Sonoclast Plastic Pitch Plus microtonal MIDI machine

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Sonoclast: New Instruments for New Music
Durham, NC, United States
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The Plastic Pitch Plus (Patent Pending) is made for live performance and experimentation with microtonality on your favorite MIDI synthesizer.  It allows a MIDI keyboard to play a MIDI synthesizer using the microtonal tuning specified by the intuitive one-knob-per-note interface.

  • Two basic scale modes are available: 1) a twelve-tone scale mode in which the twelve knobs are used to tune up or down each of the twelve notes in a scale; and 2) an equal divisions per octave mode in which the keys of a MIDI keyboard are remapped to an integer number of equal divisions per octave between 5 and 53.
  • The two basic scale modes are implemented in two ways: 1) using MIDI pitch bend; and 2) using the MIDI Tuning Standard. The MIDI pitch bend way is backwards compatible and designed to work with all MIDI synthesizers. Whereas the MIDI Tuning Standard is the future of doing microtonality with MIDI but currently only supported by half a dozen newer hardware synthesizers.
  • MIDI input is via the IN DIN connector. MIDI output is user selectable between the OUT DIN connector and the micro-USB port for use with a computer.
  • Power is supplied via the micro-USB port.
  • The knob positions can be monitored using a Pure Data patch.  (See for more information.)
  • When using the MIDI pitch bend way (as opposed to the MIDI Tuning Standard) a polyphonic synthesizer must also be 16-part multitimbral in order to play polyphonically using the selected microtonal scale. This is because multiple MIDI channels are required to have multiple pitch bend values being used at the same time. A polyphonic synthesizer that is not multitimbral can still be played monophonically per the PPP tuning.
  • When using MIDI pitch bend (as opposed to the MIDI Tuning Standard) monophonic mode might result in unexpected tunings when holding down multiple keys and playing with a “last-note priority” technique. This is because there is no standard way for synthesizers to handle last-note priority in conjunction with the combination of multiple MIDI note and pitch bend messages. (Depending on one’s musical goals, this might be a feature.) The workaround is to play only one key at a time.
  • I have found that some software synths--specifically Propellerhead Reason ones--have noticeable latency in their MIDI pitch bend implementation. This results in swooping pitch at the attack when playing thru the Plastic Pitch Plus. Other software synths work correctly.
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