Super Rare Bob Moog Designed Crumar Spirit Monosynth. Unique sounds, unique routings, excellent condition (minor marks, nothing major). The written specs don’t do the sonics of this one justice.
Curmar Spirit Synthesizer Keyboard
The Spirit synthesizer from Crumar was an analog synthesizer designed by Bob Moog, Jill Scott, and, Tom Rhea. It features 2 oscillators with basic sawtooth, triangle and square waves that can be synced together. The filter was highly regarded as well. the filter has low, high, and band-pass modes and is switchable between 12dB and 24dB slopes. Another plus is an independent envelope with key tracking. Other features are an external input, ring Modulator, and an arpeggiator with 3 patterns that could be synced with the LFO section.
Architecture
Type: Analog
Synthesis: Subtractive
Oscillators: 2
Waveforms: Pink Noise, Pulse Variable, Saw Up, Square, Triangle
Osc Modulation: Envelope, Keyboard, Knob, LFO, Mod Wheel, Pitch Wheel, Ring Modulation, Sync Hard
Envelopes: 2
Evelope Paramerters: Attack, Decay, Sustain, Release
Filters: 2
Types: 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, High Pass, Low Pass, Resonance
Filter Modulation: Envelope, Keyboard, LFO
LFO: 1
LFO Parameters: Sample & Hold, Square, Triangle
Polyphony: 1
Timbrality: 1
Tuning: Standard
Modes: Mono
Patches
Editing: CV
Arpeggiator
3 pattern arpeggiator with LFO Sync
Keyboard: 37 keys, Non-weighted, Plastic, Wood
Controls: Modulation - Audio Input, Faders, Pedal - Filter, Knobs, Mod - Wheel, Mod - Wheel 2, Modulation 1/4" Jacks, Modulation 1/8" Jacks, Pitch -Wheel
Connections
Audio Output Connections: 1/4" Phone Jack, Mono Out
Audio Output Count: 2
Audio Output Notes: Signal output can be split with the ADSR/Filter out and Shaper out
Inputs: 1/4"
CV Ports: CV IN, CV OUT, Gate In, Gate Out
Production
Years Manufactured : 1983-1984
Units Made: 50-100 - VERY rare
Curmar Spirit Synthesizer Keyboard
The Spirit synthesizer from Crumar was an analog synthesizer designed by Bob Moog, Jill Scott, and, Tom Rhea. It features 2 oscillators with basic sawtooth, triangle and square waves that can be synced together. The filter was highly regarded as well. the filter has low, high, and band-pass modes and is switchable between 12dB and 24dB slopes. Another plus is an independent envelope with key tracking. Other features are an external input, ring Modulator, and an arpeggiator with 3 patterns that could be synced with the LFO section.
Architecture
Type: Analog
Synthesis: Subtractive
Oscillators: 2
Waveforms: Pink Noise, Pulse Variable, Saw Up, Square, Triangle
Osc Modulation: Envelope, Keyboard, Knob, LFO, Mod Wheel, Pitch Wheel, Ring Modulation, Sync Hard
Envelopes: 2
Evelope Paramerters: Attack, Decay, Sustain, Release
Filters: 2
Types: 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, High Pass, Low Pass, Resonance
Filter Modulation: Envelope, Keyboard, LFO
LFO: 1
LFO Parameters: Sample & Hold, Square, Triangle
Polyphony: 1
Timbrality: 1
Tuning: Standard
Modes: Mono
Patches
Editing: CV
Arpeggiator
3 pattern arpeggiator with LFO Sync
Keyboard: 37 keys, Non-weighted, Plastic, Wood
Controls: Modulation - Audio Input, Faders, Pedal - Filter, Knobs, Mod - Wheel, Mod - Wheel 2, Modulation 1/4" Jacks, Modulation 1/8" Jacks, Pitch -Wheel
Connections
Audio Output Connections: 1/4" Phone Jack, Mono Out
Audio Output Count: 2
Audio Output Notes: Signal output can be split with the ADSR/Filter out and Shaper out
Inputs: 1/4"
CV Ports: CV IN, CV OUT, Gate In, Gate Out
Production
Years Manufactured : 1983-1984
Units Made: 50-100 - VERY rare
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Listed | 5 years ago |
Condition | Excellent (Used) Excellent items are almost entirely free from blemishes and other visual defects and have been played or used with the utmost care.Learn more |
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ChromaExpander’s Keyboard/Rack Module/ and Outboard Gear Sales
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