing EMI[1], RFI[2] and transient overvoltage protection against ESD[3]. The circuitry provides low noise, high gain-bandwidth, low harmonic distortion, fast slew rate and high output current. The phono RIAA filter accuracy measures +0.1/-0.2 dB from perfect. Included are 18 Hz high-pass infrasonic (rumble) filters with steep 18 dB/octave slopes and ultrasonic filters beginning rolloff at 50 kHz at a 12 dB/octave rate. A zero-distortion relay selects between CD and Phono operation.

EMI (electromagnetic interference) A measure of electromagnetic radiation from equipment. 
RFI (radio frequency interference) A measure of radio frequency (RF) radiation from equipment. 
ESD (electrostatic discharge) Electrical discharges of static electricity that build up on personnel or equipment, generated by interaction of dissimilar materials.
Using CDJs? For the very best sound, bypass the D/A converters and go direct digital with S/PDIF. Regular RCA line inputs work for players without S/PDIF outputs. Switches for each input let you choose.

Filters and EQ
Sweep Filters
Each of the four Input channels and the Submix channel feature a unique and exclusive three-position toggle selector-switch. Choose between LP (low-pass), HP (high-pass) or L-H (low-pass, high-pass combo). All have steep 24 dB/octave (4th-order) slopes and are sweepable.

In the LP position the Filter knob sweeps the low-pass frequency from 20 Hz to 20 kHz (CCW to CW). The 12:00 middle position is 635 Hz. 

In the HP position the Filter knob sweeps the high-pass frequency from 20 Hz to 20 kHz (CCW to CW). The 12:00 middle position is 635 Hz.

In the L-H position the Filter knob sweeps either the LP or HP filter depending upon rotation direction from center. The 12:00 middle position bypasses both filters giving a flat unaffected response. Rotating the knob from fully counterclockwise to center sweeps the LP filter from 20 Hz to 18 kHz. Rotating the knob from center to fully clockwise sweeps the HP filter from 35 Hz to 20 kHz. 

The single Resonance (Q) knob controls the shape of all Input and Submix filters. The range is from flat (Q=0.707) to max peaking (Q=12). 

These filters are high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.

Channel Tone Controls
All input channels and the Submix channel have exceptional three-band tone controls characterized by being 12 dB/octave (2nd-order) Linkwitz-Riley, full-cut filters (kill) with selectable crossover points of 150 Hz/6.0 kHz or 300 Hz/3.0 kHz. The crossover points are selected in the user control panel when connected to a computer via one of the USB ports.

Like the Sweep Filters, the Tone Control filters are extremely accurate, high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.

Submix Channel
This unique input channel provides grouping any number of inputs for easy multi-source mixing. It allows one set of controls for all functions verses having to deal with multiple knobs and buttons on multiple channels. Plus this becomes another input simply by activating the SUB button found on the Session In section.

The Submix is great innovation for multi-track DJs, combining 1 to 4 channels plus the Session Input into a Submix, thereby controlling multiple tracks with one set of EQ, Filter, and volume controls. This means turning one knob instead of trying to turn several channel knobs at once. Quickly assign or un-assign any Input to the Submix, which has its own meter, headphone Cue, and USB record output. This is also where an external effects unit can be mixed in, and assigned to the Submix or the Main Mix. The Submix can also be used as a 5th input channel from the Session Input. No other mixer on the market provides this ease of multi-track use.

Isolator EQ Section
The proprietary three-band output Isolator is a steep 24 dB/octave (4th-order) phase-compensated Linkwitz-Riley design with continuously adjustable low-mid and mid-high crossover points. Like the Tone Controls, these filters are extremely accurate, high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.

Adjustable crossovers allow the artist to match the Isolator to the music being played. Low-mid crossover is adjustable from 80 Hz to 640 Hz. Mid-high crossover is adjustable from 1 kHz to 8 kHz.

Dual USB Ports for Simple DJ Changeover

One of the biggest challenges of digital DJing has been seamlessly changing over from one DJ to the next and playing back-to-back DJ sets. With the dual USB architecture of the MP2015 mixer, changeover between digital DJs has never been easier. Different DJ or DAW software programs are not a problem. When two DJs are connected to the MP2015, they can quickly swap deck control between computers using the Source Select knobs. Any of the four inputs can be swapped back and forth with a simple knob twist. Nice and easy, just the way we intended.

Each port can stream 24 channels of low-latency 24-bit audio at 44.1, 48, or 96 kHz.

Connect up to four turntables, four CD decks, or two of each.

S/PDIF inputs are provided for equipped CDJs. Connect a fifth CD to the Session In using either analog or S/PDIF.

Connect yet another CD or musical instrument to the AUX line input, available at any of the input channels.

Class Compliant Dual USB Ports
Dual USB ports provide simultaneous connection of two computers, enabling back-to-back sets between laptop DJs running different software without compromise or interruption—no easy feat.

The USB ports are 100% class compliant, allowing hook-up to any Mac OSx device without the need for an additional driver.

The included high-performance ASIO driver runs most Windows DAW and DJ software.

MIDI end points are class compliant with both OSX and Windows devices.

Features

• Rane MP2015 Rotary Club DJ 4 Deck Mixer W/Dual USB+32 Bit DSP
• Excellent control ergonomics with intuitive and comfortable layout.
• Potentiometers with exceptional feel and 1 million cycle life.
• Studio console grade backlit push switches.
  
• Highest quality user control surface
• Digital Signal Processing
• A/D and D/A dynamic range 116 dB A-weighted, THD+N 0.0009%.
  
• All audio processing is 32-bit floating point with supported sample rates: 44.1 kHz, 48 kHz or 96 kHz.
  
• S/PDIF inputs for each Deck and Session input with
  
• Dynamic range 128 dB with ultra-low jitter and 16:1 SRC conversion range.
  
• S/PDIF Session output to record mix or chain mixers together without analog conversion.
• 2 USB ports allow simultaneous connection of 2 computers
• Each USB port supports 10 playback and 14 record channels.
  
• Simultaneously record 4 Decks, Submix, Session In and Main mix.
  
• USB 2.0 high-speed class compliant MIDI and Audio
  
• Driver installation is not required for Mac OSX.
  
• High-performance universal ASIO driver is provided for Windows.
  
• User control panel supports user options and status.
• Analog I/O designed with attention to detail
  
• Accurate, low noise RIAA stages with 3rd-order Infrasonic (rumble) and 2nd order low-pass filters.
  
• Transient voltage and EMI protection, turn on muting and overload protection.
  
• 8 Vrms balanced outputs, 4 Vrms unbalanced I/O.
  
• Four Deck inputs with these features:
  
• Select USB A, PH/CD, AUX or USB B input with Gain trim and RIAA Phono sensitivity.
  
• Deck 1 USB playback channels 1-2
  
• Deck 2 USB playback channels 3-4
• Deck 3 USB playback channels 5-6
  
• Deck 4 USB playback channels 7-8
  
• 3-band full-cut EQ with 2 selectable crossover points: Linkwitz-Riley 2nd-order
  
• 4th-Order Selectable Low-pass, Low/High-pass, or High-pass filter with Mode, Resonance and on/off controls.
  
• Main Mix Level control, Headphone Cue, Submix assign, 16-segment Q-peak meter with Peak-hold.
  
• Session Input with Level control
  
• Source may be unbalanced RCA, S/PDIF or USB AUX playback channels 9-10.
  
• Assigned to Main Mix or Submix, where the submix can act as a fifth input channel.
  
• Microphone input with 48 volt phantom power and Line-level switches
  
• Combo XLR and 1/4" TRS input jack.
  
• May be used with a condenser mic, dynamic mic or line-level (wireless) input.
  
• Input Level control, 1-knob Tone control, on/off switch and Duck controls.
  
• Unique Submix feature
  
• Group any number of inputs for easy and intuitive multi-source mixing.
  
• Channels assigned to the Submix share a common set of controls, similar to the Deck inputs.
  
• Assignable external Effects Loop with sensitivity, in/out and wet/dry control.
  
• High performance Integrated Isolator EQ
  
• 4th-order Linkwitz-Riley 3-band Isolator with adjustable crossover points. Exceptionally smooth.
  
• Main Mix with 16-segment stereo Meter
  
• Balanced XLR Main Output with Level control.
  
• Balanced 1/4" TRS Booth Output with Level control.
  
• Session Output with Level control.
  
• S/PDIF output for digital recording or chaining mixers together.
  
• Unbalanced RCA analog output.
  
• Effects Loop may be assigned to the Main Mix or just the Submix.
• Headphone monitor
  
• Level Control, Cue/Main Pan, Mono Split or Stereo Cue.
  
• Conveniently located 3.5 mm and 1/4" jacks on the top plate and front panel.
  

Advantages of purchasing from an authorized seller:

• Best prices - We sell all Rane Products at the lowest price as possible.
• Full Factory Warranty
• Detailed information of all products
• Lifetime Customer Service by Rane Product Experts
• Guaranteed legitimate and authentic merchandise

Please note: If you purchase Rane from an un-authorized seller then you are taking a big risk. You will not have any manufacturers warranty, and there is no guarantee that the item is authentic, brand new, or even working.

Authorized Samson Dealer!

Description of SWC288HQ6-I:

Take The Worry Out Of Wireless
Samson takes the worry out of wireless with the Concert 288 Handheld Wireless System. Offering easy setup, flawless operation and premium sound, it’s the ideal high-performance UHF wireless solution for vocal performances, presentations, educational applications and more where two users are needed.

The dual-channel, frequency-agile Concert 288 Handheld allows for up to 24 systems (48 performers) to operate simultaneously (region dependent). The Concert 288 Handheld gives both performers an impressive 300’ range of wireless operation between the transmitters and receiver, making the system ideal for large stages and crowd participation. To ensure interference-free performance, the Concert 288 Handheld features a true diversity design. If a drop out does occur, the receiver’s tone key triggers an Auto Mute function to eliminate any background noise until the signal is restored.

Featuring a user-friendly front panel, the CR288 Wireless Receiver provides the system with fast and easy setup. To find your optimal channel, the CR288 provides two Select buttons for auto syncing the receiver and transmitter channels via an infrared signal. The panel also contains a dual 7-segment LED to show the operating channels, two Volume knobs, two tuned antennas, as well as Ready and Peak indicators for optimal functionality and monitoring. The back of the receiver features two separate balanced XLR outputs for routing signals to two separate mixer channels, as well as a 1/4” unbalanced mix output that condense both signals to a single channel for a direct connection into a PA speaker.

The Concert 288 Handheld features two CH288 Handheld Transmitters with Q6 Dynamic Microphone capsules. These handheld mics bring maximum versatility to any dual-user application, particularly duet performances, as well as audience participation and interview situations. The transmitters, which can operate for up to eight hours on two AA batteries each, are engineered to the finest detail to provide the ultimate in sound reproduction.

With Samson’s Concert 288 Handheld Wireless System, advanced technology and total versatility combine to provide high-quality wireless performance wherever singers, presenters, educators and others need it.

Features:

• Samson Concert 288 Handheld Dual Channel Wireless Microphone System w/ 2 Mics
• Channel I
  
• Concert 288 Handheld System:
• Dual-channel, high-performance UHF wireless system
• 1/4” audio cable, AC adapter and rackmount kit included
• CR288 Wireless Receiver:
• Multiple frequency options for interference-free performance in any environment
• Up to 24 systems can be operated simultaneously (region dependent)
• Separate Volume controls for each wireless signal
• Dual balanced XLR outputs for routing signals to two separate mixer channels
• 1/4” unbalanced mix output to combine signals to one output channel
• Two CH288 Handheld Transmitters:
• Two Q6 Dynamic Microphone capsules
• Each offers up to eight hours of battery life using two AA batteries
• 300' operating range

Samson rebate opportunity:

From 9/27/18 - 1/31/2019

If you have a wireless system from any manufacturer operating in the 614–698MHz frequency range Samson will pay you a $100 rebate for it if you purchase this item, fill out the rebate form, and return your old microphone system to them along with the completed rebate form.

to print out the rebate form and to read the rebate details.

Advantages of buying from an authorized seller:

• Best prices - We sell all Samson Products at great prices
  
• Full Factory Warranty
  
• Lifetime Customer Service by Samson product experts
  
• Guaranteed legitimate and authentic merchandise
  

Please note: If you purchase Samson from an un-authorized seller then you are taking a big risk. You will not have any manufacturers warranty, and there is no guarantee that the item is authentic, brand new, or even working.